do lie, in a peculiarly heavy dead way, his stiffened limbs sunk in the cushions of the coffin, and his head bent back forever on the pillow, and thrust up, as dead men always do, his yellow waxen forehead with bald spots on the sunken temples, and his nose that stood out sharply and as it were squeezed on the upper lip. He was much changed, even thinner since Pyotr Ivanovitch had seen him, but his face—as always with the dead—was more handsome, and, above all, more impressive than it had been when he was alive. On the face was an expression of what had to be done having been done, and rightly done. Besides this, there was too in that expression a reproach or a reminder for the living. This reminder seemed to Pyotr Ivanovitch uncalled for, or, at least, to have nothing to do with him. He felt something unpleasant; and so Pyotr Ivanovitch once more crossed himself hurriedly, and, as it struck him, too hurriedly, not quite in accordance with the proprieties, turned and went to the door. Shvarts was waiting for him in the adjoining room, standing with his legs apart and both hands behind his back playing with his top hat. A single glance at the playful, sleek, and elegant figure of Shvarts revived Pyotr Ivanovitch. He felt that he, Shvarts, was above it, and would not give way to depressing impressions. The mere sight of him said plainly: the incident of the service over the body of Ivan Ilyitch cannot possibly constitute a sufficient ground for recognising the business of the session suspended—in other words, in no way can it hinder us from shuffling and cutting a pack of cards this evening, while the footman sets four unsanctified candles on the table for us; in fact, there is no ground for supposing that this incident could prevent us from spending the evening agreeably. He said as much indeed to Pyotr Ivanovitch as he came out, proposing that the party should meet at Fyodor Vassilievitch’s. But apparently it was Pyotr Ivanovitch’s destiny not to play “screw” that evening. Praskovya Fyodorovna, a short, fat woman who, in spite of all efforts in a contrary direction, was steadily broader from her shoulders downwards, all in black, with lace on her head and her eyebrows as queerly arched as the lady standing beside the coffin, came out of her own apartments with some other ladies, and conducting them to the dead man’s room, said: “The service will take place immediately; come in.”
Shvarts, making an indefinite bow, stood still, obviously neither accepting nor declining this invitation. Praskovya Fyodorovna, recognising Pyotr Ivanovitch, sighed, went right up to him, took his hand, and said, “I know that you were a true friend of Ivan Ilyitch’s …” and looked at him, expecting from him the suitable action in response to these words. Pyotr Ivanovitch knew that, just as before he had to cross himself, now what he had to do was to press her hand, to sigh and to say, “Ah, I was indeed!” And he did so. And as he did so, he felt that the desired result had been attained; that he was touched, and she was touched.
“Come, since it’s not begun yet, I have something I want to say to you,” said the widow. “Give me your arm.”
Pyotr Ivanovitch gave her his arm, and they moved towards the inner rooms, passing Shvarts, who winked gloomily at Pyotr Ivanovitch.
“So much for our ‘screw’! Don’t complain if we find another partner. You can make a fifth when you do get away,” said his humorous glance.
Pyotr Ivanovitch sighed still more deeply and despondently, and Praskovya Fyodorovna pressed his hand gratefully. Going into her drawing-room, that was upholstered with pink cretonne and lighted by a dismal-looking lamp, they sat down at the table, she on a sofa and Pyotr Ivanovitch on a low ottoman with deranged springs which yielded spasmodically under his weight. Praskovya Fyodorovna was about to warn him to sit on another seat, but felt such a recommendation out of keeping with her position, and changed her mind. Sitting down on the ottoman, Pyotr Ivanovitch remembered how Ivan Ilyitch had arranged this drawing-room, and had consulted him about this very pink cretonne with green leaves. Seating herself on the sofa, and pushing by the table (the whole drawing-room was crowded with furniture and things), the widow caught the lace of her black fichu in the carving of the table. Pyotr Ivanovitch got up to disentangle it for her; and the ottoman, freed from his weight, began bobbing up spasmodically under him. The widow began unhooking her lace herself, and Pyotr Ivanovitch again sat down, suppressing the mutinous ottoman springs under him. But the widow could not quite free herself, and Pyotr Ivanovitch rose again, and again the ottoman became mutinous and popped up with a positive snap. When this was all over, she took out a clean cambric handkerchief and began weeping. Ivanovitch had been chilled off by the incident with the lace and the struggle with the ottoman springs, and he sat looking sullen. This awkward position was cut short by the entrance of Sokolov, Ivan Ilyitch’s butler, who came in to announce that the place in the cemetery fixed on by Praskovya Fyodorovna would cost two hundred roubles. She left off weeping, and with the air of a victim glancing at Pyotr Ivanovitch, said in French that it was very terrible for her. Pyotr Ivanovitch made a silent gesture signifying his unhesitating conviction that it must indeed be so.
“Please, smoke,” she said in a magnanimous, and at the same time, crushed voice, and she began discussing with Sokolov the question of the price of the site for the grave.
Pyotr Ivanovitch, lighting a cigarette, listened to her very circumstantial inquiries as to the various prices of sites and her decision as to the one to be selected. Having settled on the site for the grave, she made arrangements also about the
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