No Name, Wilkie Collins [reading the story of the TXT] 📗
- Author: Wilkie Collins
Book online «No Name, Wilkie Collins [reading the story of the TXT] 📗». Author Wilkie Collins
Before Miss Garth’s battery of reproof could open fire, before the first outburst of Mr. Vanstone’s hearty laughter could escape his lips, she bowed to them with imperturbable gravity; ascended the house-steps, for the first time in her life, at a walk instead of a run, and retired then and there to the bedroom regions. Frank’s helpless astonishment at her disappearance added a new element of absurdity to the scene. He stood first on one leg and then on the other; rolling and unrolling his part, and looking piteously in the faces of the friends about him. “I know I can’t do it,” he said. “May I come in after tea, and hear Magdalen’s views? Thank you—I’ll look in about eight. Don’t tell my father about this acting, please; I should never hear the last of it.” Those were the only words he had spirit enough to utter. He drifted away aimlessly in the direction of the shrubbery, with the part hanging open in his hand—the most incapable of Falklands, and the most helpless of mankind.
Frank’s departure left the family by themselves, and was the signal accordingly for an attack on Mr. Vanstone’s inveterate carelessness in the exercise of his paternal authority.
“What could you possibly be thinking of, Andrew, when you gave your consent?” said Mrs. Vanstone. “Surely my silence was a sufficient warning to you to say no?”
“A mistake, Mr. Vanstone,” chimed in Miss Garth. “Made with the best intentions—but a mistake for all that.”
“It may be a mistake,” said Norah, taking her father’s part, as usual. “But I really don’t see how papa, or anyone else, could have declined, under the circumstances.”
“Quite right, my dear,” observed Mr. Vanstone. “The circumstances, as you say, were dead against me. Here were these unfortunate people in a scrape on one side; and Magdalen, on the other, mad to act. I couldn’t say I had methodistical objections—I’ve nothing methodistical about me. What other excuse could I make? The Marrables are respectable people, and keep the best company in Clifton. What harm can she get in their house? If you come to prudence and that sort of thing—why shouldn’t Magdalen do what Miss Marrable does? There! there! let the poor things act, and amuse themselves. We were their age once—and it’s no use making a fuss—and that’s all I’ve got to say about it.”
With that characteristic defense of his own conduct, Mr. Vanstone sauntered back to the greenhouse to smoke another cigar.
“I didn’t say so to papa,” said Norah, taking her mother’s arm on the way back to the house, “but the bad result of the acting, in my opinion, will be the familiarity it is sure to encourage between Magdalen and Francis Clare.”
“You are prejudiced against Frank, my love,” said Mrs. Vanstone.
Norah’s soft, secret, hazel eyes sank to the ground; she said no more. Her opinions were unchangeable—but she never disputed with anybody. She had the great failing of a reserved nature—the failing of obstinacy; and the great merit—the merit of silence. “What is your head running on now?” thought Miss Garth, casting a sharp look at Norah’s dark, downcast face. “You’re one of the impenetrable sort. Give me Magdalen, with all her perversities; I can see daylight through her. You’re as dark as night.”
The hours of the afternoon passed away, and still Magdalen remained shut up in her own room. No restless footsteps pattered on the stairs; no nimble tongue was heard chattering here, there, and everywhere, from the garret to the kitchen—the house seemed hardly like itself, with the one ever-disturbing element in the family serenity suddenly withdrawn from it. Anxious to witness with her own eyes the reality of a transformation in which past experience still inclined her to disbelieve, Miss Garth ascended to Magdalen’s room, knocked twice at the door, received no answer, opened it and looked in.
There sat Magdalen, in an armchair before the long looking-glass, with all her hair let down over her shoulders; absorbed in the study of her part and comfortably arrayed in her morning wrapper, until it was time to dress for dinner. And there behind her sat the lady’s-maid, slowly combing out the long heavy locks of her young mistress’s hair, with the sleepy resignation of a woman who had been engaged in that employment for some hours past. The sun was shining; and the green shutters outside the window were closed. The dim light fell tenderly on the two quiet seated figures; on the little white bed, with the knots of rose-colored ribbon which looped up its curtains, and the bright dress for dinner laid ready across it; on the gayly painted bath, with its pure lining of white enamel; on the toilet-table with its sparkling trinkets, its crystal bottles, its silver bell with Cupid for a handle, its litter of little luxuries that adorn the shrine of a woman’s bedchamber. The luxurious tranquillity of the scene; the cool fragrance of flowers and perfumes in the atmosphere; the rapt attitude of Magdalen, absorbed over her reading; the monotonous regularity of movement in the maid’s hand and arm, as she drew the comb smoothly through and through her mistress’s hair—all conveyed the same soothing impression of drowsy, delicious quiet. On one side of the door were the broad daylight and the familiar realities of life. On the other was the dreamland of Elysian serenity—the sanctuary of unruffled repose.
Miss Garth paused on the threshold, and looked into the room in silence.
Magdalen’s curious fancy for having her hair combed at all times and seasons was among the peculiarities of her character which were notorious to everybody in the house. It was one of her father’s favorite jokes that she reminded him, on such occasions, of a cat having her back stroked, and that he always expected, if the combing were only continued long enough, to hear her purr. Extravagant as it may seem, the comparison was not altogether inappropriate. The girl’s fervid temperament intensified the essentially feminine pleasure that most women feel in the
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