Candide, Voltaire [best romantic novels in english .txt] 📗

This same curiously inept criticism of the war which cost France her American provinces occurs in Voltaire’s Memoirs, wherein he says, “In 1756 England made a piratical war upon France for some acres of snow.” See also his Précis du Siècle de Louis XV. ↩

Admiral Byng was shot on March 14, 1757. ↩

Commenting upon this passage, M. Sarcey says admirably: “All is there! In those ten lines Voltaire has gathered all the griefs and all the terrors of these creatures; the picture is admirable for its truth and power! But do you not feel the pity and sympathy of the painter? Here irony becomes sad, and in a way an avenger. Voltaire cries out with horror against the society which throws some of its members into such an abyss. He has his ‘Bartholomew’ fever; we tremble with him through contagion.” ↩

The following particulars of the six monarchs may prove not uninteresting. Achmet III (b. 1673, d. 1739) was dethroned in 1730. Ivan VI (b. 1740, d. 1762) was dethroned in 1741. Charles Edward Stuart, the Pretender (b. 1720, d. 1788). Auguste III (b. 1696, d. 1763). Stanislaus (b. 1682, d. 1766). Theodore (b. 1690, d. 1755). It will be observed that, although quite impossible for the six kings ever to have met, five of them might have been made to do so without any anachronism. ↩

François Leopold Ragotsky (1676⁠–⁠1735). ↩

Candide
was published in 1759 by
Voltaire.
It was translated from French in 1918 by
The Modern Library.

This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2006 by
Chuck Greif, Fox in the Stars, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
François-Marie Arouet, Called Voltaire,
a painting completed circa 1736 by
Maurice Quentin de La Tour.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 25, 2014, 12:00 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/voltaire/candide/the-modern-library.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.