Notre-Dame de Paris, Victor Hugo [i like reading TXT] 📗

what was being done, what they wanted, but foreseeing a terrible issue.

In the midst of this anguish, she heard someone walking near her. She turned round. Two men, one of whom carried a lantern, had just entered her cell. She uttered a feeble cry.

“Fear nothing,” said a voice which was not unknown to her, “it is I.”

“Who are you?” she asked.

“Pierre Gringoire.”

This name reassured her. She raised her eyes once more, and recognized the poet in very fact. But there stood beside him a black figure veiled from head to foot, which struck her by its silence.

“Oh!” continued Gringoire in a tone of reproach, “Djali recognized me before you!”

The little goat had not, in fact, waited for Gringoire to announce his name. No sooner had he entered than it rubbed itself gently against his knees, covering the poet with caresses and with white hairs, for it was shedding its hair. Gringoire returned the caresses.

“Who is this with you?” said the gypsy, in a low voice.

“Be at ease,” replied Gringoire. “ ’Tis one of my friends.” Then the philosopher setting his lantern on the ground, crouched upon the stones, and exclaimed enthusiastically, as he pressed Djali in his arms⁠—

“Oh! ’tis a graceful beast, more considerable no doubt, for it’s neatness than for its size, but ingenious, subtle, and lettered as a grammarian! Let us see, my Djali, hast thou forgotten any of thy pretty tricks? How does Master Jacques Charmolue?⁠ ⁠…”

The man in black did not allow him to finish. He approached Gringoire and shook him roughly by the shoulder.

Gringoire rose.

“ ’Tis true,” said he: “I forgot that we are in haste. But that is no reason master, for getting furious with people in this manner. My dear and lovely child, your life is in danger, and Djali’s also. They want to hang you again. We are your friends, and we have come to save you. Follow us.”

“Is it true?” she exclaimed in dismay.

“Yes, perfectly true. Come quickly!”

“I am willing,” she stammered. “But why does not your friend speak?”

“Ah!” said Gringoire, “ ’tis because his father and mother were fantastic people who made him of a taciturn temperament.”

She was obliged to content herself with this explanation. Gringoire took her by the hand; his companion picked up the lantern and walked on in front. Fear stunned the young girl. She allowed herself to be led away. The goat followed them, frisking, so joyous at seeing Gringoire again that it made him stumble every moment by thrusting its horns between his legs.

“Such is life,” said the philosopher, every time that he came near falling down; “ ’tis often our best friends who cause us to be overthrown.”

They rapidly descended the staircase of the towers, crossed the church, full of shadows and solitude, and all reverberating with uproar, which formed a frightful contrast, and emerged into the courtyard of the cloister by the red door. The cloister was deserted; the canons had fled to the bishop’s palace in order to pray together; the courtyard was empty, a few frightened lackeys were crouching in dark corners. They directed their steps towards the door which opened from this court upon the Terrain. The man in black opened it with a key which he had about him. Our readers are aware that the Terrain was a tongue of land enclosed by walls on the side of the City and belonging to the chapter of Notre-Dame, which terminated the island on the east, behind the church. They found this enclosure perfectly deserted. There was here less tumult in the air. The roar of the outcasts’ assault reached them more confusedly and less clamorously. The fresh breeze which follows the current of a stream, rustled the leaves of the only tree planted on the point of the Terrain, with a noise that was already perceptible. But they were still very close to danger. The nearest edifices to them were the bishop’s palace and the church. It was plainly evident that there was great internal commotion in the bishop’s palace. Its shadowy mass was all furrowed with lights which flitted from window to window; as, when one has just burned paper, there remains a sombre edifice of ashes in which bright sparks run a thousand eccentric courses. Beside them, the enormous towers of Notre-Dame, thus viewed from behind, with the long nave above which they rise cut out in black against the red and vast light which filled the Parvis, resembled two gigantic andirons of some cyclopean fire-grate.

What was to be seen of Paris on all sides wavered before the eye in a gloom mingled with light. Rembrandt has such backgrounds to his pictures.

The man with the lantern walked straight to the point of the Terrain. There, at the very brink of the water, stood the worm-eaten remains of a fence of posts latticed with laths, whereon a low vine spread out a few thin branches like the fingers of an outspread hand. Behind, in the shadow cast by this trellis, a little boat lay concealed. The man made a sign to Gringoire and his companion to enter. The goat followed them. The man was the last to step in. Then he cut the boat’s moorings, pushed it from the shore with a long boat-hook, and, seizing two oars, seated himself in the bow, rowing with all his might towards midstream. The Seine is very rapid at this point, and he had a good deal of trouble in leaving the point of the island.

Gringoire’s first care on entering the boat was to place the goat on his knees. He took a position in the stern; and the young girl, whom the stranger inspired with an indefinable uneasiness, seated herself close to the poet.

When our philosopher felt the boat sway, he clapped his hands and kissed Djali between the horns.

“Oh!” said he, “now we are safe, all four of us.”

He added with the air of a profound thinker, “One is indebted sometimes to fortune, sometimes to ruse, for the happy issue of great enterprises.”

The boat made