Satan’s Diary, Leonid Andreyev [the beginning after the end read novel .TXT] 📗

likes music produced by taut strings: I was myself a taut string and even when the finger no longer touched me, the sound continued to vibrate and died so slowly that I can still hear it in the depths of my soul. And suddenly I saw that the entire air was filled with taut and trembling strings: they extend from star to star, scatter themselves over the earth and penetrate my heart⁠ ⁠… like a network of telephone wires through a central station⁠—if you want more simple comparisons. And there was something else I understood when I heard Maria’s voice.⁠ ⁠…

No, you are simply an animal, Wondergood! When I recall your loud complaints against love and its songs, cursed with the curse of monotony⁠—is that not your own expression?⁠—I feel like sending you off to a barn. You are a dull and dirty animal and I am ashamed that for a whole hour I listened to your silly bellowing. You may hold words in contempt, you may curse your embraces, but do not touch Love, my friend: only through love has it been given to you to obtain a glimpse into Eternity! Away, my friend! Leave Satan to himself, he who in the very blackest depths of man has suddenly come upon new and unexpected flames. Away! You must not see the joy and astonishment of Satan!

The hour was late. The moon indicated midnight when I left Magnus and ordered the chauffeur to drive by way of the Numentinian road: I feared lest this great calm might slip away from me, and I wanted to overtake it in the depths of the Campagna. But the speed of the car broke the silence and I left my machine. It went to sleep at once beneath the light of the moon over its own shadow and looked like a huge, gray stone barring the road. For the last time its lights gleamed upon Me and it became transformed into something invisible. I was left alone with my shadow.

We walked along the white road, I and my shadow, stopping occasionally and then again resuming our march. I sat down on a stone along the road and the black shadow hid behind my back. And here a great quiet descended upon the earth, upon the world. Upon my chilled brow I felt the cool touch of the moon’s kiss.

March 2.
Rome, Villa Orsini.

I pass my days in deep solitude. My earthly existence is beginning to trouble me. With every hour I seem to forget what I have left behind the wall of human things. My eyesight is weakening. I can hardly see behind that wall. The shadows behind it scarcely move and I can no longer distinguish their outline. With every second my sense of hearing grows duller. I hear the quiet squeak of a mouse, fussing beneath the floor but I am deaf to the thunders rolling above my head. The silence of delusion envelops me and I desperately strain my ears to catch the voices of frankness. I left them behind that impenetrable wall. With each moment Truth flees from Me. In vain my words try to overtake it: they merely shoot by. In vain I seek to surround it in the tight embraces of my thoughts and rivet it with chains: the prison disappears like air and my embraces envelop nothing but emptiness. Only yesterday it seemed to me that I had caught my prey. I imprisoned it and fastened it to the wall with a heavy chain, but when I came to view it in the morning⁠—I found nothing but a shackled skeleton. The rusty chains dangled loosely from its neck while the skull was nodding to me in brazen laughter.

You see, I am again seeking comparisons, only to have the Truth escape me! But what can I do when I have left all my weapons at home and must resort to your poor arsenal? Let God himself don this human form and He will immediately begin to speak to you in exquisite French or Yiddish and He will be unable to say more than it is possible to say in exquisite French or Yiddish. God! And I am only Satan, a modest, careless, human Devil!

Of course, it was careless of me. But when I looked upon your human life from beyond⁠ ⁠… no, wait: You and I have just been caught in a lie, old man! When I said from Beyond you understood at once it must have been very far away. Yes? You may have already determined, perhaps, the approximate number of miles. Have you not at your disposal a limitless number of zeros? Ah, it is not true. My “Beyond” is as close as your “Here,” and is no further away than this very spot. You see what nonsense, what a lie you and I are pirouetting about! Cast away your meter and your scales and only listen as if behind your back there were no ticking of a clock and in your breast there were no counting machine. And so: when I looked upon your life from Beyond it appeared to Me a great and merry game of immortal fragments.

Do you know what a puppets’ show is? When one doll breaks, its place is taken by another, but the play goes on. The music is not silenced, the auditors continue to applaud and it is all very interesting. Does the spectator concern himself about the fate of the fragments, thrust upon the scrap heap? He simply looks on in enjoyment. So it was with me, too. I heard the beat of the drums, and watched the antics of the clowns. And I so love immortal play that I felt like becoming an actor myself. Ah, I did not know then that it is not a play at all. And that the scrap heap was terrible when one becomes a puppet himself and that the broken fragments reeked with blood. You deceived me, my friend!

But you are astonished.