The Duel, Aleksandr Kuprin [if you give a mouse a cookie read aloud TXT] 📗

since the winter began, forced their way into the room these trembling tones that were produced, as it were, one from the other, and in the melancholy clang of which, on this sentimental spring morning, there lay a peculiar power of charm. Immediately outside Romashov’s window lay a garden in which many cherry-trees grew in rich abundance, all white with blooms, and all soft and round as a flock of snow-white sheep whose wool was fine. Between them, here and there, arose slim but gigantic poplars that stretched their boughs beseechingly towards heaven, and ancient, venerable chestnut-trees with their dome-like crests. The trees were still bare, with black, naked boughs, but on these, though the eye could hardly discern them, the first yellowish verdure, fresh as the dew, began to be visible. In the pure, moisture-laden air of the newly-awakened spring day, the trees rocked softly here and there before the cool, sportive breezes that murmured from time to time among the flowers, and bowed them to the ground with a roguish kiss.

From the windows one could discern, on the left, through a gateway, a part of the dirty street, which on one side was fenced off. People passed alongside of the fence from time to time, walking slowly as they picked out a dry place for their next step. “Lucky people,” thought Romashov, as he enviously followed them with his eyes, “they need not hurry. They have the whole of the long day before them⁠—ah! a whole, free, glorious day.”

And suddenly there came over him a longing for freedom so intense and passionate that tears rushed to his eyes, and he had great difficulty in restraining himself from running out of the house. Now, however, it was not the mess-room that attracted him, but only the yard, the street, fresh air. It was as if he had never understood before what freedom was, and he was astonished at the amount of happiness that is comprised in the simple fact that one may go where one pleases, turn into this or that street, stop in the middle of the square, peep into a half-opened church door, etc., etc., all at one’s own sweet will and without having to fear the consequences. The right to do, and the possibility of doing, all this would be enough to fill a man’s heart with an exultant sense of joy and bliss.

He remembered in connection with this how, in his earliest youth, long before he entered the Cadet School, his mother used to punish him by tying him tightly to the foot of the bed with fine thread, after which she left him by himself; and little Romashov sat for whole hours submissively still. But never for an instant did it occur to him to flee from the house, although, under ordinary circumstances, he never stood on ceremony⁠—for instance, to slide down the water-pipe from other storys to the street; to dangle, without permission, after a military band or a funeral procession as far as the outskirts of Moscow; or to steal from his mother lumps of sugar, jam, and cigarettes for older playfellows, etc. But this brittle thread exercised a remarkable hypnotizing influence on his mind as a child. He was even afraid of breaking it by some sudden, incautious movement. In that case he was influenced by no fear whatsoever of punishment, neither by a sense of duty, nor by regret, but by pure hypnosis, a superstitious dread of the unfathomable power and superiority of grownup or older persons, which reminds one of the savage who, paralysed by fright, dares not take a step beyond the magic circle that the conjurer has drawn.

“And here I am sitting now like a schoolboy, like a little helpless, mischievous brat tied by the leg,” thought Romashov as he slouched backwards and forwards in his room. “The door is open, I can go when I please, can do what I please, can talk and laugh⁠—but I am kept back by a thread. I sit here; I and nobody else. Someone has ordered me to sit here, and I shall sit here; but who has authorized him to order this? Certainly not I.

“I”⁠—Romashov stood in the middle of the room with his legs straddling and his head hanging down, thinking deeply. “I, I, I!” he shouted in a loud voice, in which there lay a certain note of astonishment, as if he now was first beginning to comprehend the meaning of this short word. “Who is standing here and gaping at that black crack in the floor?⁠—Is it really I? How curious⁠—I”⁠—he paused slowly and with emphasis on the monosyllable, just as if it were only by such means that he could grasp its significance.

He smiled unnaturally; but, in the next instant, he frowned, and turned pale with emotion and strain of thought. Such small crises had not infrequently happened to him during the last five or six years, as is nearly always the case with young people during that period of life when the mind is in course of development. A simple truth, a saying, a common phrase, with the meaning of which he has long ago been familiar, suddenly, by some mysterious impulse from within, stands in a new light, and so receives a particular philosophical meaning. Romashov could still remember the first time this happened to him. It was at school during a catechism lesson, when the priest tried to explain the parable of the labourers who carried away stones. One of them began with the light stones, and afterwards took the heavier ones, but when at last he came to the very heaviest of all his strength was exhausted. The other worked according to a diametrically different plan, and luckily fulfilled his duty. To Romashov was opened the whole abyss of practical wisdom that lay hidden in this simple picture that he had known and understood ever since he could read a book. Likewise with the old saying: “Seven times shalt thou