Ivanhoe, Walter Scott [philippa perry book .txt] 📗

with the room on the first floor, in whose centre is the opening to the dungeon. Neither of these lower rooms is lighted except from a hole in the floor of the third story; the room in which, as well as in that above it, is finished with compact smooth stonework, both having chimneypieces, with an arch resting on triple clustered pillars. In the third story, or guard-chamber, is a small recess with a loophole, probably a bedchamber, and in that floor above a niche for a saint or holy-water pot. Mr. King imagines this a Saxon castle of the first ages of the Heptarchy. Mr. Watson thus describes it:⁠—From the first floor to the second story, (third from the ground,) is a way by a stair in the wall five feet wide. The next staircase is approached by a ladder, and ends at the fourth story from the ground. Two yards from the door, at the head of this stair, is an opening nearly east, accessible by treading on the ledge of the wall, which diminishes eight inches each story; and this last opening leads into a room or chapel ten feet by twelve, and fifteen or sixteen high, arched with freestone, and supported by small circular columns of the same, the capitals and arches Saxon. It has an east window, and on each side in the wall, about four feet from the ground, a stone basin with a hole and iron pipe to convey the water into or through the wall. This chapel is one of the buttresses, but no sign of it without, for even the window, though large within, is only a long narrow loophole, scarcely to be seen without. On the left side of this chapel is a small oratory, eight by six in the thickness of the wall, with a niche in the wall, and enlightened by a like loophole. The fourth stair from the ground, ten feet west from the chapel door, leads to the top of the tower through the thickness of the wall, which at top is but three yards. Each story is about fifteen feet high, so that the tower will be seventy-five feet from the ground. The inside forms a circle, whose diameter may be about twelve feet. The well at the bottom of the dungeon is piled with stones.” —⁠Gough’s “Edition Of Camden’s Britannia.” Second Edition, vol. iii. p. 267 ↩

The crowth, or crowd, was a species of violin. The rote a sort of guitar, or rather hurdy-gurdy, the strings of which were managed by a wheel, from which the instrument took its name. ↩

Infamous. ↩

The resuscitation of Athelstane has been much criticised, as too violent a breach of probability, even for a work of such fantastic character. It was a tour-de-force, to which the author was compelled to have recourse, by the vehement entreaties of his friend and printer, who was inconsolable on the Saxon being conveyed to the tomb. ↩

Dissertation on Romance and Minstrelsy, prefixed to Ritson’s Ancient Metrical Romances, p. clxxxvii. ↩

A Tulchan is a calf’s skin stuffed, and placed before a cow who has lost its calf, to induce the animal to part with her milk. The resemblance between such a Tulchan and a Bishop named to transmit the temporalities of a benefice to some powerful patron, is easily understood. ↩

Bannatyne’s Journal. ↩

Colophon

Ivanhoe
was published in 1820 by
Walter Scott.

This ebook was produced for
Standard Ebooks
by
Kenneth Williams,
and is based on a transcription produced in 2008 by
John P. Roberts Jr. and David Widger
for
Project Gutenberg
and on digital scans available at
Google Books.

The cover page is adapted from
The Abduction of Rebecca,
a painting completed in 1846 by
Eugène Delacroix.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
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