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diviner of future things, Plato of Athens. You will find in the fourth of his Syracusan cantos the birth of our Lord foretold in a lancune that seems of heaven rather than of earth.7 In the time of my early studies, when I read for the first time Jam Redit et Virgo, I felt myself bathed in an infinite delight, but I immediately experienced intense grief at the thought that, forever deprived of the presence of God, the author of this prophetic verse, the noblest that has come from human lips, was pining among the heathen in eternal darkness. This cruel thought did not leave me. It pursued me even in my studies, my prayers, my meditations, and my ascetic labours. Thinking that Virgil was deprived of the sight of God and that possibly he might even be suffering the fate of the reprobate in hell, I could neither enjoy peace nor rest, and I went so far as to exclaim several times a day with my arms outstretched to heaven:

“ ‘Reveal to me, O Lord, the lot thou hast assigned to him who sang on earth as the angels sing in heaven!’

“After some years my anguish ceased when I read in an old book that the great apostle St. Paul, who called the Gentiles into the Church of Christ, went to Naples and sanctified with his tears the tomb of the prince of poets.8 This was some ground for believing that Virgil, like the Emperor Trajan, was admitted to Paradise because even in error he had a presentiment of the truth. We are not compelled to believe it, but I can easily persuade myself that it is true.”

Having thus spoken, old Hilary wished me the peace of a holy night and went away with Brother Jacinth.

I resumed the delightful study of my poet. Book in hand, I meditated upon the way in which those whom Love destroys with its cruel malady wander through the secret paths in the depth of the myrtle forest, and, as I meditated, the quivering reflections of the stars came and mingled with those of the leafless eglantines in the waters of the cloister fountain. Suddenly the lights and the perfumes and the stillness of the sky were overwhelmed, a fierce Northwind charged with storm and darkness burst roaring upon me. It lifted me up and carried me like a wisp of straw over fields, cities, rivers, and mountains, and through the midst of thunderclouds, during a long night composed of a whole series of nights and days. And when, after this prolonged and cruel rage, the hurricane was at last stilled, I found myself far from my native land at the bottom of a valley bordered by cypress trees. Then a woman of wild beauty, trailing long garments behind her, approached me. She placed her left hand on my shoulder, and, pointing her right arm to an oak with thick foliage:

“Look!” said she to me.

Immediately I recognised the Sibyl who guards the sacred wood of Avernus, and I discerned the fair Proserpine’s beautiful golden twig amongst the tufted boughs of the tree to which her finger pointed.

“O prophetic Virgin,” I exclaimed, “thou hast comprehended my desire and thou hast satisfied it in this way. Thou hast revealed to me the tree that bears the shining twig without which none can enter alive into the dwelling place of the dead. And in truth, eagerly did I long to converse with the shade of Virgil.”

Having said this, I snatched the golden branch from its ancient trunk and I advanced without fear into the smoking gulf that leads to the miry banks of the Styx, upon which the shades are tossed about like dead leaves. At sight of the branch dedicated to Proserpine, Charon took me in his bark, which groaned beneath my weight, and I alighted on the shores of the dead, and was greeted by the mute baying of the threefold Cerberus. I pretended to throw the shade of a stone at him, and the vain monster fled into his cave. There, amidst the rushes, wandered the souls of those children whose eyes had but opened and shut to the kindly light of day, and there in a gloomy cavern Minos judges men. I penetrated into the myrtle wood in which the victims of love wander languishing, Phaedra, Procris, the sad Eriphyle, Evadne, Pasiphaë, Laodamia, and Cenis, and the Phoenician Dido. Then I went through the dusty plains reserved for famous warriors. Beyond them open two ways. That to the left leads to Tartarus, the abode of the wicked. I took that to the right, which leads to Elysium and to the dwellings of Dis. Having hung the sacred branch at the goddess’s door, I reached pleasant fields flooded with purple light. The shades of philosophers and poets hold grave converse there. The Graces and the Muses formed sprightly choirs upon the grass. Old Homer sang, accompanying himself upon his rustic lyre. His eyes were closed, but divine images shone upon his lips. I saw Solon, Democritus, and Pythagoras watching the games of the young men in the meadow, and, through the foliage of an ancient laurel, I perceived also Hesiod, Orpheus, the melancholy Euripides, and the masculine Sappho. I passed and recognised, as they sat on the bank of a fresh rivulet, the poet Horace, Varius, Gallus, and Lycoris. A little apart, leaning against the trunk of a dark holm oak, Virgil was gazing pensively at the grove. Of lofty stature, though spare, he still preserved that swarthy complexion, that rustic air, that negligent bearing, and unpolished appearance which during his lifetime concealed his genius. I saluted him piously and remained for a long time without speech.

At last when my halting voice could proceed out of my throat:

“O thou, so dear to the Ausonian Muses, thou honour of the Latin name, Virgil,” cried I, “it is through thee I have known what beauty is, it is through thee

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