Night and Day, Virginia Woolf [electronic book reader .txt] 📗

in Mary’s room,” said Ralph. “She must be at home.” He pointed across the street. Katharine’s eyes rested there too.

“Is she alone, working at this time of night? What is she working at?” she wondered. “Why should we interrupt her?” she asked passionately. “What have we got to give her? She’s happy too,” she added. “She has her work.” Her voice shook slightly, and the light swam like an ocean of gold behind her tears.

“You don’t want me to go to her?” Ralph asked.

“Go, if you like; tell her what you like,” she replied.

He crossed the road immediately, and went up the steps into Mary’s house. Katharine stood where he left her, looking at the window and expecting soon to see a shadow move across it; but she saw nothing; the blinds conveyed nothing; the light was not moved. It signaled to her across the dark street; it was a sign of triumph shining there forever, not to be extinguished this side of the grave. She brandished her happiness as if in salute; she dipped it as if in reverence. “How they burn!” she thought, and all the darkness of London seemed set with fires, roaring upwards; but her eyes came back to Mary’s window and rested there satisfied. She had waited some time before a figure detached itself from the doorway and came across the road, slowly and reluctantly, to where she stood.

“I didn’t go in⁠—I couldn’t bring myself,” he broke off. He had stood outside Mary’s door unable to bring himself to knock; if she had come out she would have found him there, the tears running down his cheeks, unable to speak.

They stood for some moments, looking at the illuminated blinds, an expression to them both of something impersonal and serene in the spirit of the woman within, working out her plans far into the night⁠—her plans for the good of a world that none of them were ever to know. Then their minds jumped on and other little figures came by in procession, headed, in Ralph’s view, by the figure of Sally Seal.

“Do you remember Sally Seal?” he asked. Katharine bent her head.

“Your mother and Mary?” he went on. “Rodney and Cassandra? Old Joan up at Highgate?” He stopped in his enumeration, not finding it possible to link them together in any way that should explain the queer combination which he could perceive in them, as he thought of them. They appeared to him to be more than individuals; to be made up of many different things in cohesion; he had a vision of an orderly world.

“It’s all so easy⁠—it’s all so simple,” Katherine quoted, remembering some words of Sally Seal’s, and wishing Ralph to understand that she followed the track of his thought. She felt him trying to piece together in a laborious and elementary fashion fragments of belief, unsoldered and separate, lacking the unity of phrases fashioned by the old believers. Together they groped in this difficult region, where the unfinished, the unfulfilled, the unwritten, the unreturned, came together in their ghostly way and wore the semblance of the complete and the satisfactory. The future emerged more splendid than ever from this construction of the present. Books were to be written, and since books must be written in rooms, and rooms must have hangings, and outside the windows there must be land, and an horizon to that land, and trees perhaps, and a hill, they sketched a habitation for themselves upon the outline of great offices in the Strand and continued to make an account of the future upon the omnibus which took them towards Chelsea; and still, for both of them, it swam miraculously in the golden light of a large steady lamp.

As the night was far advanced they had the whole of the seats on the top of the omnibus to choose from, and the roads, save for an occasional couple, wearing even at midnight, an air of sheltering their words from the public, were deserted. No longer did the shadow of a man sing to the shadow of a piano. A few lights in bedroom windows burnt but were extinguished one by one as the omnibus passed them.

They dismounted and walked down to the river. She felt his arm stiffen beneath her hand, and knew by this token that they had entered the enchanted region. She might speak to him, but with that strange tremor in his voice, those eyes blindly adoring, whom did he answer? What woman did he see? And where was she walking, and who was her companion? Moments, fragments, a second of vision, and then the flying waters, the winds dissipating and dissolving; then, too, the recollection from chaos, the return of security, the earth firm, superb and brilliant in the sun. From the heart of his darkness he spoke his thanksgiving; from a region as far, as hidden, she answered him. On a June night the nightingales sing, they answer each other across the plain; they are heard under the window among the trees in the garden. Pausing, they looked down into the river which bore its dark tide of waters, endlessly moving, beneath them. They turned and found themselves opposite the house. Quietly they surveyed the friendly place, burning its lamps either in expectation of them or because Rodney was still there talking to Cassandra. Katharine pushed the door half open and stood upon the threshold. The light lay in soft golden grains upon the deep obscurity of the hushed and sleeping household. For a moment they waited, and then loosed their hands. “Good night,” he breathed. “Good night,” she murmured back to him.

Colophon

Night and Day
was published in 1919 by
Virginia Woolf.

This ebook was produced for
Standard Ebooks
by
Zoey Leigh Peterson,
and is based on a transcription produced in 1998 by
Judy Boss and David Widger
for
Project Gutenberg
and on digital scans available at the
HathiTrust Digital Library.

The cover page is adapted from
March