The Pilgrim’s Progress, John Bunyan [most popular novels .txt] 📗

then their art is to confound His offices, until they jostle out of doors the merit of His blood and the perfection of His justifying righteousness. Such draw away the people from the cross (put out their eyes), and lead them among the infidels. —⁠Bunyan’s Israel’s Hope, vol. 1, p. 615 ↩

Probably to guard pilgrims against the Popish doctrine of auricular confession. —⁠Editor ↩

Those seem to shun the common broad road; but having only the mark of religion, while their hearts are not right with God, are as effectually ruined as the most profligate and open offenders. —⁠Burder ↩

Thus we read of some who were once enlightened, and had tasted of the heavenly gift, and were made partakers of the world to come (Hebrews 6:6). It is hard to say how far or how long a person may carry on a profession, and yet fall away, and come short of the kingdom at last. This should excite to diligence, humility, and circumspection, ever looking to Jesus to keep us from falling. —⁠Mason ↩

It reflects the highest credit on the diffidence of Bunyan’s genius⁠—a genius as rich in its inventions, and as aspiring in its imaginative flights, as ever poet could possess or lay claim to⁠—that, after such an exordium, he should have made no effort minutely to describe what was in its own splendour of glory indescribable. How beautifully, without exciting any disappointment in a reader of taste, feeling, and judgment, does he, by a few artless words, render most impressive and sublime, what more elaborate description could only have made confused and unsatisfactory. Nothing can be more admirable than this brief and indistinct report of the perspective glass, it cannot offend the most fastidious taste, yet leaves scope for the exercise of the most ardent and aspiring imagination. —⁠Bernard Barton ↩

Such mountains round about this house do stand.
As one from thence may see the Holy Land.

—⁠Bunyan’s House of God, vol. 2, p. 579

↩

After going through the conflict with Apollyon, the Valley of the Shadow of Death, the scenes in Vanity Fair, and the dread experience of the pilgrims in Giant Despair’s Castle, it is well to note what a gallery of solemn realities is here, what a system of Divine truth, commending itself to all men’s consciences. It is not so much the richness of imagination, nor the tenderness of feeling here exhibited, nor the sweetness and beauty of the imagery, with which this book is filled, as it is the presence of these realities that constitutes the secret of its unbounded power over the soul. Walk up and down in this rich and solemn gallery. How simple are its ornaments! How grave, yet beautiful, its architecture! Amidst all this deep, serene beauty to the imagination, by how much deeper a tone do these pictures speak to the inner spiritual being of the soul! When you have admired the visible beauty of the paintings, turn again to seek their meaning in that light from eternity by which the artist painted them, and by which he would have all men examine their lessons, and receive and feel the full power of their colouring. In this light, the walls of this gallery seem moving with celestial figures speaking to the soul. They are acting the drama of a life which, by most men, is only dreamed of; but the drama is the reality, and it is the spectators only who are walking in a vain show. —⁠Cheever ↩

This is the first break in the dream, and, doubtless, had an important meaning. Perhaps the pilgrimage may be divided into four parts: 1. The convert flying from the wrath to come; instructed at the Interpreter’s house; relieved of his burden at the cross; ascends the Hill Difficulty; overcomes his timidity; and, 2. Enters a church at the House Beautiful; and, as a private member, continues his journey, until, 3. He meets Evangelist, near Vanity Fair, and is found fit to become an itinerant preacher; in which calling he suffers persecution, and obtains that fitness which enables him, 4. On the Delectable Mountains, to enter upon the responsible duties of a ministering elder or pastor of a church, and is ordained by Knowledge, Experience, Watchful, and Sincere. Is this commencement of his public labours the important point when the author “awoke from his dream?” —⁠Editor ↩

This country we are all born in; all are ignoramuses by nature. Some live long in the country of Conceit, and many end their days in it. Are you come out of it? So was Ignorance; but he breathed his native air. So long as a sinner thinks he can do anything towards making himself righteous before God, his name is Ignorance; he is full of self-conceit, and destitute of the faith of Christ. —⁠Mason ↩

Now, is it not very common to hear professors talk at this rate? Yes, and many who make a very high profession too; their hopes are plainly grounded upon what they are in themselves, and how they differ from their former selves and other sinners, instead of what Christ is to us and what we are in Christ. But the profession of such is begun with an ignorant, whole, self-righteous heart; it is continued in pride, self-seeking, and self-exalting, and ends in awful disappointment. For such are called by our Lord thieves and robbers; they rob Him of the glory of His grace and the gift of His imputed righteousness. —⁠Mason ↩

Proverbs 26:12. ↩

Ecclesiastes 10:3. ↩

It is best not to converse much at once with persons of this character, but, after a few warnings, to leave them to their reflections; for their self-conceit is often cherished by altercations, in which they deem themselves