Bulfinch’s Mythology, Thomas Bulfinch [love story books to read txt] 📗

href="#chapter-5-4">The Siege of Albracca Adventures of Rinaldo and Orlando The Invasion of France The Invasion of France (Continued) Bradamante and Rogero Astolpho and the Enchantress The Orc Astolpho’s Adventures Continued, and Isabella’s Begun Medoro Orlando Mad Zerbino and Isabella Astolpho in Abyssinia The War in Africa Rogero and Bradamante The Battle of Roncesvalles Rinaldo and Bayard Death of Rinaldo Huon of Bordeaux Huon of Bordeaux (Continued) Huon of Bordeaux (Continued) Ogier, the Dane Ogier, the Dane (Continued) Ogier, the Dane (Continued) Glossary A B C D E F G H I J K L M N O P Q R S T U V W X Y Z List of Illustrations Endnotes Colophon Uncopyright Imprint

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

Publishers’ Preface

No new edition of Bulfinch’s classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument. The Age of Fable has come to be ranked with older books like Pilgrim’s Progress, Gulliver’s Travels, The Arabian Nights, Robinson Crusoe, and five or six other productions of worldwide renown as a work with which everyone must claim some acquaintance before his education can be called really complete. Many readers of the present edition will probably recall coming in contact with the work as children, and, it may be added, will no doubt discover from a fresh perusal the source of numerous bits of knowledge that have remained stored in their minds since those early years. Yet to the majority of this great circle of readers and students the name Bulfinch in itself has no significance.

Thomas Bulfinch was a native of Boston, Mass., where he was born in 1796. His boyhood was spent in that city, and he prepared for college in the Boston schools. He finished his scholastic training at Harvard College, and after taking his degree was for a period a teacher in his home city. For a long time later in life he was employed as an accountant in the Boston Merchants’ Bank. His leisure time he used for further pursuit of the classical studies which he had begun at Harvard, and his chief pleasure in life lay in writing out the results of his reading, in simple, condensed form for young or busy readers. The plan he followed in this work, to give it the greatest possible usefulness, is set forth in the Author’s Preface.

The Age of Fable, First Edition, 1855; The Age of Chivalry, 1858; The Boy Inventor, 1860; Legends of Charlemagne, or Romance of the Middle Ages, 1863; Poetry of the Age of Fable, 1863; Oregon and Eldorado, or Romance of the Rivers, 1860.

In this complete edition of his mythological and legendary lore The Age of Fable, The Age of Chivalry, and Legends of Charlemagne are included. Scrupulous care has been taken to follow the original text of Bulfinch, but attention should be called to some additional sections which have been inserted to add to the rounded completeness of the work, and which the publishers believe would meet with the sanction of the author himself, as in no way intruding upon his original plan but simply carrying it out in more complete detail. The section on Northern Mythology has been enlarged by a retelling of the epic of the Nibelungen Lied, together with a summary of Wagner’s version of the legend in his series of music-dramas. Under the head of Hero Myths of the British Race have been included outlines of the stories of Beowulf, Cuchulain, Hereward the Wake, and Robin Hood. Of the verse extracts which occur throughout the text, thirty or more have been added from literature which has appeared since Bulfinch’s time, extracts that he would have been likely to quote had he personally supervised the new edition.

Finally, the index has been thoroughly overhauled and, indeed, remade. All the proper names in the work have been entered, with references to the pages where they occur, and a concise explanation or definition of each has been given. Thus what was a mere list of names in the original has been enlarged into a small classical and mythological dictionary, which it is hoped will prove valuable for reference purposes not necessarily connected with The Age of Fable.

Acknowledgments are due the writings of Dr. Oliver Huckel for information on the point of Wagner’s rendering of the Nibelungen legend, and M. I. Ebbutt’s authoritative volume on Hero Myths and Legends of the British Race, from which much of the information concerning the British heroes has been obtained.

Author’s Preface

If no other knowledge deserves to be called useful but that which helps to enlarge our possessions or to raise our station in society, then mythology has no claim to the appellation. But if that which tends to make us happier and better can be called useful, then we claim that epithet for our subject. For mythology is the handmaid of literature; and literature is one of