Short Fiction, Robert E. Howard [highly illogical behavior TXT] 📗

Whatever her forebodings, Conan did not share them. The Cimmerian sat down near her, his back against a pillar, his sword across his knees. His eyes gleamed like a panther’s in the dusk.

“Sleep, girl,” said he. “My slumber is light as a wolf’s. Nothing can enter this hall without awaking me.”

Olivia did not reply. From her bed of leaves she watched the immobile figure, indistinct in the soft darkness. How strange, to move in fellowship with a barbarian, to be cared for and protected by one of a race, tales of which had frightened her as a child! He came of a people bloody, grim and ferocious. His kinship to the wild was apparent in his every action; it burned in his smoldering eyes. Yet he had not harmed her, and her worst oppressor had been a man the world called civilized. As a delicious languor stole over her relaxing limbs and she sank into foamy billows of slumber, her last waking thought was a drowsy recollection of the firm touch of Conan’s fingers on her soft flesh.

Olivia dreamed, and through her dreams crawled a suggestion of lurking evil, like a black serpent writhing through flower gardens. Her dreams were fragmentary and colorful, exotic shards of a broken, unknown pattern, until they crystalized into a scene of horror and madness, etched against a background of cyclopean stones and pillars.

She saw a great hall, whose lofty ceiling was upheld by stone columns marching in even rows along the massive walls. Among these pillars fluttered great green and scarlet parrots, and the hall was thronged with black-skinned, hawk-faced warriors. They were not negroes. Neither they nor their garments nor weapons resembled anything of the world the dreamer knew.

They were pressing about one bound to a pillar: a slender white-skinned youth, with a cluster of golden curls about his alabaster brow. His beauty was not altogether human⁠—like the dream of a god, chiseled out of living marble.

The black warriors laughed at him, jeered and taunted in a strange tongue. The lithe naked form writhed beneath their cruel hands. Blood trickled down the ivory thighs to spatter on the polished floor. The screams of the victim echoed through the hall; then lifting his head toward the ceiling and the skies beyond, he cried out a name in an awful voice. A dagger in an ebon hand cut short his cry, and the golden head rolled on the ivory breast.

As if in answer to that desperate cry, there was a rolling thunder as of celestial chariot-wheels, and a figure stood before the slayers, as if materialized out of empty air. The form was of a man, but no mortal man ever wore such an aspect of inhuman beauty. There was an unmistakable resemblance between him and the youth who dropped lifeless in his chains, but the alloy of humanity that softened the godliness of the youth was lacking in the features of the stranger, awful and immobile in their beauty.

The blacks shrank back before him, their eyes slits of fire. Lifting a hand, he spoke, and his tones echoed through the silent halls in deep rich waves of sound. Like men in a trance the black warriors fell back until they were ranged along the walls in regular lines. Then from the stranger’s chiseled lips rang a terrible invocation and command: “Yagkoolan yok tha, xuthalla!”

At the blast of that awful cry, the black figures stiffened and froze. Over their limbs crept a curious rigidity, an unnatural petrification. The stranger touched the limp body of the youth, and the chains fell away from it. He lifted the corpse in his arms; then ere he turned away, his tranquil gaze swept again over the silent rows of ebony figures, and he pointed to the moon, which gleamed in through the casements. And they understood, those tense, waiting statues that had been men.⁠ ⁠…

Olivia awoke, starting up on her couch of branches, a cold sweat beading her skin. Her heart pounded loud in the silence. She glanced wildly about. Conan slept against his pillar, his head fallen upon his massive breast. The silvery radiance of the late moon crept through the gaping roof, throwing long white lines along the dusty floor. She could see the images dimly, black, tense⁠—waiting. Fighting down a rising hysteria, she saw the moonbeams rest lightly on the pillars and the shapes between.

What was that? A tremor among the shadows where the moonlight fell. A paralysis of horror gripped her, for where there should have been the immobility of death, there was movement: a slow twitching, a flexing and writhing of ebon limbs⁠—an awful scream burst from her lips as she broke the bonds that held her mute and motionless. At her shriek Conan shot erect, teeth gleaming, sword lifted.

“The statues! The statues!⁠—Oh my God, the statues are coming to life!”

And with the cry she sprang through a crevice in the wall, burst madly through the hindering vines, and ran, ran, ran⁠—blind, screaming, witless⁠—until a grasp on her arm brought her up short and she shrieked and fought against the arms that caught her, until a familiar voice penetrated the mists of her terror, and she saw Conan’s face, a mask of bewilderment in the moonlight.

“What in Crom’s name, girl? Did you have a nightmare?” His voice sounded strange and far away. With a sobbing gasp she threw her arms about his thick neck and clung to him convulsively, crying in panting catches.

“Where are they? Did they follow us?”

“Nobody followed us,” he answered.

She sat up, still clinging to him, and looked fearfully about. Her blind flight had carried her to the southern edge of the plateau. Just below them was the slope, its foot masked in the thick shadows of the woods. Behind them she saw the ruins looming in the high-swinging moon.

“Did you not see them?⁠—The statues, moving, lifting their hands, their eyes glaring