The Crystal Stopper, Maurice Leblanc [i can read books TXT] 📗

the deputy returned with a man whose head was buried in an enormous fur collar and showed him into his study.

Lupin had taken his precautions in view of any such contingency. As the windows of the study and those of his bedroom, both of which were at the back of the house, overlooked the garden, he fastened a rope-ladder to his balcony, unrolled it softly and let himself down by it until it was level with the top of the study windows.

These windows were closed by shutters; but, as they were bowed, there remained a semicircular space at the top; and Lupin, though he could not hear, was able to see all that went on inside.

He then realized that the person whom he had taken for a man was a woman: a woman who was still young, though her dark hair was mingled with gray; a tall woman, elegantly but quite unobtrusively dressed, whose handsome features bore the expression of weariness and melancholy which long suffering gives.

“Where the deuce have I seen her before?” Lupin asked himself. “For I certainly know that face, that look, that expression.”

She stood leaning against the table, listening impassively to Daubrecq, who was also standing and who was talking very excitedly. He had his back turned to Lupin; but Lupin, leaning forward, caught sight of a glass in which the deputy’s image was reflected. And he was startled to see the strange look in his eyes, the air of fierce and brutal desire with which Daubrecq was staring at his visitor.

It seemed to embarrass her too, for she sat down with lowered lids. Then Daubrecq leant over her and it appeared as though he were ready to fling his long arms, with their huge hands, around her. And, suddenly, Lupin perceived great tears rolling down the woman’s sad face.

Whether or not it was the sight of those tears that made Daubrecq lose his head, with a brusque movement he clutched the woman and drew her to him. She repelled him, with a violence full of hatred. And, after a brief struggle, during which Lupin caught a glimpse of the man’s bestial and contorted features, the two of them stood face to face, railing at each other like mortal enemies.

Then they stopped. Daubrecq sat down. There was mischief in his face, and sarcasm as well. And he began to talk again, with sharp taps on the table, as though he were dictating terms.

She no longer stirred. She sat haughtily in her chair and towered over him, absentminded, with roaming eyes. Lupin, captivated by that powerful and sorrowful countenance, continued to watch her; and he was vainly seeking to remember of what or of whom she reminded him, when he noticed that she had turned her head slightly and that she was imperceptibly moving her arm.

And her arm strayed farther and farther and her hand crept along the table and Lupin saw that, at the end of the table, there stood a water-bottle with a gold-topped stopper. The hand reached the water-bottle, felt it, rose gently and seized the stopper. A quick movement of the head, a glance, and the stopper was put back in its place. Obviously, it was not what the woman hoped to find.

“Dash it!” said Lupin. “She’s after the crystal stopper too! The matter is becoming more complicated daily; there’s no doubt about it.”

But, on renewing his observation of the visitor, he was astounded to note the sudden and unexpected expression of her countenance, a terrible, implacable, ferocious expression. And he saw that her hand was continuing its stealthy progress round the table and that, with an uninterrupted and crafty sliding movement, it was pushing back books and, slowly and surely, approaching a dagger whose blade gleamed among the scattered papers.

It gripped the handle.

Daubrecq went on talking. Behind his back, the hand rose steadily, little by little; and Lupin saw the woman’s desperate and furious eyes fixed upon the spot in the neck where she intended to plant the knife:

“You’re doing a very silly thing, fair lady,” thought Lupin.

And he already began to turn over in his mind the best means of escaping and of taking Victoire with him.

She hesitated, however, with uplifted arm. But it was only a momentary weakness. She clenched her teeth. Her whole face, contracted with hatred, became yet further convulsed. And she made the dread movement.

At the same instant Daubrecq crouched and, springing from his seat, turned and seized the woman’s frail wrist in midair.

Oddly enough, he addressed no reproach to her, as though the deed which she had attempted surprised him no more than any ordinary, very natural and simple act. He shrugged his shoulders, like a man accustomed to that sort of danger, and strode up and down in silence.

She had dropped the weapon and was now crying, holding her head between her hands, with sobs that shook her whole frame.

He next came up to her and said a few words, once more tapping the table as he spoke.

She made a sign in the negative and, when he insisted, she, in her turn, stamped her foot on the floor and exclaimed, loud enough for Lupin to hear:

“Never!⁠ ⁠… Never!⁠ ⁠…”

Thereupon, without another word, Daubrecq fetched the fur cloak which she had brought with her and hung it over the woman’s shoulders, while she shrouded her face in a lace wrap.

And he showed her out.

Two minutes later, the garden-gate was locked again. “Pity I can’t run after that strange person,” thought Lupin, “and have a chat with her about the Daubrecq bird. Seems to me that we two could do a good stroke of business together.”

In any case, there was one point to be cleared up: Daubrecq the deputy, whose life was so orderly, so apparently respectable, was in the habit of receiving visits at night, when his house was no longer watched by the police.

He sent Victoire to arrange with two members of his gang to keep watch for several days. And he himself remained awake next night.

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