Monsieur Lecoq, Émile Gaboriau [best non fiction books to read .txt] 📗

inevitably have vent in a torrent of words, if Lecoq, who had consulted his watch, had not forestalled the outburst by saying: “Nine o’clock⁠—I am an hour behind time already: still I shall have some news to tell. Now take me to the Morgue as quickly as possible.”

When a mysterious crime has been perpetrated, or a great catastrophe has happened, and the identity of the victims has not been established, “a great day” invariably follows at the Morgue. The attendants are so accustomed to the horrors of the place that the most sickly sight fails to impress them; and even under the most distressing circumstances, they hasten gaily to and fro, exchanging jests well calculated to make an ordinary mortal’s flesh creep. As a rule, they are far less interested in the corpses laid out for public view on the marble slabs in the principal hall than in the people of every age and station in life who congregate here all day long; at times coming in search of some lost relative or friend, but far more frequently impelled by idle curiosity.

As the vehicle conveying Lecoq reached the quay, the young detective perceived that a large, excited crowd was gathered outside the building. The newspapers had reported the tragedy at the Widow Chupin’s drinking-den, of course, more or less correctly, and everybody wished to see the victims.

On drawing near the Pont Notre Dame, Lecoq told the driver to pull up. “I prefer to alight here, rather than in front of the Morgue,” he said, springing to the ground. Then, producing first his watch, and next his purse, he added: “We have been an hour and forty minutes, my good fellow, consequently I owe you⁠—”

“Nothing at all,” replied the driver, decidedly.

“But⁠—”

“No⁠—not a sou. I am too worried already to think that I took the money these hussies offered me. It would only have served me right if the liquor I bought with it had given me the gripes. Don’t be uneasy about the score, and if you need a trap use mine for nothing, till you have caught the jades.” As Lecoq’s purse was low, he did not insist. “You will, at least, take my name and address?” continued the driver.

“Certainly. The magistrate will want your evidence, and a summons will be sent you.”

“All right, then. Address it to Papillon (Eugene), driver, care of M. Trigault. I lodge at his place, because I have some small interest in the business, you see.”

The young detective was hastening away, when Papillon called him back. “When you leave the Morgue you will want to go somewhere else,” he said, “you told me that you had another appointment, and that you were already late.”

“Yes, I ought to be at the Palais de Justice; but it is only a few steps from here.”

“No matter. I will wait for you at the corner of the bridge. It’s useless to say ‘no’; I’ve made up my mind, and I’m a Breton, you know. I want you to ride out the thirty francs that those jades paid me.”

It would have been cruel to refuse such a request. Accordingly, Lecoq made a gesture of assent, and then hurried toward the Morgue.

If there was a crowd on the roadway outside, it was because the gloomy building itself was crammed full of people. Indeed, the sightseers, most of whom could see nothing at all, were packed as closely as sardines, and it was only by dint of well-nigh superhuman efforts that Lecoq managed to effect an entrance. As usual, he found among the mob a large number of girls and women; for, strange to say, the Parisian fair sex is rather partial to the disgusting sights and horrible emotions that repay a visit to the Morgue.

The shop and work girls who reside in the neighborhood readily go out of their way to catch a glimpse of the corpses which crime, accident, and suicide bring to this horrible place. A few, the more sensitive among them, may come no further than the door, but the others enter, and after a long stare return and recount their impressions to their less courageous companions.

If there should be no corpse exhibited; if all the marble slabs are unoccupied, strange as it may seem, the visitors turn hastily away with an expression of disappointment or discontent. There was no fear of their doing so, however, on the morrow of the tragedy at Poivrière, for the mysterious murderer whose identity Lecoq was trying to establish had furnished three victims for their delectation. Panting with curiosity, they paid but little attention to the unhealthy atmosphere: and yet a damp chill came from beyond the iron railings, while from the crowd itself rose an infectious vapor, impregnated with the stench of the chloride of lime used as a disinfectant.

As a continuous accompaniment to the exclamations, sighs, and whispered comments of the bystanders came the murmur of the water trickling from a spigot at the head of each slab; a tiny stream that flowed forth only to fall in fine spray upon the marble. Through the small arched windows a gray light stole in on the exposed bodies, bringing each muscle into bold relief, revealing the ghastly tints of the lifeless flesh, and imparting a sinister aspect to the tattered clothing hung around the room to aid in the identification of the corpses. This clothing, after a certain time, is sold⁠—for nothing is wasted at the Morgue.

However, Lecoq was too occupied with his own thoughts to remark the horrors of the scene. He scarcely bestowed a glance on the three victims. He was looking for Father Absinthe, whom he could not perceive. Had Gevrol intentionally or unintentionally failed to fulfil his promise, or had Father Absinthe forgotten his duty in his morning dram?

Unable to explain the cause of his comrade’s absence, Lecoq addressed himself to the head keeper: “It would seem that no one has recognized the victims,” he remarked.

“No one. And yet, ever since opening, we have had an immense