Murder in the Gunroom, H. Beam Piper [ebook reader color screen .txt] 📗

“I should say not! I’d give him two hundred for it, any time. Even without the history, it’s worth that.”

“Who buys history, anyhow?” Rand wanted to know. “The fact that it came from the Sawyer collection adds more value to it than this Mayflower business. Past ownership by a recognized authority like Sawyer is a real guarantee of quality and authenticity. But history, documented or otherwise⁠—hell, only yesterday I saw a pair of pistols with a wonderful three-hundred-and-fifty-year documented history. Only not a word of it was true; the pistols were made about twenty years ago.”

“Those wheel locks Fleming bought from Arnold Rivers?” Pierre asked. “God, wasn’t that a crime! I’ll bet Rivers bought himself a big drink when Lane Fleming was killed. Fleming was all set to hang Rivers’s scalp in his wigwam.⁠ ⁠… But with Stephen, the history does count for something. As you probably know, he collects arms-types that figured in American history. Well, he can prove that this individual musket was brought over by the Pilgrims, so he can be sure it’s an example of the type they used. But he’d sooner have a typical Pilgrim musket that never was within five thousand miles of Plymouth Rock than a non-typical arm brought over as a personal weapon by one of the Mayflower Company.”

“Oh, none of us are really interested in the individual history of collection weapons,” Rand said. “You show me a collection that’s full of known-history arms, and I’ll show you a collection that’s either full of junk or else cost three times what it’s worth. And you show me a collector who blows money on history, and nine times out of ten I’ll show you a collector who doesn’t know guns. I saw one such collection, once; every item had its history neatly written out on a tag and hung onto the trigger-guard. The owner thought that the patent-dates on Colts were model-dates, and the model-dates on French military arms were dates of fabrication.”

Pierre wrinkled his nose disgustedly. “God, I hate to see a collection all fouled up with tags hung on things!” he said. “Or stuck over with gummed labels; that’s even worse. Once in a while I get something with a label pasted on it, usually on the stock, and after I get it off, there’s a job getting the wood under it rubbed up to the same color as the rest of the stock.”

“Yes. I picked up a lovely little rifled flintlock pistol, once,” Rand said. “American; full-length curly-maple stock; really a Kentucky rifle in pistol form. Whoever had owned it before me had pasted a slip of paper on the underside of the stock, between the trigger-guard and the lower ramrod thimble, with a lot of crap, mostly erroneous, typed on it. It took me six months to remove the last traces of where that thing had been stuck on.”

“What do you collect, or don’t you specialize?”

“Pistols; I try to get the best possible specimens of the most important types, special emphasis on British arms after 1700 and American arms after 1800. What I’m interested in is the evolution of the pistol. I have a couple of wheel locks, to start with, and three miguelet-locks and an Italian snaphaunce. Then I have a few early flintlocks, and a number of mid-eighteenth-century types, and some late flintlocks and percussion types. And about twenty Colts, and so on through percussion revolvers and early cartridge types to some modern arms, including a few World War II arms.”

“I see; about the same idea Lane Fleming had,” Pierre said. “I collect personal combat-arms, firearms and edge-weapons. Arms that either influenced fighting techniques, or were developed to meet special combat conditions. From what you say, you’re mainly interested in the way firearms were designed and made; I’m interested in the conditions under which they were used. And Adam Trehearne, who’ll be here shortly, collects pistols and a few long-arms in wheel lock, proto-flintlock and early flintlock, to 1700. And Philip Cabot collects U.S. Martials, flintlock to automatic, and also enemy and Allied Army weapons from all our wars. And Colin MacBride collects nothing but Colts. Odd how a Scot, who’s only been in this country twenty years, should become interested in so distinctively American a type.”

“And I collect anything I can sell at a profit, from Chinese matchlocks to tommy-guns,” Karen Lawrence interjected, coming into the room with Dot Gresham.

Pierre grinned. “Karen is practically a unique specimen herself; the only general-antique dealer I’ve ever seen who doesn’t hate the sight of a gun-collector.”

“That’s only because I’m crazy enough to want to marry one,” the girl dealer replied. “Of all the miserly, unscrupulous, grasping characters⁠ ⁠…” She expressed a doubt that the average gun-collector would pay more than ten cents to see his Lord and Savior riding to hounds on a Bren-carrier. “They don’t give a hoot whose grandfather owned what, and if anything’s battered up a little, they don’t think it looks quaint, they think it looks lousy. And they’ve never heard of inflation; they think arms ought still to sell for the sort of prices they brought at the old Mark Field sale, back in 1911.”

“What were you looking at?” Dot asked Rand, then glanced at the musket in Pierre’s hands. “Oh, Priscilla.”

Karen laughed. “Dot not only knows everything in the collection; she knows it by name. Dot, show Colonel Rand Hester Prynne.”

“Hester coming up,” Gresham’s daughter said, catching another musket out of the same rack from which Pierre had gotten the matchlock and passing it over to Rand. He grasped the heavy piece, approving of the easy, instinctive way in which the girl had handled it. “Look on the barrel,” she told him. “On top, right at the breech.”

The gun was a flintlock, or rather, a dog-lock; sure enough, stamped on the breech was the big “A” of the Company of Workmen Armorers of London, the seventeenth-century gunmakers’ guild.

“That’s right,” he nodded. “That’s Hester Prynne, all right; the first American girl