Ghost Lights, Lydia Millet [book recommendations for teens TXT] 📗

faces. Then quickly the field of shacks was behind them again, the beach and ocean not so far ahead, and on their right in a grove of palms was a colorful small house with a nice garden.

“Here you go,” said the driver.

“Please wait,” said Hal, even though they had it all prearranged. “I won’t be long. Maybe fifteen minutes.” He recalled the driver from the airport, how he had randomly stopped at service stations and once leaned against a wall, doing nothing but gazing at the ground. The driver had kept up the pose so long that it seemed he was dutifully observing an officially appointed function.

The contract between driver and passenger here was a loose one.

He walked up to the house and knocked on the door, thinking he wished they had a telephone so that he could have called to warn them, but goddammit, while he was standing there waiting he heard engine noise and turned and sure enough there was the taxi pulling away again. He had the urge to run after it screaming—half-turned from the front door to do this, even—but then figured maybe the driver needed to use the toilet or some other mild embarrassment. Surely he would be back in fifteen.

Still. Couldn’t he have said something? What was it with these people?

Impatient and a little anxious, Hal waited until the door opened. It was a short woman, her black hair tied back with a red ribbon. She was dull-eyed and barely looked up at him.

“Excuse the interruption,” he said. “I’m looking for Marlo?”

“He is out working,” said the woman.

“Can you tell me where I can find him, then? It’s about Thomas Stern. His disappearance.”

The woman nodded vaguely. “He’s at the big hotel. The Grove.”

“Oh you’re kidding,” he said, exasperated. “I just came from there. It’s where I’m staying.”

She nodded again, unsmiling.

“All right,” he said lamely, and turned to go. Then turned back. She was already shutting the door. “Listen, could you tell him I’m looking for him? If we miss each other again? My name is Hal Lindley. Here, here’s my card. Wait, let me write my room number on it. He can stop by whenever. Room 202.” She had to open it wider again for him to stick the card into her fingers. “Thank you.”

After she closed the door on him he stood there for a long moment letting the foreignness absorb him. He had an impression of being out of place: that was what it was, ever since he got here. Even more now, near the village that was in ruins, than at the hotel, of course, since the resort was populated by people he could just as easily have run into on the streets of Westwood.

He looked down at the details of the doorknob—a cheap brassy color—and the frame, which was painted purple. Marlo’s house was not an American house: nowhere in America would you find a house like this. The difference might be in the physicality of the doorframe, the stucco, he couldn’t put a finger on it. Possibly it was more asymmetrical than he was used to, or the lumber was a tree species unknown to him. But somehow there was an irregularity, a foreignness. It seemed to discourage him, imply he was not natural here. He was an intrusion.

Or maybe he had forgotten, over time, how familiar elements everywhere had a steadying influence. At home there was the security of known formulations and structures all over the place, in window fastenings, in the door handles of cars, gas pumps, faucets, sidewalks, restaurants, shoes. Products and habits were so deeply linked it was hard to separate them. And their reliable similarity helped keep him on an even keel, apparently, had given the world a predictable quality that made passage through daily life calm and easy: he glanced around when he was out in the world and he recognized everything. There was almost nothing that jolted him, almost nothing in the landscape that broke him out of his reverie of being.

He had not considered it before, this effect of mass production. Could it be that the very sameness of these commodities, these structures both small and large that gave the physical world its character, afforded a certain freedom from distraction? The ill effects of their sameness, of this standardization and repetition were talked about and studied—how their homogeneity devolved the world and denuded it of forests and native peoples and clean water and difference. But now that he was far from all the standard objects and dimensions what he noticed was how they also gave a feeling of civilization. In their reassurance they conferred strength on the walking man—strength and the illusion of autonomy.

On his way down the garden path he noticed the skull of an animal. It was stuck on a fencepost among flowers—a goat, he guessed from the horns. It still had a little meat on it.

His taxi was nowhere in sight. He stood for a few seconds, waiting, and then started walking back along the troughs of baked road-mud to the village.

• • • • •

He could not find Marlo on the hotel grounds and soon he gave up looking, found a lounge chair beside the pool and ordered a midday beer. He planned to sleep afterward, and was looking forward to it with a kind of greedy anticipation, when the manager of the resort bent over to talk to him. Hal blinked at the blinding light of the sun, saw the man’s broad face recede as he sat up.

There was a small valise of Stern’s clothes, the manager said, which he would have brought up to Hal’s room. Beyond that he feared he could not be helpful; he knew nothing but the name of the town where Stern had rented his boat, and what he had already told Mrs. Stern. It was a very small village at the mouth of the Monkey River, so small it made Seine Bight look like a crowded metropolis. You could