Far from the Madding Crowd, Thomas Hardy [best ereader for pdf txt] 📗

might just as well follow suit with the rest, and afford her the official glance of admiration which cost nothing at all. She was far from being seriously concerned about his nonconformity. Still, it was faintly depressing that the most dignified and valuable man in the parish should withhold his eyes, and that a girl like Liddy should talk about it. So Liddy’s idea was at first rather harassing than piquant.

“No, I won’t do that. He wouldn’t see any humour in it.”

“He’d worry to death,” said the persistent Liddy.

“Really, I don’t care particularly to send it to Teddy,” remarked her mistress. “He’s rather a naughty child sometimes.”

“Yes⁠—that he is.”

“Let’s toss as men do,” said Bathsheba, idly. “Now then, head, Boldwood; tail, Teddy. No, we won’t toss money on a Sunday, that would be tempting the devil indeed.”

“Toss this hymn-book; there can’t be no sinfulness in that, miss.”

“Very well. Open, Boldwood⁠—shut, Teddy. No; it’s more likely to fall open. Open, Teddy⁠—shut, Boldwood.”

The book went fluttering in the air and came down shut.

Bathsheba, a small yawn upon her mouth, took the pen, and with off-hand serenity directed the missive to Boldwood.

“Now light a candle, Liddy. Which seal shall we use? Here’s a unicorn’s head⁠—there’s nothing in that. What’s this?⁠—two doves⁠—no. It ought to be something extraordinary, ought it not, Liddy? Here’s one with a motto⁠—I remember it is some funny one, but I can’t read it. We’ll try this, and if it doesn’t do we’ll have another.”

A large red seal was duly affixed. Bathsheba looked closely at the hot wax to discover the words.

“Capital!” she exclaimed, throwing down the letter frolicsomely. “ ’Twould upset the solemnity of a parson and clerke too.”

Liddy looked at the words of the seal, and read⁠—

Marry Me.

The same evening the letter was sent, and was duly sorted in Casterbridge post-office that night, to be returned to Weatherbury again in the morning.

So very idly and unreflectingly was this deed done. Of love as a spectacle Bathsheba had a fair knowledge; but of love subjectively she knew nothing.

XIV Effect of the Letter; Sunrise

At dusk, on the evening of St. Valentine’s Day, Boldwood sat down to supper as usual, by a beaming fire of aged logs. Upon the mantel-shelf before him was a time-piece, surmounted by a spread eagle, and upon the eagle’s wings was the letter Bathsheba had sent. Here the bachelor’s gaze was continually fastening itself, till the large red seal became as a blot of blood on the retina of his eye; and as he ate and drank he still read in fancy the words thereon, although they were too remote for his sight⁠—

Marry Me.

The pert injunction was like those crystal substances which, colourless themselves, assume the tone of objects about them. Here, in the quiet of Boldwood’s parlour, where everything that was not grave was extraneous, and where the atmosphere was that of a Puritan Sunday lasting all the week, the letter and its dictum changed their tenor from the thoughtlessness of their origin to a deep solemnity, imbibed from their accessories now.

Since the receipt of the missive in the morning, Boldwood had felt the symmetry of his existence to be slowly getting distorted in the direction of an ideal passion. The disturbance was as the first floating weed to Columbus⁠—the contemptibly little suggesting possibilities of the infinitely great.

The letter must have had an origin and a motive. That the latter was of the smallest magnitude compatible with its existence at all, Boldwood, of course, did not know. And such an explanation did not strike him as a possibility even. It is foreign to a mystified condition of mind to realize of the mystifier that the processes of approving a course suggested by circumstance, and of striking out a course from inner impulse, would look the same in the result. The vast difference between starting a train of events, and directing into a particular groove a series already started, is rarely apparent to the person confounded by the issue.

When Boldwood went to bed he placed the valentine in the corner of the looking-glass. He was conscious of its presence, even when his back was turned upon it. It was the first time in Boldwood’s life that such an event had occurred. The same fascination that caused him to think it an act which had a deliberate motive prevented him from regarding it as an impertinence. He looked again at the direction. The mysterious influences of night invested the writing with the presence of the unknown writer. Somebody’s⁠—some woman’s⁠—hand had travelled softly over the paper bearing his name; her unrevealed eyes had watched every curve as she formed it; her brain had seen him in imagination the while. Why should she have imagined him? Her mouth⁠—were the lips red or pale, plump or creased?⁠—had curved itself to a certain expression as the pen went on⁠—the corners had moved with all their natural tremulousness: what had been the expression?

The vision of the woman writing, as a supplement to the words written, had no individuality. She was a misty shape, and well she might be, considering that her original was at that moment sound asleep and oblivious of all love and letter-writing under the sky. Whenever Boldwood dozed she took a form, and comparatively ceased to be a vision: when he awoke there was the letter justifying the dream.

The moon shone tonight, and its light was not of a customary kind. His window admitted only a reflection of its rays, and the pale sheen had that reversed direction which snow gives, coming upward and lighting up his ceiling in an unnatural way, casting shadows in strange places, and putting lights where shadows had used to be.

The substance of the epistle had occupied him but little in comparison with the fact of its arrival. He suddenly wondered if anything more might be found in the envelope than what he had withdrawn. He jumped out of bed in the weird light, took the letter, pulled