The Age of Fable, Thomas Bulfinch [mini ebook reader TXT] 📗

the woods by night, for the gloom and loneliness of such scenes dispose the mind to superstitious fears. Hence sudden fright without any visible cause was ascribed to Pan, and called a Panic terror.

As the name of the god signifies ALL, Pan came to be considered a symbol of the universe and personification of Nature; and later still to be regarded as a representative of all the gods and of heathenism itself.

Sylvanus and Faunus were Latin divinities, whose characteristics are so nearly the same as those of Pan that we may safely consider them as the same personage under different names.

The wood-nymphs, Pan’s partners in the dance, were but one class of nymphs. There were beside them the Naiads, who presided over brooks and fountains, the Oreads, nymphs of mountains and grottos, and the Nereids, sea-nymphs. The three last named were immortal, but the wood-nymphs, called Dryads or Hamadryads, were believed to perish with the trees which had been their abode and with which they had come into existence. It was therefore an impious act wantonly to destroy a tree, and in some aggravated cases were severely punished, as in the instance of Erisichthon, which we are about to record.

Milton in his glowing description of the early creation, thus alludes to Pan as the personification of Nature:

“… Universal Pan, Knit with the Graces and the Hours in dance, Led on the eternal spring.”

And describing Eve’s abode:

“… In shadier bower, More sacred or sequestered, though but feigned, Pan or Sylvanus never slept, nor nymph Nor Faunus haunted.”

—Paradise Lost, B. IV.

It was a pleasing trait in the old Paganism that it loved to trace in every operation of nature the agency of deity. The imagination of the Greeks peopled all the regions of earth and sea with divinities, to whose agency it attributed those phenomena which our philosophy ascribes to the operation of the laws of nature. Sometimes in our poetical moods we feel disposed to regret the change, and to think that the heart has lost as much as the head has gained by the substitution. The poet Wordsworth thus strongly expresses this sentiment:

“… Great God, I’d rather be A Pagan, suckled in a creed outworn, So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea, And hear old Triton blow his wreathed horn.”

Schiller, in his poem “Die Gotter Griechenlands,” expresses his regret for the overthrow of the beautiful mythology of ancient times in a way which has called forth an answer from a Christian poet, Mrs. E. Barrett Browning, in her poem called “The Dead Pan.” The two following verses are a specimen:

“By your beauty which confesses Some chief Beauty conquering you, By our grand heroic guesses Through your falsehood at the True, We will weep NOT! earth shall roll Heir to each god’s aureole, And Pan is dead.

“Earth outgrows the mythic fancies Sung beside her in her youth; And those debonaire romances Sound but dull beside the truth. Phoebus’ chariot course is run! Look up, poets, to the sun! Pan, Pan is dead.”

These lines are founded on an early Christian tradition that when the heavenly host told the shepherds at Bethlehem of the birth of Christ, a deep groan, heard through all the isles of Greece, told that the great Pan was dead, and that all the royalty of Olympus was dethroned and the several deities were sent wandering in cold and darkness. So Milton in his “Hymn on the Nativity”:

“The lonely mountains o’er, And the resounding shore, A voice of weeping heard and loud lament; From haunted spring and dale, Edged with poplar pale, The parting Genius is with sighing sent; With flower-enwoven tresses torn, The nymphs in twilight shade of tangled thickets mourn.”

ERISICHTHON

Erisichthon was a profane person and a despiser of the gods. On one occasion he presumed to violate with the axe a grove sacred to Ceres. There stood in this grove a venerable oak so large that it seemed a wood in itself, its ancient trunk towering aloft, whereon votive garlands were often hung and inscriptions carved expressing the gratitude of suppliants to the nymph of the tree. Often had the Dryads danced round it hand in hand. Its trunk measured fifteen cubits round, and it overtopped the other trees as they overtopped the shrubbery. But for all that, Erisichthon saw no reason why he should spare it and he ordered his servants to cut it down. When he saw them hesitate he snatched an axe from one, and thus impiously exclaimed: “I care not whether it be a tree beloved of the goddess or not; were it the goddess herself it should come down if it stood in my way.” So saying, he lifted the axe and the oak seemed to shudder and utter a groan. When the first blow fell upon the trunk blood flowed from the wound. All the bystanders were horror-struck, and one of them ventured to remonstrate and hold back the fatal axe. Erisichthon, with a scornful look, said to him, “Receive the reward of your piety;” and turned against him the weapon which he had held aside from the tree, gashed his body with many wounds, and cut off his head. Then from the midst of the oak came a voice, “I who dwell in this tree am a nymph beloved of Ceres, and dying by your hands forewarn you that punishment awaits you.” He desisted not from his crime, and at last the tree, sundered by repeated blows and drawn by ropes, fell with a crash and prostrated a great part of the grove in its fall.

The Dryads in dismay at the loss of their companion and at seeing the pride of the forest laid low, went in a body to Ceres, all clad in garments of mourning, and invoked punishment upon Erisichthon. She nodded her assent, and as she bowed her head the grain ripe for harvest in the laden fields bowed also. She planned a punishment so dire that one would pity him, if such a culprit as he could be pitied,—to deliver him over to Famine. As Ceres herself could not approach Famine, for the Fates have ordained that these two goddesses shall never come together, she called an Oread from her mountain and spoke to her in these words: “There is a place in the farthest part of ice-clad Scythia, a sad and sterile region without trees and without crops. Cold dwells there, and Fear and Shuddering, and Famine. Go and tell the last to take possession of the bowels of Erisichthon. Let not abundance subdue her, nor the power of my gifts drive her away. Be not alarmed at the distance” (for Famine dwells very far from Ceres), “but take my chariot. The dragons are fleet and obey the rein, and will take you through the air in a short time.” So she gave her the reins, and she drove away and soon reached Scythia. On arriving at Mount Caucasus she stopped the dragons and found Famine in a stony field, pulling up with teeth and claws the scanty herbage. Her hair was rough, her eyes sunk, her face pale, her lips blanched, her jaws covered with dust, and her skin drawn tight, so as to show all her bones. As the Oread saw her afar off (for she did not dare to come near), she delivered the commands of Ceres; and, though she stopped as short a time as possible, and kept her distance as well as she could, yet she began to feel hungry, and turned the dragons’ heads and drove back to Thessaly.

Famine obeyed the commands of Ceres and sped through the air to the dwelling of Erisichthon, entered the bedchamber of the guilty man, and found him asleep. She enfolded him with her wings and breathed herself into him, infusing her poison into his veins. Having discharged her task, she hastened to leave the land of plenty and returned to her accustomed haunts. Erisichthon still slept, and in his dreams craved food, and moved his jaws as if eating. When he awoke, his hunger was raging. Without a moment’s delay he would have food set before him, of whatever kind earth sea, or air produces; and complained of hunger even while he ate. What would have sufficed for a city or a nation, was not enough for him. The more he ate the more he craved. His hunger was like the sea, which receives all the rivers, yet is never filled; or like fire, that burns all the fuel that is heaped upon it, yet is still voracious for more.

His property rapidly diminished under the unceasing demands of his appetite, but his hunger continued unabated. At length he had spent all and had only his daughter left, a daughter worthy of a better parent. Her too he sold. She scorned to be the slave of a purchaser and as she stood by the seaside raised her hands in prayer to Neptune. He heard her prayer, and though her new master was not far off and had his eye upon her a moment before, Neptune changed her form and made her assume that of a fisherman busy at his occupation. Her master, looking for her and seeing her in her altered form, addressed her and said, “Good fisherman, whither went the maiden whom I saw just now, with hair dishevelled and in humble garb, standing about where you stand? Tell me truly; so may your luck be good and not a fish nibble at your hook and get away.” She perceived that her prayer was answered and rejoiced inwardly at hearing herself inquired of about herself. She replied, “Pardon me, stranger, but I have been so intent upon my line that I have seen nothing else; but I wish I may never catch another fish if I believe any woman or other person except myself to have been hereabouts for some time.” He was deceived and went his way, thinking his slave had escaped. Then she resumed her own form. Her father was well pleased to find her still with him, and the money too that he got by the sale of her; so he sold her again. But she was changed by the favor of Neptune as often as she was sold, now into a horse, now a bird, now an ox, and now a stag,—got away from her purchasers and came home. By this base method the starving father procured food; but not enough for his wants, and at last hunger compelled him to devour his limbs, and he strove to nourish his body by eating his body, till death relieved him from the vengeance of Ceres.

RHOECUS

The Hamadryads could appreciate services as well as punish injuries. The story of Rhoecus proves this. Rhoecus, happening to see an oak just ready to fall, ordered his servants to prop it up. The nymph, who had been on the point of perishing with the tree, came and expressed her gratitude to him for having saved her life and bade him ask what reward he would. Rhoecus boldly asked her love and the nymph yielded to his desire. She at the same time charged him to be constant and told him that a bee should be her messenger and let him know when she would admit his society. One time the bee came to Rhoecus when he was playing at draughts and he carelessly brushed it away. This so incensed the nymph that she deprived him of sight.

Our countryman, J. R. Lowell, has taken this story for the subject of one of his shorter poems. He introduces it thus:

“Hear now this fairy legend of old Greece, As full of freedom, youth and beauty still, As the immortal freshness of that grace Carved for all