Summer, Edith Wharton [urban books to read .TXT] 📗

The Town Hall was crowded and exceedingly hot. As Charity marched into it third in the white muslin file headed by Orma Fry, she was conscious mainly of the brilliant effect of the wreathed columns framing the green-carpeted stage toward which she was moving; and of the unfamiliar faces turning from the front rows to watch the advance of the procession.

But it was all a bewildering blur of eyes and colours till she found herself standing at the back of the stage, her great bunch of asters and goldenrod held well in front of her, and answering the nervous glance of Lambert Sollas, the organist from Mr. Miles’s church, who had come up from Nettleton to play the harmonium and sat behind it, his conductor’s eye running over the fluttered girls.

A moment later Mr. Miles, pink and twinkling, emerged from the background, as if buoyed up on his broad white gown, and briskly dominated the bowed heads in the front rows. He prayed energetically and briefly and then retired, and a fierce nod from Lambert Sollas warned the girls that they were to follow at once with “Home, Sweet Home.” It was a joy to Charity to sing: it seemed as though, for the first time, her secret rapture might burst from her and flash its defiance at the world. All the glow in her blood, the breath of the summer earth, the rustle of the forest, the fresh call of birds at sunrise, and the brooding midday languors, seemed to pass into her untrained voice, lifted and led by the sustaining chorus.

And then suddenly the song was over, and after an uncertain pause, during which Miss Hatchard’s pearl-grey gloves started a furtive signalling down the hall, Mr. Royall, emerging in turn, ascended the steps of the stage and appeared behind the flower-wreathed desk. He passed close to Charity, and she noticed that his gravely set face wore the look of majesty that used to awe and fascinate her childhood. His frock-coat had been carefully brushed and ironed, and the ends of his narrow black tie were so nearly even that the tying must have cost him a protracted struggle. His appearance struck her all the more because it was the first time she had looked him full in the face since the night at Nettleton, and nothing in his grave and impressive demeanour revealed a trace of the lamentable figure on the wharf.

He stood a moment behind the desk, resting his fingertips against it, and bending slightly toward his audience; then he straightened himself and began.

At first she paid no heed to what he was saying: only fragments of sentences, sonorous quotations, allusions to illustrious men, including the obligatory tribute to Honorius Hatchard, drifted past her inattentive ears. She was trying to discover Harney among the notable people in the front row; but he was nowhere near Miss Hatchard, who, crowned by a pearl-grey hat that matched her gloves, sat just below the desk, supported by Mrs. Miles and an important-looking unknown lady. Charity was near one end of the stage, and from where she sat the other end of the first row of seats was cut off by the screen of foliage masking the harmonium. The effort to see Harney around the corner of the screen, or through its interstices, made her unconscious of everything else; but the effort was unsuccessful, and gradually she found her attention arrested by her guardian’s discourse.

She had never heard him speak in public before, but she was familiar with the rolling music of his voice when he read aloud, or held forth to the selectmen about the stove at Carrick Fry’s. Today his inflections were richer and graver than she had ever known them: he spoke slowly, with pauses that seemed to invite his hearers to silent participation in his thought; and Charity perceived a light of response in their faces.

He was nearing the end of his address⁠ ⁠… “Most of you,” he said, “most of you who have returned here today, to take contact with this little place for a brief hour, have come only on a pious pilgrimage, and will go back presently to busy cities and lives full of larger duties. But that is not the only way of coming back to North Dormer. Some of us, who went out from here in our youth⁠ ⁠… went out, like you, to busy cities and larger duties⁠ ⁠… have come back in another way⁠—come back for good. I am one of those, as many of you know.⁠ ⁠…” He paused, and there was a sense of suspense in the listening hall. “My history is without interest, but it has its lesson: not so much for those of you who have already made your lives in other places, as for the young men who are perhaps planning even now to leave these quiet hills and go down into the struggle. Things they cannot foresee may send some of those young men back some day to the little township and the old homestead: they may come back for good.⁠ ⁠…” He looked about him, and repeated gravely: “For good. There’s the point I want to make⁠ ⁠… North Dormer is a poor little place, almost lost in a mighty landscape: perhaps, by this time, it might have been a bigger place, and more in scale with the landscape, if those who had to come back had come with that feeling in their minds⁠—that they wanted to come back for good⁠ ⁠… and not for bad⁠ ⁠… or just for indifference.⁠ ⁠…

“Gentlemen, let us look at things as they are. Some of us have come back to our native town because we’d failed to get on elsewhere. One way or other, things had gone wrong with us⁠ ⁠… what we’d dreamed of hadn’t come true. But the fact that we had failed elsewhere is no reason why we should fail here. Our very experiments in larger places, even if they were unsuccessful, ought to have helped us to