On a Chinese Screen, W. Somerset Maugham [thriller novels to read TXT] 📗

euphemism is generally used. His eldest son, a person of standing in the city, was vexed and humiliated by the scandal of this behaviour; and only his strong sense of filial duty prevented him from reproaching the libertine with severity. I daresay that to a son such looseness would be disconcerting, but the student of human nature could look upon it with equanimity. Philosophers are apt to elaborate their theories in the study, forming conclusions upon life which they know only at second hand, and it has seemed to me often that their works would have a more definite significance if they had exposed themselves to the vicissitudes which befall the common run of men. I was prepared to regard the old gentleman’s dalliance in hidden places with leniency. Perhaps he sought but to elucidate the most inscrutable of human illusions.

He finished. To dry the ink he scattered a little ash on the paper and rising handed it to me.

“What have you written?” I asked.

I thought there was a slightly malicious gleam in his eyes.

“I have ventured to offer you two little poems of my own.”

“I did not know you were a poet.”

“When China was still an uncivilised country,” he retorted with sarcasm, “all educated men could write verse at least with elegance.”

I took the paper and looked at the Chinese characters. They made an agreeable pattern upon it.

“Won’t you also give me a translation?”

“Tradutore⁠—tradittore,” he answered. “You cannot expect me to betray myself. Ask one of your English friends. Those who know most about China know nothing, but you will at least find one who is competent to give you a rendering of a few rough and simple lines.”

I bade him farewell, and with great politeness he showed me to my chair. When I had the opportunity I gave the poems to a sinologue of my acquaintance, and here is the version he made.1 I confess that, doubtless unreasonably, I was somewhat taken aback when I read it.

You loved me not: your voice was sweet;
Your eyes were full of laughter; your hands were tender.
And then you loved me: your voice was bitter;
Your eyes were full of tears; your hands were cruel.
Sad, sad that love should make you
Unlovable.

I craved the years would quickly pass
That you might lose
The brightness of your eyes, the peach-bloom of your skin,
And all the cruel splendour of your youth.
Then I alone would love you
And you at last would care.

The envious years have passed full soon
And you have lost
The brightness of your eyes, the peach-bloom of your skin,
And all the charming splendour of your youth.
Alas, I do not love you
And I care not if you care.

XXXIX The Missionary Lady

She was certainly fifty, but a life of convictions harassed by never a doubt had left her face unwrinkled. The hesitations of thought had never lined the smoothness of her brow. Her features were bold and regular, somewhat masculine, and her determined chin bore out the impression given you by her eyes. They were blue, confident, and unperturbed. They summed you up through large round spectacles. You felt that here was a woman to whom command came easily. Her charity was above all things competent and you were certain that she ran the obvious goodness of her heart on thoroughly business lines. It was possible to suppose that she was not devoid of human vanity (and this is to be counted to her for grace) since she wore a dress of violet silk, heavily embroidered, and a toque of immense pansies which on a less respectable head would have been almost saucy. But my Uncle Henry, for twenty-seven years Vicar of Whitstable, who had decided views on the proper manner of dress for a clergyman’s wife, never objected to my Aunt Sophie wearing violet, and he would have found nothing to criticise in the missionary lady’s gown. She spoke fluently with the even flow of water turned on at a tap. Her conversation had the admirable volubility of a politician at the end of an electioneering campaign. You felt that she knew what she meant (with most of us so rare an accomplishment) and meant what she said.

“I always think,” she remarked pleasantly, “that if you know both sides of a question you’ll judge differently from what you will if you only know one side. But the fact remains that two and two make four and you can argue all night and you won’t make them five. Am I right or am I wrong?”

I hastened to assure her that she was right, though with these new theories of relativity and parallel lines behaving at infinity in such a surprising manner I was in my heart of hearts none too sure.

“No one can eat their cake and have it,” she continued, exemplifying Benedetto Croce’s theory that grammar has little to do with expression, “and one has to take the rough with the smooth, but as I always say to the children you can’t expect to have everything your own way. No one is perfect in this world and I always think that if you expect the best from people you’ll get the best.”

I confess that I was staggered, but I determined to do my part. It was only civil.

“Most men live long enough to discover that every cloud has a silver lining,” I began earnestly. “With perseverance you can do most things that are not beyond your powers, and after all, it’s better to want what you have than to have what you want.”

I thought her eyes were glazed with a sudden perplexity when I made this confident statement, but I daresay it was only my fancy, for she nodded vigorously.

“Of course, I see your point,” she said. “We can’t do more than we can.”

But my blood was up now and I waved aside the interruption. I went on.

“Few people realise the profound truth that there are twenty shillings in every pound