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more actively intelligent man. Deep in his soul Dubois had hidden his one profound discovery about the modern art of warfare, the key to his career. And this discovery was that nobody knew, that to act therefore, was to blunder, that to talk was to confess; and that the man who acted slowly and steadfastly and above all silently had the best chance of winning through. Meanwhile one fed the men. Now by this same strategy he hoped to shatter those mysterious unknowns of the Central European command. Delhi might talk of a great flank march through Holland, with all the British submarines and hydroplanes and torpedo craft pouring up the Rhine in support of it; Viard might crave for brilliance with the motor bicycles, aeroplanes, and ski-men among the Swiss mountains, and a sudden swoop upon Vienna; the thing was to listen⁠—and wait for the other side to begin experimenting. It was all experimenting. And meanwhile he remained in profile, with an air of assurance⁠—like a man who sits in an automobile after the chauffeur has had his directions.

And everyone about him was the stronger and surer for that quiet face, that air of knowledge and unruffled confidence. The clustering lights threw a score of shadows of him upon the maps, great bunches of him, versions of a commanding presence, lighter or darker, dominated the field, and pointed in every direction. Those shadows symbolised his control. When a messenger came from the wireless room to shift this or that piece in the game, to replace under amended reports one Central European regiment by a score, to draw back or thrust out or distribute this or that force of the allies, the Marshal would turn his head and seem not to see, or look and nod slightly, as a master nods who approves a pupil’s self-correction. “Yes, that’s better.”

How wonderful he was, thought the woman at the window, how wonderful it all was. This was the brain of the western world, this was Olympus with the warring earth at its feet. And he was guiding France, France so long a resentful exile from imperialism, back to her old predominance.

It seemed to her beyond the desert of a woman that she should be privileged to participate.⁠ ⁠…

It is hard to be a woman, full of the stormy impulse to personal devotion, and to have to be impersonal, abstract, exact, punctual. She must control herself.⁠ ⁠…

She gave herself up to fantastic dreams, dreams of the days when the war would be over and victory enthroned. Then perhaps this harshness, this armour would be put aside and the gods might unbend. Her eyelids drooped.⁠ ⁠…

She roused herself with a start. She became aware that the night outside was no longer still. That there was an excitement down below on the bridge and a running in the street and a flickering of searchlights among the clouds from some high place away beyond the Trocadero. And then the excitement came surging up past her and invaded the hall within.

One of the sentinels from the terrace stood at the upper end of the room, gesticulating and shouting something.

And all the world had changed. A kind of throbbing. She couldn’t understand. It was as if all the water-pipes and concealed machinery and cables of the ways beneath, were beating⁠—as pulses beat. And about her blew something like a wind⁠—a wind that was dismay.

Her eyes went to the face of the Marshal as a frightened child might look towards its mother.

He was still serene. He was frowning slightly, she thought, but that was natural enough, for the Earl of Delhi, with one hand gauntly gesticulating, had taken him by the arm and was all too manifestly disposed to drag him towards the great door that opened on the terrace. And Viard was hurrying towards the huge windows and doing so in the strangest of attitudes, bent forward and with eyes upturned.

Something up there?

And then it was as if thunder broke overhead.

The sound struck her like a blow. She crouched together against the masonry and looked up. She saw three black shapes swooping down through the torn clouds, and from a point a little below two of them, there had already started curling trails of red.⁠ ⁠…

Everything else in her being was paralysed, she hung through moments that seemed infinities, watching those red missiles whirl down towards her.⁠ ⁠…

She felt torn out of the world. There was nothing else in the world but a crimson-purple glare and sound, deafening, all-embracing, continuing sound. Every other light had gone out about her and against this glare hung slanting walls, pirouetting pillars, projecting fragments of cornices, and a disorderly flight of huge angular sheets of glass.

She had an impression of a great ball of crimson-purple fire like a maddened living thing that seemed to be whirling about very rapidly amidst a chaos of falling masonry, that seemed to be attacking the earth furiously, that seemed to be burrowing into it like a blazing rabbit.⁠ ⁠…

She had all the sensations of waking up out of a dream.

She found she was lying face downward on a bank of mould and that a little rivulet of hot water was running over one foot. She tried to raise herself and found her leg was very painful. She was not clear whether it was night or day nor where she was; she made a second effort, wincing and groaning, and turned over and got into a sitting position and looked about her.

Everything seemed very silent. She was, in fact, in the midst of a vast uproar, but she did not realise this because her hearing had been destroyed.

At first she could not join on what she saw to any previous experience.

She seemed to be in a strange world, a soundless, ruinous world, a world of heaped broken things. And it was lit⁠—and somehow this was more familiar to her mind than any other fact about her⁠—by a flickering, purplish-crimson light. Then close to her, rising above a confusion of debris, she recognised the

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