The Magician, W. Somerset Maugham [english novels for beginners .TXT] 📗

serious researches in the occult, and in due course published a vast number of mystical works dealing with magic in all its branches.”

“I’m sure Mr. Haddo was going to tell us something very interesting about him,” said Susie.

“I wished merely to give you his account of how he raised the spirit of Apollonius of Tyana in London.”

Susie settled herself more comfortably in her chair and lit a cigarette.

“He went there in the spring of 1856 to escape from internal disquietude and to devote himself without distraction to his studies. He had letters of introduction to various persons of distinction who concerned themselves with the supernatural, but, finding them trivial and indifferent, he immersed himself in the study of the supreme Kabbalah. One day, on returning to his hotel, he found a note in his room. It contained half a card, transversely divided, on which he at once recognized the character of Solomon’s Seal, and a tiny slip of paper on which was written in pencil: The other half of this card will be given you at three o’clock tomorrow in front of Westminster Abbey. Next day, going to the appointed spot, with his portion of the card in his hand, he found a baronial equipage waiting for him. A footman approached, and, making a sign to him, opened the carriage door. Within was a lady in black satin, whose face was concealed by a thick veil. She motioned him to a seat beside her, and at the same time displayed the other part of the card he had received. The door was shut, and the carriage rolled away. When the lady raised her veil, Eliphas Levi saw that she was of mature age; and beneath her grey eyebrows were bright black eyes of preternatural fixity.”

Susie Boyd clapped her hands with delight.

“I think it’s delicious, and I’m sure every word of it is true,” she cried. “I’m enchanted with the mysterious meeting at Westminster Abbey in the Mid-Victorian era. Can’t you see the elderly lady in a huge crinoline and a black poke bonnet, and the wizard in a ridiculous hat, a bottle-green frock-coat, and a flowing tie of black silk?”

“Eliphas remarks that the lady spoke French with a marked English accent,” pursued Haddo imperturbably. “She addressed him as follows: ‘Sir, I am aware that the law of secrecy is rigorous among adepts; and I know that you have been asked for phenomena, but have declined to gratify a frivolous curiosity. It is possible that you do not possess the necessary materials. I can show you a complete magical cabinet, but I must require of you first the most inviolable silence. If you do not guarantee this on your honour, I will give the order for you to be driven home.’ ”

Oliver Haddo told his story not ineffectively, but with a comic gravity that prevented one from knowing exactly how to take it.

“Having given the required promise Eliphas Levi was shown a collection of vestments and of magical instruments. The lady lent him certain books of which he was in need; and at last, as a result of many conversations, determined him to attempt at her house the experience of a complete evocation. He prepared himself for twenty-one days, scrupulously observing the rules laid down by the Ritual. At length everything was ready. It was proposed to call forth the phantom of the divine Apollonius, and to question it upon two matters, one of which concerned Eliphas Levi and the other, the lady of the crinoline. She had at first counted on assisting at the evocation with a trustworthy person, but at the last moment her friend drew back; and as the triad or unity is rigorously prescribed in magical rites, Eliphas was left alone. The cabinet prepared for the experiment was situated in a turret. Four concave mirrors were hung within it, and there was an altar of white marble, surrounded by a chain of magnetic iron. On it was engraved the sign of the Pentagram, and this symbol was drawn on the new, white sheepskin which was stretched beneath. A copper brazier stood on the altar, with charcoal of alder and of laurel wood, and in front a second brazier was placed upon a tripod. Eliphas Levi was clothed in a white robe, longer and more ample than the surplice of a priest, and he wore upon his head a chaplet of vervain leaves entwined about a golden chain. In one hand he held a new sword and in the other the Ritual.”

Susie’s passion for caricature at once asserted itself, and she laughed as she saw in fancy the portly little Frenchman, with his round, red face, thus wonderfully attired.

“He set alight the two fires with the prepared materials, and began, at first in a low voice, but rising by degrees, the invocations of the Ritual. The flames invested every object with a wavering light. Presently they went out. He set more twigs and perfumes on the brazier, and when the flame started up once more, he saw distinctly before the altar a human figure larger than life, which dissolved and disappeared. He began the invocations again and placed himself in a circle, which he had already traced between the altar and the tripod. Then the depth of the mirror which was in front of him grew brighter by degrees, and a pale form arose, and it seemed gradually to approach. He closed his eyes, and called three times upon Apollonius. When he opened them, a man stood before him, wholly enveloped in a winding sheet, which seemed more grey than black. His form was lean, melancholy, and beardless. Eliphas felt an intense cold, and when he sought to ask his questions found it impossible to speak. Thereupon, he placed his hand on the Pentagram, and directed the point of his sword toward the figure, adjuring it mentally by that sign not to terrify, but to obey him. The form suddenly grew indistinct and soon it strangely vanished. He commanded it