A Voyage to Arcturus, David Lindsay [guided reading books TXT] 📗

having failed to find anything of a suspicious nature, the medium now requested that his own clothing should be searched.

“All these precautions are quite needless and beside the matter in hand, as you will immediately see for yourselves. My reputation demands, however, that other people who are not present would not be able to say afterward that trickery has been resorted to.”

To Lang again fell the ungrateful task of investigating pockets and sleeves. Within a few minutes he expressed himself satisfied that nothing mechanical was in Backhouse’s possession. The guests reseated themselves. Faull ordered two more chairs to be brought for Mrs. Trent’s friends, who, however, had not yet arrived. He then pressed an electric bell, and took his own seat.

The signal was for the hidden orchestra to begin playing. A murmur of surprise passed through the audience as, without previous warning, the beautiful and solemn strains of Mozart’s “temple” music pulsated through the air. The expectation of everyone was raised, while, beneath her pallor and composure, it could be seen that Mrs. Trent was deeply moved. It was evident that aesthetically she was by far the most important person present. Faull watched her, with his face sunk on his chest, sprawling as usual.

Backhouse stood up, with one hand on the back of his chair, and began speaking. The music instantly sank to pianissimo, and remained so for as long as he was on his legs.

“Ladies and gentlemen, you are about to witness a materialisation. That means you will see something appear in space that was not previously there. At first it will appear as a vaporous form, but finally it will be a solid body, which anyone present may feel and handle⁠—and, for example, shake hands with. For this body will be in the human shape. It will be a real man or woman⁠—which, I can’t say⁠—but a man or woman without known antecedents. If, however, you demand from me an explanation of the origin of this materialised form⁠—where it comes from, whence the atoms and molecules composing its tissues are derived⁠—I am unable to satisfy you. I am about to produce the phenomenon; if anyone can explain it to me afterward, I shall be very grateful.⁠ ⁠… That is all I have to say.”

He resumed his seat, half turning his back on the assembly, and paused for a moment before beginning his task.

It was precisely at this minute that the manservant opened the door and announced in a subdued but distinct voice: “Mr. Maskull, Mr. Nightspore.”

Everyone turned round. Faull rose to welcome the late arrivals. Backhouse also stood up, and stared hard at them.

The two strangers remained standing by the door, which was closed quietly behind them. They seemed to be waiting for the mild sensation caused by their appearance to subside before advancing into the room. Maskull was a kind of giant, but of broader and more robust physique than most giants. He wore a full beard. His features were thick and heavy, coarsely modelled, like those of a wooden carving; but his eyes, small and black, sparkled with the fires of intelligence and audacity. His hair was short, black, and bristling. Nightspore was of middle height, but so tough-looking that he appeared to be trained out of all human frailties and susceptibilities. His hairless face seemed consumed by an intense spiritual hunger, and his eyes were wild and distant. Both men were dressed in tweeds.

Before any words were spoken, a loud and terrible crash of falling masonry caused the assembled party to start up from their chairs in consternation. It sounded as if the entire upper part of the building had collapsed. Faull sprang to the door, and called to the servant to say what was happening. The man had to be questioned twice before he gathered what was required of him. He said he had heard nothing. In obedience to his master’s order, he went upstairs. Nothing, however, was amiss there, neither had the maids heard anything.

In the meantime Backhouse, who almost alone of those assembled had preserved his sangfroid, went straight up to Nightspore, who stood gnawing his nails.

“Perhaps you can explain it, sir?”

“It was supernatural,” said Nightspore, in a harsh, muffled voice, turning away from his questioner.

“I guessed so. It is a familiar phenomenon, but I have never heard it so loud.”

He then went among the guests, reassuring them. By degrees they settled down, but it was observable that their former easy and good-humoured interest in the proceedings was now changed to strained watchfulness. Maskull and Nightspore took the places allotted to them. Mrs. Trent kept stealing uneasy glances at them. Throughout the entire incident, Mozart’s hymn continued to be played. The orchestra also had heard nothing.

Backhouse now entered on his task. It was one that began to be familiar to him, and he had no anxiety about the result. It was not possible to effect the materialisation by mere concentration of will, or the exercise of any faculty; otherwise many people could have done what he had engaged himself to do. His nature was phenomenal⁠—the dividing wall between himself and the spiritual world was broken in many places. Through the gaps in his mind the inhabitants of the invisible, when he summoned them, passed for a moment timidly and awfully into the solid, coloured universe.⁠ ⁠… He could not say how it was brought about.⁠ ⁠… The experience was a rough one for the body, and many such struggles would lead to insanity and early death. That is why Backhouse was stern and abrupt in his manner. The coarse, clumsy suspicion of some of the witnesses, the frivolous aestheticism of others, were equally obnoxious to his grim, bursting heart; but he was obliged to live, and, to pay his way, must put up with these impertinences.

He sat down facing the wooden couch. His eyes remained open but seemed to look inward. His cheeks paled, and he became noticeably thinner. The spectators almost forgot to breathe. The more sensitive among them began to feel, or imagine, strange presences all around them.