Jane Eyre, Charlotte Brontë [animal farm read .TXT] 📗

candles brought in at dark, though he is blind.”

“Give the tray to me; I will carry it in.”

I took it from her hand: she pointed me out the parlour door. The tray shook as I held it; the water spilt from the glass; my heart struck my ribs loud and fast. Mary opened the door for me, and shut it behind me.

This parlour looked gloomy: a neglected handful of fire burnt low in the grate; and, leaning over it, with his head supported against the high, old-fashioned mantelpiece, appeared the blind tenant of the room. His old dog, Pilot, lay on one side, removed out of the way, and coiled up as if afraid of being inadvertently trodden upon. Pilot pricked up his ears when I came in: then he jumped up with a yelp and a whine, and bounded towards me: he almost knocked the tray from my hands. I set it on the table; then patted him, and said softly, “Lie down!” Mr. Rochester turned mechanically to see what the commotion was: but as he saw nothing, he returned and sighed.

“Give me the water, Mary,” he said.

I approached him with the now only half-filled glass; Pilot followed me, still excited.

“What is the matter?” he inquired.

“Down, Pilot!” I again said. He checked the water on its way to his lips, and seemed to listen: he drank, and put the glass down. “This is you, Mary, is it not?”

“Mary is in the kitchen,” I answered.

He put out his hand with a quick gesture, but not seeing where I stood, he did not touch me. “Who is this? Who is this?” he demanded, trying, as it seemed, to see with those sightless eyes⁠—unavailing and distressing attempt! “Answer me⁠—speak again!” he ordered, imperiously and aloud.

“Will you have a little more water, sir? I spilt half of what was in the glass,” I said.

“Who is it? What is it? Who speaks?”

“Pilot knows me, and John and Mary know I am here. I came only this evening,” I answered.

“Great God!⁠—what delusion has come over me? What sweet madness has seized me?”

“No delusion⁠—no madness: your mind, sir, is too strong for delusion, your health too sound for frenzy.”

“And where is the speaker? Is it only a voice? Oh! I cannot see, but I must feel, or my heart will stop and my brain burst. Whatever⁠—whoever you are⁠—be perceptible to the touch or I cannot live!”

He groped; I arrested his wandering hand, and prisoned it in both mine.

“Her very fingers!” he cried; “her small, slight fingers! If so there must be more of her.”

The muscular hand broke from my custody; my arm was seized, my shoulder⁠—neck⁠—waist⁠—I was entwined and gathered to him.

“Is it Jane? What is it? This is her shape⁠—this is her size⁠—”

“And this her voice,” I added. “She is all here: her heart, too. God bless you, sir! I am glad to be so near you again.”

“Jane Eyre!⁠—Jane Eyre,” was all he said.

“My dear master,” I answered, “I am Jane Eyre: I have found you out⁠—I am come back to you.”

“In truth?⁠—in the flesh? My living Jane?”

“You touch me, sir⁠—you hold me, and fast enough: I am not cold like a corpse, nor vacant like air, am I?”

“My living darling! These are certainly her limbs, and these her features; but I cannot be so blest, after all my misery. It is a dream; such dreams as I have had at night when I have clasped her once more to my heart, as I do now; and kissed her, as thus⁠—and felt that she loved me, and trusted that she would not leave me.”

“Which I never will, sir, from this day.”

“Never will, says the vision? But I always woke and found it an empty mockery; and I was desolate and abandoned⁠—my life dark, lonely, hopeless⁠—my soul athirst and forbidden to drink⁠—my heart famished and never to be fed. Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go⁠—embrace me, Jane.”

“There, sir⁠—and there!”

I pressed my lips to his once brilliant and now rayless eyes⁠—I swept his hair from his brow, and kissed that too. He suddenly seemed to arouse himself: the conviction of the reality of all this seized him.

“It is you⁠—is it, Jane? You are come back to me then?”

“I am.”

“And you do not lie dead in some ditch under some stream? And you are not a pining outcast amongst strangers?”

“No, sir! I am an independent woman now.”

“Independent! What do you mean, Jane?”

“My uncle in Madeira is dead, and he left me five thousand pounds.”

“Ah! this is practical⁠—this is real!” he cried: “I should never dream that. Besides, there is that peculiar voice of hers, so animating and piquant, as well as soft: it cheers my withered heart; it puts life into it.⁠—What, Janet! Are you an independent woman? A rich woman?”

“If you won’t let me live with you, I can build a house of my own close up to your door, and you may come and sit in my parlour when you want company of an evening.”

“But as you are rich, Jane, you have now, no doubt, friends who will look after you, and not suffer you to devote yourself to a blind lameter like me?”

“I told you I am independent, sir, as well as rich: I am my own mistress.”

“And you will stay with me?”

“Certainly⁠—unless you object. I will be your neighbour, your nurse, your housekeeper. I find you lonely: I will be your companion⁠—to read to you, to walk with you, to sit with you, to wait on you, to be eyes and hands to you. Cease to look so melancholy, my dear master; you shall not be left desolate, so long as I live.”

He replied not: he seemed serious⁠—abstracted; he sighed; he half-opened his lips as if to speak: he closed them again. I felt a little embarrassed. Perhaps I had too rashly overleaped conventionalities; and he, like St. John, saw impropriety in my inconsiderateness. I had