A Damsel in Distress, P. G. Wodehouse [best finance books of all time .txt] 📗

any further I would like to call your attention to Sir Peter Lely’s portrait of⁠—” It was his custom to begin his Thursday lectures with this remark, but today it was postponed; for, no sooner had George appeared, than a breezy voice on the outskirts of the throng spoke in a tone that made competition impossible.

“For goodness’ sake, George.”

And Billie Dore detached herself from the group, a trim vision in blue. She wore a dust-coat and a motor veil, and her eyes and cheeks were glowing from the fresh air.

“For goodness’ sake, George, what are you doing here?”

“I was just going to ask you the same thing.”

“Oh, I motored down with a boy I know. We had a breakdown just outside the gates. We were on our way to Brighton for lunch. He suggested I should pass the time seeing the sights while he fixed up the sprockets or the differential gear or whatever it was. He’s coming to pick me up when he’s through. But, on the level, George, how do you get this way? You sneak out of town and leave the show flat, and nobody has a notion where you are. Why, we were thinking of advertising for you, or going to the police or something. For all anybody knew, you might have been sandbagged or dropped in the river.”

This aspect of the matter had not occurred to George till now. His sudden descent on Belpher had seemed to him the only natural course to pursue. He had not realized that he would be missed, and that his absence might have caused grave inconvenience to a large number of people.

“I never thought of that. I⁠—well, I just happened to come here.”

“You aren’t living in this old castle?”

“Not quite. I’ve a cottage down the road. I wanted a few days in the country so I rented it.”

“But what made you choose this place?”

Keggs, who had been regarding these disturbers of the peace with dignified disapproval, coughed.

“If you would not mind, madam. We are waiting.”

“Eh? How’s that?” Miss Dore looked up with a bright smile. “I’m sorry. Come along, George. Get in the game.” She nodded cheerfully to the butler. “All right. All set now. You may fire when ready, Gridley.”

Keggs bowed austerely, and cleared his throat again.

“We are now in the main ’all, and before going any further I would like to call your attention to Sir Peter Lely’s portrait of the fifth countess. Said by experts to be in his best manner.”

There was an almost soundless murmur from the mob, expressive of wonder and awe, like a gentle breeze rustling leaves. Billie Dore resumed her conversation in a whisper.

“Yes, there was an awful lot of excitement when they found that you had disappeared. They were phoning the Carlton every ten minutes trying to get you. You see, the summertime number flopped on the second night, and they hadn’t anything to put in its place. But it’s all right. They took it out and sewed up the wound, and now you’d never know there had been anything wrong. The show was ten minutes too long, anyway.”

“How’s the show going?”

“It’s a riot. They think it will run two years in London. As far as I can make it out you don’t call it a success in London unless you can take your grandchildren to see the thousandth night.”

“That’s splendid. And how is everybody? All right?”

“Fine. That fellow Gray is still hanging round Babe. It beats me what she sees in him. Anybody but an infant could see the man wasn’t on the level. Well, I don’t blame you for quitting London, George. This sort of thing is worth fifty Londons.”

The procession had reached one of the upper rooms, and they were looking down from a window that commanded a sweep of miles of the countryside, rolling and green and wooded. Far away beyond the last covert Belpher Bay gleamed like a streak of silver. Billie Dore gave a little sigh.

“There’s nothing like this in the world. I’d like to stand here for the rest of my life, just lapping it up.”

“I will call your attention,” boomed Keggs at their elbow, “to this window, known in the fem’ly tredition as Leonard’s Leap. It was in the year seventeen ’undred and eighty-seven that Lord Leonard Forth, eldest son of ’Is Grace the Dook of Lochlane, ’urled ’imself out of this window in order to avoid compromising the beautiful Countess of Marshmoreton, with oom ’e is related to ’ave ’ad an innocent romance. Surprised at an advanced hour by ’is lordship the earl in ’er ladyship’s boudoir, as this room then was, ’e leaped through the open window into the boughs of the cedar tree which stands below, and was fortunate enough to escape with a few ’armless contusions.”

A murmur of admiration greeted the recital of the ready tact of this eighteenth-century Steve Brodie.

“There,” said Billie enthusiastically, “that’s exactly what I mean about this country. It’s just a mass of Leonard’s Leaps and things. I’d like to settle down in this sort of place and spend the rest of my life milking cows and taking forkfuls of soup to the deserving villagers.”

“We will now,” said Keggs, herding the mob with a gesture, “proceed to the Amber Drawing-Room, containing some Gobelin Tapestries ’ighly spoken of by connoozers.”

The obedient mob began to drift out in his wake.

“What do you say, George,” asked Billie in an undertone, “if we sidestep the Amber Drawing-Room? I’m wild to get into that garden. There’s a man working among those roses. Maybe he would show us round.”

George followed her pointing finger. Just below them a sturdy, brown-faced man in corduroys was pausing to light a stubby pipe.

“Just as you like.”

They made their way down the great staircase. The voice of Keggs, saying complimentary things about the Gobelin Tapestry, came to their ears like the roll of distant drums. They wandered out towards the rose-garden. The man in corduroys had lit his pipe and was bending once more to his