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it is introducuntur, not introducautur in the MS. ↩

Another “stage direction” omitted by Celtes. ↩

This admonition to “spectators” is in the MS. and seems inexplicable if Roswitha wrote her plays to be read, not performed. ↩

When Paphnutius was acted, the dialogue of the “disciples” was allotted to several different actors, with the interesting result that some definite characters emerged. ↩

It has been my duty to preserve this rather tiresome numerical discourse, which no doubt Roswitha introduced to impress the “learned men” to whom she submitted her work, because it throws an interesting light on the studies pursued in such a monastery as Gandersheim in the 10th century. Equivalent modern English terms have been employed where the original, by change of usage, has become misleading. For example, “divisor” and “quotient” have been substituted for “denomination” and “quantity.” ↩

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Plays
was published in 1923 by
Hrotsvitha of Gandersheim.
It was translated from Latin by
Christopher St. John.

This ebook was transcribed and produced for
Standard Ebooks
by
Cameron N. Coulter,
and is based on a digital scans available at the
Internet Archive.

The cover page is adapted from
The Monastery of San Pedro (Our Lady of the Snows),
a painting completed in 1879 by
Frederic Edwin Church.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 16, 2019, 11:24 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/roswitha-of-gandersheim/plays/christopher-st-john.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

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