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Redcliffe Hall, and they asked Michael to escort them home. He was going to fetch a cab, but they stopped him, saying that Tinderbox Lane, where they lived, was only a little way along on the other side of the Fulham Road. The fog was very dense when they came out, and Michael took the girls’ arms with a delicious sense of intimacy, with a feeling, too, of extraordinary freedom from the world, as if they were all three embarked upon an adventure in this eclipse of fog. He had packed their shoes deep down in the pockets of his overcoat, and with the possession of their shoes he had a sensation of possessing the wearers of them. The fog was denser and denser: they paused upon the edge of the curb, listening for oncoming traffic. A distant omnibus was lumbering far down the Fulham Road. Michael caught their arms close, and the three of them seemed to sail across to the opposite pavement. He had nothing to say because he was so happy, and Lily had nothing to say because she talked now no more than she used to talk. So it was Sylvia who had to carry on the conversation, and since most of this consisted of questions to Lily and Michael about their former friendship, which neither Lily nor Michael answered, even Sylvia was discouraged at last; and they walked on silently through the fog, Michael clasping the girls close to him and watching all the time Lily’s hand holding up her big black cloak.

“Here we are, you two dreamers,” said Sylvia, pulling them to a stop by a narrow turning which led straight from the pavement unexpectedly, without any dip down into a road.

“Through here? How fascinating!” said Michael.

They passed between two posts, and in another three minutes stopped in front of a door set in a wall.

“I’ve got the key,” said Sylvia, and she unlocked the door.

“But this is extraordinary,” Michael exclaimed. “Aren’t we walking through a garden?”

“Yes, it’s quite a long garden,” Sylvia informed him. There was a smell of damp earth here that sweetened the harshness of the fog, and Michael thought that he had never imagined anything so romantic as following Lily in single file along the narrow gravel path of a mysterious garden like this. There must have been thirty yards of path, before they walked up the steps of what seemed to be a sort of balcony.

“She’s downstairs,” said Sylvia, tapping upon a glass door with the key. A woman’s figure appeared with an orange-shaded lamp in the passage.

“Open quickly, Mrs. Gainsborough. We’re frozen,” Sylvia called. As the woman opened the door, Sylvia went on in her deep voice:

“We’ve brought an old friend of Lily’s back from the dance. It wasn’t really worth going to. Oh, I oughtn’t to have said that, ought I?” she laughed, turning round to Michael. “Come in and get warm. This is Mrs. Gainsborough, who’s the queen of cards.”

“Get along with you, you great saucy thing,” said Mrs. Gainsborough, laughing.

She was a woman of enormous size with a triplication of chins. Her crimson cheeks shone with the same glister as her black dress; and her black hair, so black that it must have been dyed, was parted in the middle and lay in a chignon upon her neck. She seemed all the larger, sitting in this small room full of Victorian finery, and Michael was amused to hear her address Sylvia as “great.”

“We want something to eat and something to drink, you lovely old mountain,” Sylvia said.

Mrs. Gainsborough doubled herself up and smacked her knees in a tempest of wheezy laughter.

“Sit here, you terrors, while I get the cloth on the dining-room table,” and out she went, her laughter dying in sibilations along the diminutive corridor. Lily had flung herself down in an armchair near the fire. Behind her stood a small mahogany table on which was a glass case of hummingbirds; by her elbow on the wall was a white china bell coronated with a filigree of gilt, and by chance the antimacassar on the chair was of Berlin wool checkered black and blue. She in her pierrette’s dress of black with light blue pompons looked strangely remote from present time in that setting. Michael could not connect this secluded house with anything which had made an impression upon him during his experience of the underworld. Here was nothing that was not cozy and old-fashioned; here was no sign of decay, whether in the fabric of the house or in the attitude of the people living there. This small square room with the heavy furniture that occupied so much of the space had no demirep demeanor. That horsehair sofa with lyre-shaped sides and back of floriated wood; that brass birdcage hanging in the window against the curtains of maroon serge; those cabinets in miniature, some lacquered, some of plain wood with tiny drop-handles of brass; those black chairs with seats of gilded cane; those trays with marquetery in mother-of-pearl of wreaths and rivulets and parrots; that tablecloth like a dish of black Sèvres; those simpering steel engravings⁠—there was nothing that did not bespeak the sobriety of the Victorian prime here miraculously preserved. Lily and Sylvia in such dresses belonged to a period of fantasy; Mrs. Gainsborough was in keeping with her furniture; and Michael, as he looked at himself in the glass overmantel, did not think that he was seeming very intrusive.

“Whose are these rooms?” he asked. Lily was adorable, but he did not believe they were her creation or discovery.

“I found them,” said Sylvia. “The old girl who owns the house is bad, but beautiful. Aren’t you, you most astonishing but attractive mammoth?” This was addressed to Mrs. Gainsborough, who was at the moment panting into the room for some accessory to the dining-table.

“Get along with you,” the landlady chuckled. “Now don’t go to sleep, Lily. Your supper is just on ready.” She went puffing from the room in busy mirthfulness.

“She’s one of the best,” said Sylvia. “This house

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