Legends From the End of Time, Michael Moorcock [best motivational books of all time TXT] 📗
- Author: Michael Moorcock
Book online «Legends From the End of Time, Michael Moorcock [best motivational books of all time TXT] 📗». Author Michael Moorcock
"You are symbiotes?"
"Of sorts, yes."
"But surely," said Jagged, "if she dies before she transfers the life-right to you, you are still dependent on the life-force emanating from her being?"
"I would be, in Armatuce. But here, I'm my own man."
Miss Ming said accusingly, "You should have tried to stop her, Lord Jagged."
"You said yourself she was free, Miss Ming."
"Not to destroy herself!" A fresh wail.
"But to become your slave?"
"Oh, that's nonsense, Lord Jagged." Another noisy blowing of the nose. "Your trouble is, you don't understand real emotions at all."
His smile as he looked down at her was twisted and strange.
"I loved her," said Miss Ming defiantly.
8. The Return to Armatuce
Alone in her machine, her helmet once more upon her head, her protective suit once again armouring her body, Dafnish Armatuce quelled pain, at the sight of Snuffles' empty chair, and concentrated upon her instruments. All was ready.
She adjusted her harness, tightening it. She reached for the seven buttons inset on the chair's arm; she pressed a sequence of four. Green light rolled in waves across her vision, subtly altering to blue and then to black. Dials sang out their information, a murmuring rose to a shout: the ship was moving. She was going back through Time.
She watched for the pink light and the red, which would warn her that the ship was malfunctioning or that it was off course: the colours did not falter. She moved steadily towards her goal. Her head ached, but that was to be expected; neuralgia consumed her body (also anticipated); but the peculiar sense of unease was new, and her stare went too frequently to the small chair beneath the main console. To distract her attention, she brought in the vision screen earlier than was absolutely necessary. Outside was a predominantly grey mist, broken occasionally by bright flashes or patches of blackness; sometimes she thought she could distinguish objects for fractions of a second, but they never stayed long enough for her to identify them. The instruments were more interesting. They showed that she moved back through Time at a rate of one minute to the thousand years. The instruments were crude, she knew, but she had already traversed seven thousand years and it would be many more minutes before she came to Armatuce. The machine had automatic devices built into it so that it would return to its original resting place a few moments after it had, so far as the observers in Armatuce were aware, departed. As best she could, she refused to let her thoughts dwell on her return. She would have to lie, and she had never lied before. She would have to admit to having abandoned her boy and she would know disgrace; she would no longer be required to serve. Yet she knew that she would serve, if only she were allowed to warn them against further expeditions into the future. She would be content. Yet still her heart remained heavy. It was obvious that she, too, had been corrupted. She would demand isolation, in Armatuce, so that she would not corrupt others.
A shadow darkened the vision screens for a few seconds, then the grey, sparkling mist came back.
She heard herself speaking. "It was not betrayal. He, too, was betrayed. I must not blame him."
She had become selfish; she wanted her boy for herself, for comfort. Therefore, she reasoned, she did not deserve him. She must forget…
The machine shuddered, but no pink light came. Physical agony made her bite her lip, but the machine maintained its backward course.
It became difficult to breathe. At first she blamed the respirator, but she saw that it functioned perfectly. With considerable effort she made herself breathe more slowly, felt her heartbeat resume its normal rhythm. Why did she persist in experiencing that same panic she had first experienced at the End of Time — the sense of being trapped? No-one had known claustrophobia in Armatuce for centuries. How could they? Such phobias had been eliminated.
Ten minutes had passed. She was tempted to increase the machine's speed, but such a step would be dangerous. For the sake of the Armatuce, she must not risk her chances of getting home.
She recalled her son's disdainful words, remembered all the others who had told her that the sacrifices of the Armatuce were no longer valid. They had been valid once; they had saved the world, continued the race, passing life to life, building a huge fund of wisdom and knowledge. Like ants, she thought. Well, the ants survived. They and Man were virtually all that had survived the cataclysm. Was it not arrogant to assume that Man had any more to offer than the ant?
Five more minutes went by. The pain was worse, but it was not so sharp. Her sight was a little blurred, but she was able to see that the machine's passage through Time was steady.
Her moods seemed to change rapidly. One moment she was consoled and hopeful; at another she would sink into despair and be forced to fight against such useless emotions as regret and anger. She could not carry such things back to Armatuce! It would be Sin. She strove to recall some suitable Maxim, but none came to her.
The machine lurched, paused, and then it continued. Another six minutes had gone by. The pain suddenly became so intense that she lost consciousness. She had expected nothing else.
She awoke, her ears filled with the protesting whining of the time ship. She opened her eyes to pink, oscillating light. She blinked and peered at the instruments. All were at zero. It meant that she was back.
Hastily, with clumsy fingers, she freed herself of her harness. The vision screen showed the white laboratory, the pale-faced, black-clad figures of her compatriots. They were very still.
She operated the mechanism to raise the hatch, climbed urgently through, crying out: "Armatuce! Armatuce! Beware of the Future!" She was desperate to warn them in case Time snatched her from her own Age before
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