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crediting Raspe with a sufficient mastery of English idiom to have written the book without assistance, for as early as January 1780 (since which date Raspe had resided uninterruptedly in this country) Walpole wrote to his friend Mason that “Raspe writes English much above ill and speaks it as readily as French,” and shortly afterwards he remarked that he wrote English “surprisingly well.” In the next year, 1781, Raspe’s absolute command of the two languages encouraged him to publish two moderately good prose-translations, one of Lessing’s Nathan the Wise, and the other of Zachariae’s mock-heroic, Tabby in Elysium. The erratic character of the punctuation may be said, with perfect impartiality, to be the only distinguishing feature of the style of the original edition of Munchausen.

Curious as is this long history of literary misappropriation, the chequered career of the rightful author, Rudolph Erich Raspe, offers a chapter in biography which has quite as many points of singularity.

Born in Hanover in 1737, Raspe studied at the Universities of Göttingen and Leipzig. He is stated also to have rendered some assistance to a young nobleman in sowing his wild oats, a sequel to his university course which may possibly help to explain his subsequent aberrations. The connection cannot have lasted long, as in 1762, having already obtained reputation as a student of natural history and antiquities, he obtained a post as one of the clerks in the University Library at Hanover.

No later than the following year contributions written in elegant Latin are to be found attached to his name in the Leipzig Nova Acta Eruditorum. In 1764 he alluded gracefully to the connection between Hanover and England in a piece upon the birthday of Queen Charlotte, and having been promoted secretary of the University Library at Göttingen, the young savant commenced a translation of Leibniz’s philosophical works which was issued in Latin and French after the original manuscripts in the Royal Library at Hanover, with a preface by Raspe’s old college friend Kästner (Göttingen, 1765). At once a courtier, an antiquary, and a philosopher, Raspe next sought to display his vocation for polite letters, by publishing an ambitious allegorical poem of the age of chivalry, entitled Hermin and Gunilde, which was not only exceedingly well reviewed, but received the honour of a parody entitled Harlequin and Columbine. He also wrote translations of several of the poems of Ossian, and a disquisition upon their genuineness; and then with better inspiration he wrote a considerable treatise on “Percy’s Reliques of Ancient Poetry,” with metrical translations, being thus the first to call the attention of Germany to these admirable poems, which were afterwards so successfully ransacked by Bürger, Herder, and other early German romanticists.

In 1767 Raspe was again advanced by being appointed Professor at the Collegium Carolinum in Cassel, and keeper of the landgrave of Hesse’s rich and curious collection of antique gems and medals. He was shortly afterwards appointed Librarian in the same city, and in 1771 he married. He continued writing on natural history, mineralogy, and archæology, and in 1769 a paper in the 59th volume of the Philosophical Transactions, on the bones and teeth of elephants and other animals found in North America and various boreal regions of the world, procured his election as an honorary member of the Royal Society of London. His conclusion in this paper that large elephants or mammoths must have previously existed in boreal regions has, of course, been abundantly justified by later investigations. When it is added that Raspe during this part of his life also wrote papers on lithography and upon musical instruments, and translated Algarotti’s Treatise on “Architecture, Painting, and Opera Music,” enough will have been said to make manifest his very remarkable and somewhat prolix versatility. In 1773 he made a tour in Westphalia in quest of manuscripts, and on his return, by way of completing his education, he turned journalist, and commenced a periodical called the Cassel Spectator, with Mauvillon as his co-editor. In 1775 he was travelling in Italy on a commission to collect articles of vertu for the landgrave, and it was apparently soon after his return that he began appropriating to his own use valuable coins abstracted from the cabinets entrusted to his care. He had no difficulty in finding a market for the antiques which he wished to dispose of, and which, it has been charitably suggested, he had every intention of replacing whenever opportunity should serve. His consequent procedure was, it is true, scarcely that of a hardened criminal. Having obtained the permission of the landgrave to visit Berlin, he sent the keys of his cabinet back to the authorities at Cassel⁠—and disappeared. His thefts, to the amount of two thousand rixdollars, were promptly discovered, and advertisements were issued for the arrest of the Councillor Raspe, described without suspicion of flattery as a long-faced man, with small eyes, crooked nose, red hair under a stumpy periwig, and a jerky gait. The necessities that prompted him to commit a felony are possibly indicated by the addition that he usually appeared in a scarlet dress embroidered with gold, but sometimes in black, blue, or grey clothes. He was seized when he had got no farther than Klausthal, in the Hartz mountains, but he lost no time in escaping from the clutches of the police, and made his way to England. He never again set foot on the continent.

He was already an excellent English scholar, so that when he reached London it was not unnatural that he should look to authorship for support. Without loss of time, he published in London in 1776 a volume on some German Volcanoes and their productions; in 1777 he translated the then highly esteemed mineralogical travels of Ferber in Italy and Hungary. In 1780 we have an interesting account of him from Horace Walpole, who wrote to his friend, the Rev. William Mason: “There is a Dutch sçavant come over who is author of several

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