Notre-Dame de Paris, Victor Hugo [i like reading TXT] 📗

patuit dea) presented herself to them, clad in a fine robe bearing the heraldic device of the ship of the city of Paris. She had come herself to claim the dolphin promised to the most beautiful. Jupiter, whose thunder could be heard rumbling in the dressing-room, supported her claim, and Venus was on the point of carrying it off⁠—that is to say, without allegory, of marrying monsieur the dauphin, when a young child clad in white damask, and holding in her hand a daisy (a transparent personification of Mademoiselle Marguerite of Flanders) came to contest it with Venus.

Theatrical effect and change.

After a dispute, Venus, Marguerite, and the assistants agreed to submit to the good judgment of time holy Virgin. There was another good part, that of the king of Mesopotamia; but through so many interruptions, it was difficult to make out what end he served. All these persons had ascended by the ladder to the stage.

But all was over; none of these beauties had been felt nor understood. On the entrance of the cardinal, one would have said that an invisible magic thread had suddenly drawn all glances from the marble table to the gallery, from the southern to the western extremity of the hall. Nothing could disenchant the audience; all eyes remained fixed there, and the newcomers and their accursed names, and their faces, and their costumes, afforded a continual diversion. This was very distressing. With the exception of Gisquette and Liénarde, who turned round from time to time when Gringoire plucked them by the sleeve; with the exception of the big, patient neighbor, no one listened, no one looked at the poor, deserted morality full face. Gringoire saw only profiles.

With what bitterness did he behold his whole erection of glory and of poetry crumble away bit by bit! And to think that these people had been upon the point of instituting a revolt against the bailiff through impatience to hear his work! now that they had it they did not care for it. This same representation which had been begun amid so unanimous an acclamation! Eternal flood and ebb of popular favor! To think that they had been on the point of hanging the bailiff’s sergeant! What would he not have given to be still at that hour of honey!

But the usher’s brutal monologue came to an end; everyone had arrived, and Gringoire breathed freely once more; the actors continued bravely. But Master Coppenole, the hosier, must needs rise of a sudden, and Gringoire was forced to listen to him deliver, amid universal attention, the following abominable harangue.

“Messieurs the bourgeois and squires of Paris, I don’t know, cross of God! what we are doing here. I certainly do see yonder in the corner on that stage, some people who appear to be fighting. I don’t know whether that is what you call a ‘mystery,’ but it is not amusing; they quarrel with their tongues and nothing more. I have been waiting for the first blow this quarter of an hour; nothing comes; they are cowards who only scratch each other with insults. You ought to send for the fighters of London or Rotterdam; and, I can tell you! you would have had blows of the fist that could be heard in the Place; but these men excite our pity. They ought at least, to give us a moorish dance, or some other mummer! That is not what was told me; I was promised a feast of fools, with the election of a pope. We have our pope of fools at Ghent also; we’re not behindhand in that, cross of God! But this is the way we manage it; we collect a crowd like this one here, then each person in turn passes his head through a hole, and makes a grimace at the rest; time one who makes the ugliest, is elected pope by general acclamation; that’s the way it is. It is very diverting. Would you like to make your pope after the fashion of my country? At all events, it will be less wearisome than to listen to chatterers. If they wish to come and make their grimaces through the hole, they can join the game. What say you, Messieurs les bourgeois? You have here enough grotesque specimens of both sexes, to allow of laughing in Flemish fashion, and there are enough of us ugly in countenance to hope for a fine grinning match.”

Gringoire would have liked to retort; stupefaction, rage, indignation, deprived him of words. Moreover, the suggestion of the popular hosier was received with such enthusiasm by these bourgeois who were flattered at being called “squires,” that all resistance was useless. There was nothing to be done but to allow one’s self to drift with the torrent. Gringoire hid his face between his two hands, not being so fortunate as to have a mantle with which to veil his head, like Agamemnon of Timantis.

V Quasimodo

In the twinkling of an eye, all was ready to execute Coppenole’s idea. Bourgeois, scholars and law clerks all set to work. The little chapel situated opposite the marble table was selected for the scene of the grinning match. A pane broken in the pretty rose window above the door, left free a circle of stone through which it was agreed that the competitors should thrust their heads. In order to reach it, it was only necessary to mount upon a couple of hogsheads, which had been produced from I know not where, and perched one upon the other, after a fashion. It was settled that each candidate, man or woman (for it was possible to choose a female pope), should, for the sake of leaving the impression of his grimace fresh and complete, cover his face and remain concealed in the chapel until the moment of his appearance. In less than an instant, the chapel was crowded with competitors, upon whom the door was then closed.

Coppenole, from his post, ordered all, directed all, arranged all.