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sit forever before that almond tree, desiring nothing else in the world.

But while earth and sky and everything had the living beauty of a thing lost, the other half of his head was as clear as glass, and he was parrying his enemy’s point with a kind of clockwork skill of which he had hardly supposed himself capable. Once his enemy’s point ran along his wrist, leaving a slight streak of blood, but it either was not noticed or was tacitly ignored. Every now and then he riposted, and once or twice he could almost fancy that he felt his point go home, but as there was no blood on blade or shirt he supposed he was mistaken. Then came an interruption and a change.

At the risk of losing all, the Marquis, interrupting his quiet stare, flashed one glance over his shoulder at the line of railway on his right. Then he turned on Syme a face transfigured to that of a fiend, and began to fight as if with twenty weapons. The attack came so fast and furious, that the one shining sword seemed a shower of shining arrows. Syme had no chance to look at the railway; but also he had no need. He could guess the reason of the Marquis’s sudden madness of battle⁠—the Paris train was in sight.

But the Marquis’s morbid energy overreached itself. Twice Syme, parrying, knocked his opponent’s point far out of the fighting circle; and the third time his riposte was so rapid, that there was no doubt about the hit this time. Syme’s sword actually bent under the weight of the Marquis’s body, which it had pierced.

Syme was as certain that he had stuck his blade into his enemy as a gardener that he has stuck his spade into the ground. Yet the Marquis sprang back from the stroke without a stagger, and Syme stood staring at his own sword-point like an idiot. There was no blood on it at all.

There was an instant of rigid silence, and then Syme in his turn fell furiously on the other, filled with a flaming curiosity. The Marquis was probably, in a general sense, a better fencer than he, as he had surmised at the beginning, but at the moment the Marquis seemed distraught and at a disadvantage. He fought wildly and even weakly, and he constantly looked away at the railway line, almost as if he feared the train more than the pointed steel. Syme, on the other hand, fought fiercely but still carefully, in an intellectual fury, eager to solve the riddle of his own bloodless sword. For this purpose, he aimed less at the Marquis’s body, and more at his throat and head. A minute and a half afterwards he felt his point enter the man’s neck below the jaw. It came out clean. Half mad, he thrust again, and made what should have been a bloody scar on the Marquis’s cheek. But there was no scar.

For one moment the heaven of Syme again grew black with supernatural terrors. Surely the man had a charmed life. But this new spiritual dread was a more awful thing than had been the mere spiritual topsy-turvydom symbolised by the paralytic who pursued him. The Professor was only a goblin; this man was a devil⁠—perhaps he was the Devil! Anyhow, this was certain, that three times had a human sword been driven into him and made no mark. When Syme had that thought he drew himself up, and all that was good in him sang high up in the air as a high wind sings in the trees. He thought of all the human things in his story⁠—of the Chinese lanterns in Saffron Park, of the girl’s red hair in the garden, of the honest, beer-swilling sailors down by the dock, of his loyal companions standing by. Perhaps he had been chosen as a champion of all these fresh and kindly things to cross swords with the enemy of all creation. “After all,” he said to himself, “I am more than a devil; I am a man. I can do the one thing which Satan himself cannot do⁠—I can die,” and as the word went through his head, he heard a faint and far-off hoot, which would soon be the roar of the Paris train.

He fell to fighting again with a supernatural levity, like a Mohammedan panting for Paradise. As the train came nearer and nearer he fancied he could see people putting up the floral arches in Paris; he joined in the growing noise and the glory of the great Republic whose gate he was guarding against Hell. His thoughts rose higher and higher with the rising roar of the train, which ended, as if proudly, in a long and piercing whistle. The train stopped.

Suddenly, to the astonishment of everyone the Marquis sprang back quite out of sword reach and threw down his sword. The leap was wonderful, and not the less wonderful because Syme had plunged his sword a moment before into the man’s thigh.

“Stop!” said the Marquis in a voice that compelled a momentary obedience. “I want to say something.”

“What is the matter?” asked Colonel Ducroix, staring. “Has there been foul play?”

“There has been foul play somewhere,” said Dr. Bull, who was a little pale. “Our principal has wounded the Marquis four times at least, and he is none the worse.”

The Marquis put up his hand with a curious air of ghastly patience.

“Please let me speak,” he said. “It is rather important. Mr. Syme,” he continued, turning to his opponent, “we are fighting today, if I remember right, because you expressed a wish (which I thought irrational) to pull my nose. Would you oblige me by pulling my nose now as quickly as possible? I have to catch a train.”

“I protest that this is most irregular,” said Dr. Bull indignantly.

“It is certainly somewhat opposed to precedent,” said Colonel Ducroix, looking wistfully at his principal. “There is, I think, one case on record (Captain Bellegarde and the

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