David Copperfield, Charles Dickens [best historical fiction books of all time TXT] 📗

on that opposite side of the way; keeping as quietly as we could in the shadow of the houses, but keeping very near her.

There was, and is when I write, at the end of that low-lying street, a dilapidated little wooden building, probably an obsolete old ferry-house. Its position is just at that point where the street ceases, and the road begins to lie between a row of houses and the river. As soon as she came here, and saw the water, she stopped as if she had come to her destination; and presently went slowly along by the brink of the river, looking intently at it.

All the way here, I had supposed that she was going to some house; indeed, I had vaguely entertained the hope that the house might be in some way associated with the lost girl. But that one dark glimpse of the river, through the gateway, had instinctively prepared me for her going no farther.

The neighbourhood was a dreary one at that time; as oppressive, sad, and solitary by night, as any about London. There were neither wharves nor houses on the melancholy waste of road near the great blank Prison. A sluggish ditch deposited its mud at the prison walls. Coarse grass and rank weeds straggled over all the marshy land in the vicinity. In one part, carcases of houses, inauspiciously begun and never finished, rotted away. In another, the ground was cumbered with rusty iron monsters of steam-boilers, wheels, cranks, pipes, furnaces, paddles, anchors, diving-bells, windmill-sails, and I know not what strange objects, accumulated by some speculator, and grovelling in the dust, underneath which⁠—having sunk into the soil of their own weight in wet weather⁠—they had the appearance of vainly trying to hide themselves. The clash and glare of sundry fiery Works upon the riverside, arose by night to disturb everything except the heavy and unbroken smoke that poured out of their chimneys. Slimy gaps and causeways, winding among old wooden piles, with a sickly substance clinging to the latter, like green hair, and the rags of last year’s handbills offering rewards for drowned men fluttering above high-water mark, led down through the ooze and slush to the ebb-tide. There was a story that one of the pits dug for the dead in the time of the Great Plague was hereabout; and a blighting influence seemed to have proceeded from it over the whole place. Or else it looked as if it had gradually decomposed into that nightmare condition, out of the overflowings of the polluted stream.

As if she were a part of the refuse it had cast out, and left to corruption and decay, the girl we had followed strayed down to the river’s brink, and stood in the midst of this night-picture, lonely and still, looking at the water.

There were some boats and barges astrand in the mud, and these enabled us to come within a few yards of her without being seen. I then signed to Mr. Peggotty to remain where he was, and emerged from their shade to speak to her. I did not approach her solitary figure without trembling; for this gloomy end to her determined walk, and the way in which she stood, almost within the cavernous shadow of the iron bridge, looking at the lights crookedly reflected in the strong tide, inspired a dread within me.

I think she was talking to herself. I am sure, although absorbed in gazing at the water, that her shawl was off her shoulders, and that she was muffling her hands in it, in an unsettled and bewildered way, more like the action of a sleepwalker than a waking person. I know, and never can forget, that there was that in her wild manner which gave me no assurance but that she would sink before my eyes, until I had her arm within my grasp.

At the same moment I said “Martha!”

She uttered a terrified scream, and struggled with me with such strength that I doubt if I could have held her alone. But a stronger hand than mine was laid upon her; and when she raised her frightened eyes and saw whose it was, she made but one more effort and dropped down between us. We carried her away from the water to where there were some dry stones, and there laid her down, crying and moaning. In a little while she sat among the stones, holding her wretched head with both her hands.

“Oh, the river!” she cried passionately. “Oh, the river!”

“Hush, hush!” said I. “Calm yourself.”

But she still repeated the same words, continually exclaiming, “Oh, the river!” over and over again.

“I know it’s like me!” she exclaimed. “I know that I belong to it. I know that it’s the natural company of such as I am! It comes from country places, where there was once no harm in it⁠—and it creeps through the dismal streets, defiled and miserable⁠—and it goes away, like my life, to a great sea, that is always troubled⁠—and I feel that I must go with it!” I have never known what despair was, except in the tone of those words.

“I can’t keep away from it. I can’t forget it. It haunts me day and night. It’s the only thing in all the world that I am fit for, or that’s fit for me. Oh, the dreadful river!”

The thought passed through my mind that in the face of my companion, as he looked upon her without speech or motion, I might have read his niece’s history, if I had known nothing of it. I never saw, in any painting or reality, horror and compassion so impressively blended. He shook as if he would have fallen; and his hand⁠—I touched it with my own, for his appearance alarmed me⁠—was deadly cold.

“She is in a state of frenzy,” I whispered to him. “She will speak differently in a little time.”

I don’t know what he would have said in answer. He made some motion with his mouth, and seemed to think