While the Billy Boils, Henry Lawson [hardest books to read .txt] 📗

Sometimes the boy sticks his head into the cow’s side, hangs on by a teat, and dozes, while the bucket, mechanically gripped between his knees, sinks lower and lower till it rests on the ground. Likely as not he’ll doze on until his mother’s shrill voice startles him with an inquiry as to whether he intends to get that milking done today; other times he is roused by the plunging of the cow, or knocked over by a calf which has broken through a defective panel in the pen. In the latter case the youth gets tackle on to the calf, detaches its head from the teat with the heel of his boot, and makes it fast somewhere. Sometimes the cow breaks or loosens the leg-rope and gets her leg into the bucket and then the youth clings desperately to the pail and hopes she’ll get her hoof out again without spilling the milk. Sometimes she does, more often she doesn’t⁠—it depends on the strength of the boy and the pail and on the strategy of the former. Anyway, the boy will lam the cow down with a jagged yard shovel, let her out, and bail up another.

When he considers that he has finished milking he lets the cows out with their calves and carries the milk down to the dairy, where he has a heated argument with his mother, who⁠—judging from the quantity of milk⁠—has reason to believe that he has slummed some of the milkers. This he indignantly denies, telling her she knows very well the cows are going dry.

The dairy is built of rotten box bark⁠—though there is plenty of good stringy-bark within easy distance⁠—and the structure looks as if it wants to lie down and is only prevented by three crooked props on the leaning side; more props will soon be needed in the rear for the dairy shows signs of going in that direction. The milk is set in dishes made of kerosene tins, cut in halves, which are placed on bark shelves fitted round against the walls. The shelves are not level and the dishes are brought to a comparatively horizontal position by means of chips and bits of bark, etc., inserted under the lower side. The milk is covered by soiled sheets of old newspapers supported on sticks laid across the dishes. This protection is necessary, because the box bark in the roof has crumbled away and left fringed holes⁠—also because the fowls roost up there. Sometimes the paper sags, and the cream may have to be scraped off an article on Dairy Farming.

The selector’s wife removes the newspapers, and reveals a thick, yellow layer of rich cream, plentifully peppered with dust that has drifted in somehow. She runs a forefinger round the edges of the cream to detach it from the tin, wipes her finger in her mouth, and skims. If the milk and cream are very thick she rolls the cream over like a pancake with her fingers, and lifts it out in sections. The thick milk is poured into a slop-bucket, for the pigs and calves, the dishes are “cleaned”⁠—by the aid of a dipper full of warm water and a rag⁠—and the wife proceeds to set the morning’s milk. Tom holds up the doubtful-looking rag that serves as a strainer while his mother pours in the milk. Sometimes the boy’s hands get tired and he lets some of the milk run over, and gets into trouble; but it doesn’t matter much, for the straining-cloth has several sizable holes in the middle.

The door of the dairy faces the dusty road and is off its hinges and has to be propped up. The prop is missing this morning, and Tommy is accused of having been seen chasing old Poley with it at an earlier hour. He never see’d the damn prop, never chased no cow with it, and wants to know what’s the use of always accusing him. He further complains that he’s always blamed for everything. The pole is not forthcoming, and so an old dray is backed against the door to keep it in position. There is more trouble about a cow that is lost, and hasn’t been milked for two days. The boy takes the cows up to the paddock sliprails and lets the top rail down: the lower rail fits rather tightly and some exertion is required to free it, so he makes the animals jump that one. Then he “poddies”⁠—hand-feeds⁠—the calves which have been weaned too early. He carries the skim-milk to the yard in a bucket made out of an oil-drum⁠—sometimes a kerosene tin⁠—seizes a calf by the nape of the neck with his left hand, inserts the dirty forefinger of his right into its mouth, and shoves its head down into the milk. The calf sucks, thinking it has a teat, and pretty soon it butts violently⁠—as calves do to remind their mothers to let down the milk⁠—and the boy’s wrist gets barked against the jagged edge of the bucket. He welts that calf in the jaw, kicks it in the stomach, tries to smother it with its nose in the milk, and finally dismisses it with the assistance of the calf rope and a shovel, and gets another. His hand feels sticky and the cleaned finger makes it look as if he wore a filthy, greasy glove with the forefinger torn off.

The selector himself is standing against a fence talking to a neighbour. His arms rest on the top rail of the fence, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on a white cow that is chewing her cud on the opposite side of the fence. The neighbour’s arms rest on the top rail also, his chin rests on his hands, his pipe rests between his fingers, and his eyes rest on the cow. They are talking about that cow. They have been talking about her for three hours. She is