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much hurts. And yet⁠ ⁠…

“I know, I know⁠—and some day we shall see.

“All this frightful stress, all this discord will resolve to harmony, and we shall know it. Nothing is but it makes for that. Nothing. All the failures⁠—every little thing makes for that harmony. Everything is necessary to it, we shall find. We shall find. Nothing, not even the most dreadful thing, could be left out. Not even the most trivial. Every tap of your hammer on the brass, every moment of work, my idleness even⁠ ⁠… Dear one! every movement of our poor little one⁠ ⁠… All these things go on forever. And the faint impalpable things. We, sitting here together.⁠—Everything⁠ ⁠…

“The passion that joined us, and what has come since. It is not passion now. More than anything else it is sorrow. Dear⁠—”

He could say no more, could follow his thoughts no further.

Elizabeth made no answer⁠—she was very still; but presently her hand sought his and found it.

IV Underneath

Under the stars one may reach upward and touch resignation, whatever the evil thing may be, but in the heat and stress of the day’s work we lapse again, come disgust and anger and intolerable moods. How little is all our magnanimity⁠—an accident! a phase! The very Saints of old had first to flee the world. And Denton and his Elizabeth could not flee their world, no longer were there open roads to unclaimed lands where men might live freely⁠—however hardly⁠—and keep their souls in peace. The city had swallowed up mankind.

For a time these two Labour Serfs were kept at their original occupations, she at her brass stamping and Denton at his press; and then came a move for him that brought with it fresh and still bitterer experiences of life in the underways of the great city. He was transferred to the care of a rather more elaborate press in the central factory of the London Tile Trust.

In this new situation he had to work in a long vaulted room with a number of other men, for the most part born Labour Serfs. He came to this intercourse reluctantly. His upbringing had been refined, and, until his ill fortune had brought him to that costume, he had never spoken in his life, except by way of command or some immediate necessity, to the white-faced wearers of the blue canvas. Now at last came contact; he had to work beside them, share their tools, eat with them. To both Elizabeth and himself this seemed a further degradation.

His taste would have seemed extreme to a man of the nineteenth century. But slowly and inevitably in the intervening years a gulf had opened between the wearers of the blue canvas and the classes above, a difference not simply of circumstances and habits of life, but of habits of thought⁠—even of language. The underways had developed a dialect of their own: above, too, had arisen a dialect, a code of thought, a language of “culture,” which aimed by a sedulous search after fresh distinction to widen perpetually the space between itself and “vulgarity.” The bond of a common faith, moreover, no longer held the race together. The last years of the nineteenth century were distinguished by the rapid development among the prosperous idle of esoteric perversions of the popular religion: glosses and interpretations that reduced the broad teachings of the carpenter of Nazareth to the exquisite narrowness of their lives. And, spite of their inclination towards the ancient fashion of living, neither Elizabeth nor Denton had been sufficiently original to escape the suggestion of their surroundings. In matters of common behaviour they had followed the ways of their class, and so when they fell at last to be Labour Serfs it seemed to them almost as though they were falling among offensive inferior animals; they felt as a nineteenth-century duke and duchess might have felt who were forced to take rooms in the Jago.

Their natural impulse was to maintain a “distance.” But Denton’s first idea of a dignified isolation from his new surroundings was soon rudely dispelled. He had imagined that his fall to the position of a Labour Serf was the end of his lesson, that when their little daughter had died he had plumbed the deeps of life; but indeed these things were only the beginning. Life demands something more from us than acquiescence. And now in a roomful of machine minders he was to learn a wider lesson, to make the acquaintance of another factor in life, a factor as elemental as the loss of things dear to us, more elemental even than toil.

His quiet discouragement of conversation was an immediate cause of offence⁠—was interpreted, rightly enough I fear, as disdain. His ignorance of the vulgar dialect, a thing upon which he had hitherto prided himself, suddenly took upon itself a new aspect. He failed to perceive at once that his reception of the coarse and stupid but genially intended remarks that greeted his appearance must have stung the makers of these advances like blows in their faces. “Don’t understand,” he said rather coldly, and at hazard, “No, thank you.”

The man who had addressed him stared, scowled, and turned away.

A second, who also failed at Denton’s unaccustomed ear, took the trouble to repeat his remark, and Denton discovered he was being offered the use of an oil can. He expressed polite thanks, and this second man embarked upon a penetrating conversation. Denton, he remarked, had been a swell, and he wanted to know how he had come to wear the blue. He clearly expected an interesting record of vice and extravagance. Had Denton ever been at a Pleasure City? Denton was speedily to discover how the existence of these wonderful places of delight permeated and defiled the thought and honour of these unwilling, hopeless workers of the underworld.

His aristocratic temperament resented these questions. He answered “No” curtly. The man persisted with a still more personal question, and this time it was Denton who turned away.

“Gorblimey!” said his

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