The Woodlanders, Thomas Hardy [book recommendations for young adults txt] 📗

the young man’s manner that his own talk had been too much at Giles and too little to him, repented at once. His face changed, and he said, in lower tones, with an effort, “She’s yours, Giles, as far as I am concerned.”

“Thanks⁠—my best thanks.⁠ ⁠… But I think, since it is all right between us about the biddings, that I’ll not interrupt her now. I’ll step homeward, and call another time.”

On leaving the house he looked up at the bedroom again. Grace, surrounded by a sufficient number of candles to answer all purposes of self-criticism, was standing before a cheval-glass that her father had lately bought expressly for her use; she was bonneted, cloaked, and gloved, and glanced over her shoulder into the mirror, estimating her aspect. Her face was lit with the natural elation of a young girl hoping to inaugurate on the morrow an intimate acquaintance with a new, interesting, and powerful friend.

VIII

The inspiriting appointment which had led Grace Melbury to indulge in a six-candle illumination for the arrangement of her attire, carried her over the ground the next morning with a springy tread. Her sense of being properly appreciated on her own native soil seemed to brighten the atmosphere and herbage around her, as the glowworm’s lamp irradiates the grass. Thus she moved along, a vessel of emotion going to empty itself on she knew not what.

Twenty minutes’ walking through copses, over a stile, and along an upland lawn brought her to the verge of a deep glen, at the bottom of which Hintock House appeared immediately beneath her eye. To describe it as standing in a hollow would not express the situation of the manor-house; it stood in a hole, notwithstanding that the hole was full of beauty. From the spot which Grace had reached a stone could easily have been thrown over or into, the birds’-nested chimneys of the mansion. Its walls were surmounted by a battlemented parapet; but the gray lead roofs were quite visible behind it, with their gutters, laps, rolls, and skylights, together with incised letterings and shoe-patterns cut by idlers thereon.

The front of the house exhibited an ordinary manorial presentation of Elizabethan windows, mullioned and hooded, worked in rich snuff-colored freestone from local quarries. The ashlar of the walls, where not overgrown with ivy and other creepers, was coated with lichen of every shade, intensifying its luxuriance with its nearness to the ground, till, below the plinth, it merged in moss.

Above the house to the back was a dense plantation, the roots of whose trees were above the level of the chimneys. The corresponding high ground on which Grace stood was richly grassed, with only an old tree here and there. A few sheep lay about, which, as they ruminated, looked quietly into the bedroom windows. The situation of the house, prejudicial to humanity, was a stimulus to vegetation, on which account an endless shearing of the heavy-armed ivy was necessary, and a continual lopping of trees and shrubs. It was an edifice built in times when human constitutions were damp-proof, when shelter from the boisterous was all that men thought of in choosing a dwelling-place, the insidious being beneath their notice; and its hollow site was an ocular reminder, by its unfitness for modern lives, of the fragility to which these have declined. The highest architectural cunning could have done nothing to make Hintock House dry and salubrious; and ruthless ignorance could have done little to make it unpicturesque. It was vegetable nature’s own home; a spot to inspire the painter and poet of still life⁠—if they did not suffer too much from the relaxing atmosphere⁠—and to draw groans from the gregariously disposed. Grace descended the green escarpment by a zigzag path into the drive, which swept round beneath the slope. The exterior of the house had been familiar to her from her childhood, but she had never been inside, and the approach to knowing an old thing in a new way was a lively experience. It was with a little flutter that she was shown in; but she recollected that Mrs. Charmond would probably be alone. Up to a few days before this time that lady had been accompanied in her comings, stayings, and goings by a relative believed to be her aunt; latterly, however, these two ladies had separated, owing, it was supposed, to a quarrel, and Mrs. Charmond had been left desolate. Being presumably a woman who did not care for solitude, this deprivation might possibly account for her sudden interest in Grace.

Mrs. Charmond was at the end of a gallery opening from the hall when Miss Melbury was announced, and saw her through the glass doors between them. She came forward with a smile on her face, and told the young girl it was good of her to come.

“Ah! you have noticed those,” she said, seeing that Grace’s eyes were attracted by some curious objects against the walls. “They are mantraps. My husband was a connoisseur in mantraps and spring-guns and such articles, collecting them from all his neighbors. He knew the histories of all these⁠—which gin had broken a man’s leg, which gun had killed a man. That one, I remember his saying, had been set by a gamekeeper in the track of a notorious poacher; but the keeper, forgetting what he had done, went that way himself, received the charge in the lower part of his body, and died of the wound. I don’t like them here, but I’ve never yet given directions for them to be taken away.” She added, playfully, “Mantraps are of rather ominous significance where a person of our sex lives, are they not?”

Grace was bound to smile; but that side of womanliness was one which her inexperience had no great zest in contemplating.

“They are interesting, no doubt, as relics of a barbarous time happily past,” she said, looking thoughtfully at the varied designs of these instruments of torture⁠—some with semicircular jaws, some with rectangular; most of