Barchester Towers, Anthony Trollope [top business books of all time .txt] 📗

last of the blood of the emperors, thus referring Neroni’s extraction to the old Roman family from which the worst of the Caesars sprang.

The “signora” was not without talent and not without a certain sort of industry; she was an indomitable letter-writer, and her letters were worth the postage: they were full of wit, mischief, satire, love, latitudinarian philosophy, free religion, and, sometimes, alas, loose ribaldry. The subject, however, depended entirely on the recipient, and she was prepared to correspond with anyone but moral young ladies or stiff old women. She wrote also a kind of poetry, generally in Italian, and short romances, generally in French. She read much of a desultory sort of literature, and as a modern linguist had really made great proficiency. Such was the lady who had now come to wound the hearts of the men of Barchester.

Ethelbert Stanhope was in some respects like his younger sister, but he was less inestimable as a man than she as a woman. His great fault was an entire absence of that principle which should have induced him, as the son of a man without fortune, to earn his own bread. Many attempts had been made to get him to do so, but these had all been frustrated, not so much by idleness on his part as by a disinclination to exert himself in any way not to his taste. He had been educated at Eton and had been intended for the Church, but he had left Cambridge in disgust after a single term, and notified to his father his intention to study for the bar. Preparatory to that, he thought it well that he should attend a German university, and consequently went to Leipzig. There he remained two years and brought away a knowledge of German and a taste for the fine arts. He still, however, intended himself for the bar, took chambers, engaged himself to sit at the feet of a learned pundit, and spent a season in London. He there found that all his aptitudes inclined him to the life of an artist, and he determined to live by painting. With this object he returned to Milan, and had himself rigged out for Rome. As a painter he might have earned his bread, for he wanted only diligence to excel, but when at Rome his mind was carried away by other things: he soon wrote home for money, saying that he had been converted to the Mother Church, that he was already an acolyte of the Jesuits, and that he was about to start with others to Palestine on a mission for converting Jews. He did go to Judea, but being unable to convert the Jews, was converted by them. He again wrote home, to say that Moses was the only giver of perfect laws to the world, that the coming of the true Messiah was at hand, that great things were doing in Palestine, and that he had met one of the family of Sidonia, a most remarkable man, who was now on his way to western Europe, and whom he had induced to deviate from his route with the object of calling at the Stanhope villa. Ethelbert then expressed his hope that his mother and sisters would listen to this wonderful prophet. His father he knew could not do so from pecuniary considerations. This Sidonia, however, did not take so strong a fancy to him as another of that family once did to a young English nobleman. At least he provided him with no heaps of gold as large as lions, so that the Judaized Ethelbert was again obliged to draw on the revenues of the Christian Church.

It is needless to tell how the father swore that he would send no more money and receive no Jew, nor how Charlotte declared that Ethelbert could not be left penniless in Jerusalem, and how “La Signora Neroni” resolved to have Sidonia at her feet. The money was sent, and the Jew did come. The Jew did come, but he was not at all to the taste of “La Signora.” He was a dirty little old man, and though he had provided no golden lions, he had, it seems, relieved young Stanhope’s necessities. He positively refused to leave the villa till he had got a bill from the doctor on his London bankers.

Ethelbert did not long remain a Jew. He soon reappeared at the villa without prejudices on the subject of his religion, and with a firm resolve to achieve fame and fortune as a sculptor. He brought with him some models which he had originated at Rome and which really gave such fair promise that his father was induced to go to further expense in furthering these views. Ethelbert opened an establishment, or rather took lodgings and a workshop, at Carrara, and there spoilt much marble and made some few pretty images. Since that period, now four years ago, he had alternated between Carrara and the villa, but his sojourns at the workshop became shorter and shorter and those at the villa longer and longer. ’Twas no wonder, for Carrara is not a spot in which an Englishman would like to dwell.

When the family started for England, he had resolved not to be left behind, and, with the assistance of his elder sister, had carried his point against his father’s wishes. It was necessary, he said, that he should come to England for orders. How otherwise was he to bring his profession to account?

In personal appearance Ethelbert Stanhope was the most singular of beings. He was certainly very handsome. He had his sister Madeline’s eyes, without their stare and without their hard, cunning, cruel firmness. They were also very much lighter, and of so light and clear a blue as to make his face remarkable, if nothing else did so. On entering a room with him, Ethelbert’s blue eyes would be the first thing you would see, and on leaving it almost the last you would