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secret pride in his own picture of her.

“H’m⁠—been in bigger places, I suppose,” the other commented. “Well, here’s my corner.”

He slouched off across Broadway, and Archer stood looking after him and musing on his last words.

Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling.

Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett’s attitude as part of the boring “Bohemian” pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist’s lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk.

Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women’s weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks.

On the subject of Hearth-Fires (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett’s, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of a pensive dilettantism.

“The fact is, life isn’t much a fit for either of us,” Winsett had once said. “I’m down and out; nothing to be done about it. I’ve got only one ware to produce, and there’s no market for it here, and won’t be in my time. But you’re free and you’re well-off. Why don’t you get into touch? There’s only one way to do it: to go into politics.”

Archer threw his head back and laughed. There one saw at a flash the unbridgeable difference between men like Winsett and the others⁠—Archer’s kind. Everyone in polite circles knew that, in America, “a gentleman couldn’t go into politics.” But, since he could hardly put it in that way to Winsett, he answered evasively: “Look at the career of the honest man in American politics! They don’t want us.”

“Who’s ‘they’? Why don’t you all get together and be ‘they’ yourselves?”

Archer’s laugh lingered on his lips in a slightly condescending smile. It was useless to prolong the discussion: everybody knew the melancholy fate of the few gentlemen who had risked their clean linen in municipal or state politics in New York. The day was past when that sort of thing was possible: the country was in possession of the bosses and the emigrant, and decent people had to fall back on sport or culture.

“Culture! Yes⁠—if we had it! But there are just a few little local patches, dying out here and there for lack of⁠—well, hoeing and cross-fertilising: the last remnants of the old European tradition that your forebears brought with them. But you’re in a pitiful little minority: you’ve got no centre, no competition, no audience. You’re like the pictures on the walls of a deserted house: The Portrait of a Gentleman. You’ll never amount to anything, any of you, till you roll up your sleeves and get right down into the muck. That, or emigrate⁠ ⁠… God! If I could emigrate⁠ ⁠…”

Archer mentally shrugged his shoulders and turned the conversation back to books, where Winsett, if uncertain, was always interesting. Emigrate! As if a gentleman could abandon his own country! One could no more do that than one could roll up one’s sleeves and go down into the muck. A gentleman simply stayed at home and abstained. But you couldn’t make a man like Winsett see that; and that was why the New York of literary clubs and exotic restaurants, though a first shake made it seem more of a kaleidoscope, turned out, in the end, to be a smaller box, with a more monotonous pattern, than the assembled atoms of Fifth Avenue.

The next morning Archer scoured the town in vain for more yellow roses. In consequence of this search he arrived late at the office, perceived that his doing so made no difference whatever to anyone, and was filled with sudden exasperation at the elaborate futility of his life. Why should he not be, at that moment, on the sands of St. Augustine with May Welland? No one was deceived by his pretense of professional activity. In old-fashioned legal firms like that of which Mr. Letterblair was the head, and which were mainly engaged in the management of large estates and “conservative” investments, there were always two or three

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