North of Boston, Robert Frost [classic literature list .txt] 📗

“You don’t see⁠—I’ve a child here by the hand.”

“What’s a child doing at this time of night⁠—?”

“Out walking. Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?”

“Then I should think you’d try to find
Somewhere to walk⁠—”

“The highway as it happens⁠—
We’re stopping for the fortnight down at Dean’s.”
“But if that’s all⁠—Joel⁠—you realize⁠—
You won’t think anything. You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!” She spoke as if she couldn’t turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.

“Willis, I didn’t want you here today:
The lawyer’s coming for the company.
I’m going to sell my soul, or, rather, feet.
Five hundred dollars for the pair, you know.”

“With you the feet have nearly been the soul;
And if you’re going to sell them to the devil,
I want to see you do it. When’s he coming?”

“I half suspect you knew, and came on purpose
To try to help me drive a better bargain.”

“Well, if it’s true! Yours are no common feet.
The lawyer don’t know what it is he’s buying:
So many miles you might have walked you won’t walk.
You haven’t run your forty orchids down.
What does he think?⁠—How are the blessed feet?
The doctor’s sure you’re going to walk again?”

“He thinks I’ll hobble. It’s both legs and feet.”

“They must be terrible⁠—I mean to look at.”

“I haven’t dared to look at them uncovered.
Through the bed blankets I remind myself
Of a starfish laid out with rigid points.”

“The wonder is it hadn’t been your head.”

“It’s hard to tell you how I managed it.
When I saw the shaft had me by the coat,
I didn’t try too long to pull away,
Or fumble for my knife to cut away,
I just embraced the shaft and rode it out⁠—
Till Weiss shut off the water in the wheel-pit.
That’s how I think I didn’t lose my head.
But my legs got their knocks against the ceiling.”

“Awful. Why didn’t they throw off the belt
Instead of going clear down in the wheel-pit?”

“They say some time was wasted on the belt⁠—
Old streak of leather⁠—doesn’t love me much
Because I make him spit fire at my knuckles,
The way Ben Franklin used to make the kite-string.
That must be it. Some days he won’t stay on.
That day a woman couldn’t coax him off.
He’s on his rounds now with his tail in his mouth
Snatched right and left across the silver pulleys.
Everything goes the same without me there.
You can hear the small buzz saws whine, the big saw
Caterwaul to the hills around the village
As they both bite the wood. It’s all our music.
One ought as a good villager to like it.
No doubt it has a sort of prosperous sound,
And it’s our life.”

“Yes, when it’s not our death.”

“You make that sound as if it wasn’t so
With everything. What we live by we die by.
I wonder where my lawyer is. His train’s in.
I want this over with; I’m hot and tired.”

“You’re getting ready to do something foolish.”

“Watch for him, will you, Will? You let him in.
I’d rather Mrs. Corbin didn’t know;
I’ve boarded here so long, she thinks she owns me.
You’re bad enough to manage without her.”

“And I’m going to be worse instead of better.
You’ve got to tell me how far this is gone:
Have you agreed to any price?”

“Five hundred.
Five hundred⁠—five⁠—five! One, two, three, four, five.
You needn’t look at me.”

“I don’t believe you.”

“I told you, Willis, when you first came in.
Don’t you be hard on me. I have to take
What I can get. You see they have the feet,
Which gives them the advantage in the trade.
I can’t get back the feet in any case.”

“But your flowers, man, you’re selling out your flowers.”

“Yes, that’s one way to put it⁠—all the flowers
Of every kind everywhere in this region
For the next forty summers⁠—call it forty.
But I’m not selling those, I’m giving them,
They never earned me so much as one cent:
Money can’t pay me for the loss of them.
No, the five hundred was the sum they named
To pay the doctor’s bill and tide me over.
It’s that or fight, and I don’t want to fight⁠—
I just want to get settled in my life,
Such as it’s going to be, and know the worst,
Or best⁠—it may not be so bad. The firm
Promise me all the shooks I want to nail.”

“But what about your flora of the valley?”

“You have me there. But that⁠—you didn’t think
That was worth money to me? Still I own
It goes against me not to finish it
For the friends it might bring me. By the way,
I had a letter from Burroughs⁠—did I tell you?⁠—
About my Cyprepedium reginæ;
He says it’s not reported so far north.
There! there’s the bell. He’s rung. But you go down
And bring him up, and don’t let Mrs. Corbin.⁠—
Oh, well, we’ll soon be through with it. I’m tired.”

Willis brought up besides the Boston lawyer
A little barefoot girl who in the noise
Of heavy footsteps in the old frame house,
And baritone importance of the lawyer,
Stood for a while unnoticed with her hands
Shyly behind her.

“Well, and how is Mister⁠—”
The lawyer was already in his satchel
As if for papers that might bear the name
He hadn’t at command. “You must excuse me,
I dropped in at the mill and was detained.”

“Looking round, I suppose,” said Willis.

“Yes,
Well, yes.”

“Hear anything that might prove useful?”

The Broken One saw Anne. “Why, here is Anne.
What do you want, dear? Come, stand by the bed;
Tell me what is it?” Anne just wagged her dress
With both hands held behind her. “Guess,” she said.

“Oh, guess which hand? My my! Once on a time
I knew a lovely way to tell for certain
By looking in the ears. But I forget it.
Er, let me see. I think I’ll take the right.
That’s sure to be right even if it’s wrong.
Come, hold it out. Don’t change.⁠—A Ram’s Horn orchid!
A Ram’s Horn! What would I have got, I wonder,
If I had chosen left. Hold out the left.
Another Ram’s Horn! Where did you find those,
Under what beech tree, on what woodchuck’s knoll?”

Anne looked at the large lawyer at her side,
And thought she wouldn’t venture on so