Japanese Girls and Women, Alice Mabel Bacon [ebook reader library TXT] 📗

in the kura and brought out to decorate the room, according as their designs seem in harmony with the mood of Nature. This effort to harmonize Nature and Art is seen to-day, not only in the splendid furnishings of the court, but all through the decorative art of Japan. In every house the decorations are changed to suit the changing seasons.

Through the years when Japan was adopting the civilization of China, a danger threatened the nation,—the same danger that threatens it to-day: it was the danger lest the adoption of so much that was foreign should result in a servile copying of all that was not Japanese, and lest the introduction of literature, art, and numerous hitherto unknown luxuries should take from the people their independence, patriotism, and manliness. But this result was happily avoided; and at a time when the language was in danger of being swept almost out of existence by the introduction of Chinese learning through Chinese letters, the women of Japan, not only in their homes and conversation, but in the poetry and lighter literature of the country, preserved a strain of pure and graceful Japanese, and produced some of the standard works of a distinctly national literature. Favor at court to-day, as in the olden times, is the reward, not of mere rank, beauty, and grace of person, but must be obtained through the same intellectual endowments, polished by years of education, that made so many women famous in the mediæval history of Japan. Many court ladies have read much of their national literature, so that they are able to appreciate the bonmots which contain allusions in many cases to old poems, or plays on words; and are able to write and present to others, at fitting times, those graceful but untranslatable turns of phrase which form the bulk of Japanese poetry.[27] Even in this busy era of Méiji,[28] the Emperor and his court keep up the old-time customs, and strive to promote a love of the beautiful poetry of Japan. At each New Year some subject appropriate to the time is chosen and publicly announced. Poems may be written upon this subject by any one in the whole realm, and may be sent to the palace before a certain date fixed as the time for closing the list of competitors. All the poems thus sent are examined by competent judges, who select the best five and send them to the Emperor, an honor more desired by the writers than the most favorable of reviews or the largest of emoluments are desired by American poets. Many of the other poems are published in the newspapers. It is interesting to note that many of the prominent men and women of the country are known as competitors, and that many of the court ladies join in the contest.

There are also, at the palace, frequent meetings of the poets and lovers of poetry connected with the court. At these meetings poems are composed for the entertainment of the Emperor and Empress, as well as for the amusement of the poets themselves.

In the school recently established for the daughters of the nobles, under the charge of the imperial household, much attention is given to the work of thoroughly grounding the scholars in the Japanese language and literature, and also to making them skillful in the art of composing poetry. At the head of the school, in the highest position held by any woman in the employ of the government, is a former court lady, who is second to none in the kingdom, not only in her knowledge of all that belongs to court etiquette, but in her study of the history and literature of her own people, and in her skill in the composition of these dainty poems. A year or two ago, when one of the scholars in the school died after a brief decline, her schoolmates, teachers, and school friends wrote poems upon her death, which they sent to the bereaved parents.

It is difficult for any Japanese, much more so for a foreigner, to penetrate into the seclusion of the palace and see anything of the life there, except what is shown to the public in the occasional entertainments given at court, such as formal receptions and dinner parties. In 1889, the new palace, built on the site of the old Tokugawa Castle, burnt seventeen years ago, was finally completed; and it was my privilege to see, before the removal of the court, not only the grand reception rooms, throne-room, and dining-room, but also the private apartments of the Emperor and Empress. The palace is built in Japanese style, surrounded by the old castle moats, but there are many foreign additions to the palace and grounds. It is heated and lighted in foreign style, and the larger rooms are all furnished after the magnificent manner of European palaces; while the lacquer work, carvings, and gorgeous paneled ceilings remind one of the finest of Japanese temples. The private apartments of the Emperor and Empress are, on the other hand, most simple, and in thorough Japanese style; and though the woodwork and polished floors of the corridors are very beautiful, the paintings and lacquer work most exquisite, there is little in this simplicity to denote the abode of royalty. It seems that their majesties, though outwardly conforming to many European customs, and to the European manner of dress, prefer to live in Japanese ways, on matted, not carpeted floors, reposing on them rather than on chairs and bedsteads.[*]

Their apartments are not large; each suite consisting of three rooms opening out of each other, the Empress's rooms being slightly smaller than the Emperor's, and those of the young Prince Haru, the heir apparent, again a little smaller. The young prince has a residence of his own, and it is only on his visits that he occupies his apartments in his father's palace. There are also rooms for the Empress dowager to occupy on her occasional visits. All of these apartments are quite close together in one part of the palace, and are connected by halls; but the private rooms of the court ladies are in an entirely separate place, quite removed, and only connected with the main building by a long, narrow passageway, running through the garden. There, in the rooms assigned to them, each one has her own private establishment, where she stays when she is not on duty in attendance on the Emperor and Empress. Each lady has her own servants, and sometimes a younger sister or a dependent may be living there with her, though they are entirely separate from the court and the life there, and must never be seen in any of the other parts of the building. In these rooms, which are like little homes in themselves, cooking and housekeeping are done, entirely independent of the other parts of the great palace; and the tradesmen find their way through some back gate to these little establishments, supplying them with all the necessaries of life, as well as the luxuries.

A court lady is a personage of distinction, and lives in comparative ease and luxury, with plenty of servants to do all the necessary work. Besides her salary, which of course varies with the rank and the duties performed, but is always liberal enough to cover the necessary expenses of dress, the court lady receives many presents from the Emperor and Empress, which make her position one of much luxury.

The etiquette of the imperial household is very complicated and very strict, though many of the formalities of the olden times have been given up. The court ladies are models of conservatism. In order to be trained for the life there and its duties, they usually enter the court while mere children of ten or eleven, and serve apprenticeship to the older members. In the rigid seclusion of the palace they are strictly, almost severely, brought up, and trained in all the details of court etiquette. Cut off from all outside influences while young, the little court maidens are taught to go through an endless round of formalities which they are made to think indispensable. These details of etiquette extend not only to all that concerns the imperial household, but to curious customs among themselves, and in regard to their own habits. Many of these ideas have come down from one generation to another, within the narrow limits of the court, so that the life there is a curious world in itself, and very unlike that in ordinary Japanese homes.

But among all the ladies of Japan to-day,—charming, intellectual, refined, and lovely as many of them are,—there is no one nobler, more accomplished, more beautiful in life and character, than the Empress herself. The Emperor of Japan, though he may have many concubines, may have but one wife, and she must be chosen out of one of the five highest noble families.[29] Haru Ko, of the noble family of Ichijō, became Empress in the year 1868, one year after her husband, then a boy of seventeen, had ascended the throne, and the very year of the overthrow of the Shōgunate,[30] and the restoration of the Emperor to actual power and the leading part in the government. Reared amid the deep and scholarly seclusion of the old court at Kyōto, the young Empress found herself occupying a position very different from that for which she had been educated,—a position the duties and responsibilities of which grow more multifarious as the years go by. Instead of a life of rigid seclusion, unseeing and unseen, the Empress has had to go forth into the world, finding there the pleasures as well as the duties of actual leadership. With the removal of the court to Tōkyō, and the reappearance of the Emperor, in bodily form, before his people, there came new opportunities for the Empress, and nobly has she used them. From the time when, in 1871, she gave audience to the five little girls of the samurai class who were just setting forth on a journey to America, there to study and fit themselves to play a part in the Japan of the future, on through twenty years of change and progress, the Empress Haru Ko has done all that lay within her power to advance the women of her country.[*] Many stories are afloat which show the lovable character of the woman, and which have given her an abiding place in the affections of the people.

Some years ago, when the castle in Tōkyō was burned, and the Emperor and Empress were obliged to take refuge in an old daimiō's house, a place entirely lacking in luxuries and considerably out of repair, some one expressed to her the grief that all her people felt, that she should have to put up with so many inconveniences. Her response was a graceful little poem, in which she said that the narrowness of her abode would not limit her love for her people, and that for them she would endeavor to explore wisely the unlimited fields of knowledge.

Upon another occasion, when Prince Iwakura, one of the leaders of Japan in the early days of the crisis through which the country is still passing, lay dying at his home, the Empress sent him word that she was coming to visit him. The prince, afraid that he could not do honor to such a guest, sent her word back that he was very ill, and unable to make proper preparation to entertain an Empress. To this the Empress replied that he need make no preparations for her, for she was coming, not as