The Call of the Wild, Jack London [read me a book .txt] 📗

crowded together, blocked and confused by its eagerness to pull down the prey. Buck’s marvellous quickness and agility stood him in good stead. Pivoting on his hind legs, and snapping and gashing, he was everywhere at once, presenting a front which was apparently unbroken so swiftly did he whirl and guard from side to side. But to prevent them from getting behind him, he was forced back, down past the pool and into the creek bed, till he brought up against a high gravel bank. He worked along to a right angle in the bank which the men had made in the course of mining, and in this angle he came to bay, protected on three sides and with nothing to do but face the front.

And so well did he face it, that at the end of half an hour the wolves drew back discomfited. The tongues of all were out and lolling, the white fangs showing cruelly white in the moonlight. Some were lying down with heads raised and ears pricked forward; others stood on their feet, watching him; and still others were lapping water from the pool. One wolf, long and lean and gray, advanced cautiously, in a friendly manner, and Buck recognized the wild brother with whom he had run for a night and a day. He was whining softly, and, as Buck whined, they touched noses.

Then an old wolf, gaunt and battle-scarred, came forward. Buck writhed his lips into the preliminary of a snarl, but sniffed noses with him. Whereupon the old wolf sat down, pointed nose at the moon, and broke out the long wolf howl. The others sat down and howled. And now the call came to Buck in unmistakable accents. He, too, sat down and howled. This over, he came out of his angle and the pack crowded around him, sniffing in half-friendly, half-savage manner. The leaders lifted the yelp of the pack and sprang away into the woods. The wolves swung in behind, yelping in chorus. And Buck ran with them, side by side with the wild brother, yelping as he ran.

And here may well end the story of Buck. The years were not many when the Yeehats noted a change in the breed of timber wolves; for some were seen with splashes of brown on head and muzzle, and with a rift of white centring down the chest. But more remarkable than this, the Yeehats tell of a Ghost Dog that runs at the head of the pack. They are afraid of this Ghost Dog, for it has cunning greater than they, stealing from their camps in fierce winters, robbing their traps, slaying their dogs, and defying their bravest hunters.

Nay, the tale grows worse. Hunters there are who fail to return to the camp, and hunters there have been whom their tribesmen found with throats slashed cruelly open and with wolf prints about them in the snow greater than the prints of any wolf. Each fall, when the Yeehats follow the movement of the moose, there is a certain valley which they never enter. And women there are who become sad when the word goes over the fire of how the Evil Spirit came to select that valley for an abiding-place.

In the summers there is one visitor, however, to that valley, of which the Yeehats do not know. It is a great, gloriously coated wolf, like, and yet unlike, all other wolves. He crosses alone from the smiling timber land and comes down into an open space among the trees. Here a yellow stream flows from rotted moose-hide sacks and sinks into the ground, with long grasses growing through it and vegetable mould overrunning it and hiding its yellow from the sun; and here he muses for a time, howling once, long and mournfully, ere he departs.

But he is not always alone. When the long winter nights come on and the wolves follow their meat into the lower valleys, he may be seen running at the head of the pack through the pale moonlight or glimmering borealis, leaping gigantic above his fellows, his great throat a-bellow as he sings a song of the younger world, which is the song of the pack.

Colophon

The Call of the Wild
was published in 1906 by
Jack London.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2008 by
Ryan Trapp, Kirstin Trapp, Linda Trapp, Rick Trapp, and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
Winternight,
a painting completed between 1849 and 1915 by
Alfred Kowalski.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 25, 2014, 12:00 a.m.
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