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mountain did I climb,”

sang Hanne, and the child sang with her⁠—she could sing already! Hanne’s clear, quiet eyes rested on the child, and her expression was as joyful as though fortune had really come to her. She was like a young widow who has lived her share of life, and in the “Ark” everyone addressed her as Widow Hanne. This was a mark of respect paid to her character; they threw a widow’s veil over her fate because she bore it so finely. She had expected so much, and now she centered everything in her child, as though the Stranger could have brought her no more valuable present.

Peter’s misfortune had struck the little home a serious blow. They had always only just kept their heads above water; and now he earned less than ever with his crippled hand. Karl wanted to get on in the world, and was attending confirmation classes, which cost money and clothes. They had made up for Peter’s loss of earning power by giving up Father Lasse’s room and moving his bed into their own room. But all three were growing, and needed food and clothing.

Peter’s character had taken on a little kink; he was no longer so cheerful over his work, and he often played the truant, loafing about the streets instead of going to the factory. Sometimes he could not be got out of bed in the morning; he crept under the bedclothes and hid himself. “I can’t work with my bad hand,” he would say, crying, when Marie wanted to drag him out; “every moment the knives are quite close to it and nearly chop it off.”

“Then stay at home!” said Marie at last. “Look after the house and I will go out and see if I can earn something. I can get work as a charwoman in the new buildings in Market Street.”

But at that he got up and slunk away; he would not allow a woman to earn his food for him.

Karl was a brisk, merry young vagabond; nothing made any impression on him. The streets had brought him up, had covered his outer man with a coating of grime, and had lit the inextinguishable sparks in his eyes. He was like the sparrows of the capital; black with soot, but full of an urban sharpness, they slip in and out among the heavy wagon-wheels, and know everything. He was always getting into difficulties, but always came home with a whole skin. His continual running about seemed to have got into his blood like a never-resting impulse.

He was full of shifts for lessening the uncertainty of his earnings, and the little household depended principally on him. But now he had had enough of seeking his living in the streets; he wanted to get on; he wanted most of all to be a shopkeeper. The only thing that held him back was his regard for his home.

Pelle saw that the little home would have to be broken up. Marie was developing rapidly; she must leave the “Ark,” and if Karl could not live his own life, but was forced to sacrifice himself to his brother and sister, he would end as a street-loafer. Pelle resolved suddenly to deal with the matter himself, as his habit was. He obtained an outfit for Karl from a charitable society, and placed him as apprentice with a shopkeeper for whom the boy had run errands.

One Sunday afternoon he went over to the “Ark” with a big parcel under his arm. He was holding Young Lasse by the hand; every moment the child stooped down, picked up a little stone, dragged his father to the quay-wall, and threw the stone into the water. He chattered incessantly.

Pelle mechanically allowed himself to be pulled aside, and answered the child at random. He was thinking of the children’s little home, which had once been so hospitably opened to him, and must now be broken up. Perhaps it would be the salvation of Karl and Marie; there was a future for them outside; they were both young and courageous. And Father Lasse could come to him; it would be quite possible to make up his bed in the living-room at night and put it out of the way in the daytime. Ellen was no longer so particular. But Peter⁠—what was to become of him? The home was the only thing that still held him.

When Young Lasse looked through the tunnel-entry into the darkness of the “Ark” he did not want to go in. “Ugly, ugly!” he said, in energetic refusal. Pelle had to take him in his arms. “Lasse not like that!” he said, pushing with his hands against his father’s shoulders. “Lasse wants to go back! get down!”

“What!” said Pelle, laughing, “doesn’t Young Lasse like the ‘Ark’? Father thinks it’s jolly here!”

“Why?” asked the boy, pouting.

“Why?” Well, Pelle could not at once explain. “Because I lived here once on a time!” he replied.

“And where was Young Lasse then?”

“Then you used to sit in mother’s eyes and laugh at father.”

At this the child forgot his fear of the darkness and the heavy timbers. He pressed his round little nose against his father’s, and gazed into his eyes, in order to see whether a little boy was sitting in them too. He laughed when he glimpsed himself in them. “Who sits in mother’s eyes now?” he asked.

“Now a little sister sits there, who likes to play with Young Lasse,” said Pelle. “But now you must walk again⁠—it doesn’t do for a man to sit on anybody’s arm!”

The three orphans were waiting for him eagerly; Karl hopped and leaped into the air when he saw Pelle.

“Where is Father Lasse?” asked Pelle.

“He has gone out with the handcart for the secondhand dealer,” said Marie; “he had to fetch a sofa.” She had taken Young Lasse on her lap and was almost eating him.

Karl put on his fine new clothes, his fresh face beaming with delight. The trousers were fully long enough, but it

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