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on mine too, beginning from that autumn) an entertainment was regularly provided for the whole neighbourhood. And all this had gone on without a break ever since the beginning of Tatyána Semënovna’s life.

My husband took no part in the household management, he attended only to the farm-work and the labourers, and gave much time to this. Even in winter he got up so early that I often woke to find him gone. He generally came back for early tea, which we drank alone together; and at that time, when the worries and vexations of the farm were over, he was almost always in that state of high spirits which we called “wild ecstasy.” I often made him tell me what he had been doing in the morning, and he gave such absurd accounts that we both laughed till we cried. Sometimes I insisted on a serious account, and he gave it, restraining a smile. I watched his eyes and moving lips and took nothing in: the sight of him and the sound of his voice was pleasure enough.

“Well, what have I been saying? repeat it,” he would sometimes say. But I could repeat nothing. It seemed so absurd that he should talk to me of any other subject than ourselves. As if it mattered in the least what went on in the world outside! It was at a much later time that I began to some extent to understand and take an interest in his occupations. Tatyána Semënovna never appeared before dinner: she breakfasted alone and said good morning to us by deputy. In our exclusive little world of frantic happiness a voice from the staid orderly region in which she dwelt was quite startling: I often lost self-control and could only laugh without speaking, when the maid stood before me with folded hands and made her formal report: “The mistress bade me inquire how you slept after your walk yesterday evening; and about her I was to report that she had pain in her side all night, and a stupid dog barked in the village and kept her awake; and also I was to ask how you liked the bread this morning, and to tell you that it was not Tarás who baked today, but Nikoláshka who was trying his hand for the first time; and she says his baking is not at all bad, especially the cracknels: but the tea-rusks were over-baked.” Before dinner we saw little of each other: he wrote or went out again while I played the piano or read; but at four o’clock we all met in the drawing room before dinner. Tatyána Semënovna sailed out of her own room, and certain poor and pious maiden ladies, of whom there were always two or three living in the house, made their appearance also. Every day without fail my husband by old habit offered his arm to his mother, to take her in to dinner; but she insisted that I should take the other, so that every day, without fail, we stuck in the doors and got in each other’s way. She also presided at dinner, where the conversation, if rather solemn, was polite and sensible. The commonplace talk between my husband and me was a pleasant interruption to the formality of those entertainments. Sometimes there were squabbles between mother and son and they bantered one another; and I especially enjoyed the scenes, because they were the best proof of the strong and tender love which united the two. After dinner Tatyána Semënovna went to the parlour, where she sat in an armchair and ground her snuff or cut the leaves of new books, while we read aloud or went off to the piano in the morning room. We read much together at this time, but music was our favourite and best enjoyment, always evoking fresh chords in our hearts and as it were revealing each afresh to the other. While I played his favourite pieces, he sat on a distant sofa where I could hardly see him. He was ashamed to betray the impression produced on him by the music; but often, when he was not expecting it, I rose from the piano, went up to him, and tried to detect on his face signs of emotion⁠—the unnatural brightness and moistness of the eyes, which he tried in vain to conceal. Tatyána Semënovna, though she often wanted to take a look at us there, was also anxious to put no constraint upon us. So she always passed through the room with an air of indifference and a pretence of being busy; but I knew that she had no real reason for going to her room and returning so soon. In the evening I poured out tea in the large drawing room, and all the household met again. This solemn ceremony of distributing cups and glasses before the solemnly shining samovar made me nervous for a long time. I felt myself still unworthy of such a distinction, too young and frivolous to turn the tap of such a big samovar, to put glasses on Nikíta’s salver, saying “For Peter Ivánovich,” “For Márya Mínichna,” to ask “Is it sweet enough?” and to leave out lumps of sugar for Nurse and other deserving persons. “Capital! capital! Just like a grown-up person!” was a frequent comment from my husband, which only increased my confusion.

After tea Tatyána Semënovna played patience or listened to Márya Mínichna telling fortunes by the cards. Then she kissed us both and signed us with the cross, and we went off to our own rooms. But we generally sat up together till midnight, and that was our best and pleasantest time. He told me stories of his past life; we made plans and sometimes even talked philosophy; but we tried always to speak low, for fear we should be heard upstairs and reported to Tatyána Semënovna, who insisted on our going to bed early. Sometimes we grew hungry; and then we stole off to the

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