The Black Tulip, Alexandre Dumas [portable ebook reader .txt] 📗

were the bulbs of the great black tulip, or because she had them from Cornelius?

This point, we believe, might be more readily decided than the other.

However that may have been, from that moment life became sweet, and again full of interest to the prisoner.

Rosa, as we have seen, had returned to him one of the suckers.

Every evening she brought to him, handful by handful, a quantity of soil from that part of the garden which he had found to be the best, and which, indeed, was excellent.

A large jug, which Cornelius had skilfully broken, did service as a flowerpot. He half filled it, and mixed the earth of the garden with a small portion of dried river mud, a mixture which formed an excellent soil.

Then, at the beginning of April, he planted his first sucker in that jug.

Not a day passed on which Rosa did not come to have her chat with Cornelius.

The tulips, concerning whose cultivation Rosa was taught all the mysteries of the art, formed the principal topic of the conversation; but, interesting as the subject was, people cannot always talk about tulips.

They therefore began to chat also about other things, and the tulip-fancier found out to his great astonishment what a vast range of subjects a conversation may comprise.

Only Rosa had made it a habit to keep her pretty face invariably six inches distant from the grating, having perhaps become distrustful of herself.

There was one thing especially which gave Cornelius almost as much anxiety as his bulbs⁠—a subject to which he always returned⁠—the dependence of Rosa on her father.

Indeed, Van Baerle’s happiness depended on the whim of this man. He might one day find Loewestein dull, or the air of the place unhealthy, or the gin bad, and leave the fortress, and take his daughter with him, when Cornelius and Rosa would again be separated.

“Of what use would the carrier pigeons then be?” said Cornelius to Rosa, “as you, my dear girl, would not be able to read what I should write to you, nor to write to me your thoughts in return.”

“Well,” answered Rosa, who in her heart was as much afraid of a separation as Cornelius himself, “we have one hour every evening, let us make good use of it.”

“I don’t think we make such a bad use of it as it is.”

“Let us employ it even better,” said Rosa, smiling. “Teach me to read and write. I shall make the best of your lessons, believe me; and, in this way, we shall never be separated any more, except by our own will.”

“Oh, then, we have an eternity before us,” said Cornelius.

Rosa smiled, and quietly shrugged her shoulders.

“Will you remain forever in prison?” she said, “and after having granted you your life, will not his Highness also grant you your liberty? And will you not then recover your fortune, and be a rich man, and then, when you are driving in your own coach, riding your own horse, will you still look at poor Rosa, the daughter of a jailer, scarcely better than a hangman?”

Cornelius tried to contradict her, and certainly he would have done so with all his heart, and with all the sincerity of a soul full of love.

She, however, smilingly interrupted him, saying, “How is your tulip going on?”

To speak to Cornelius of his tulip was an expedient resorted to by her to make him forget everything, even Rosa herself.

“Very well, indeed,” he said, “the coat is growing black, the sprouting has commenced, the veins of the bulb are swelling, in eight days hence, and perhaps sooner, we may distinguish the first buds of the leaves protruding. And yours Rosa?”

“Oh, I have done things on a large scale, and according to your directions.”

“Now, let me hear, Rosa, what you have done,” said Cornelius, with as tender an anxiety as he had lately shown to herself.

“Well,” she said, smiling, for in her own heart she could not help studying this double love of the prisoner for herself and for the black tulip, “I have done things on a large scale; I have prepared a bed as you described it to me, on a clear spot, far from trees and walls, in a soil slightly mixed with sand, rather moist than dry without a fragment of stone or pebble.”

“Well done, Rosa, well done.”

“I am now only waiting for your further orders to put in the bulb, you know that I must be behindhand with you, as I have in my favour all the chances of good air, of the sun, and abundance of moisture.”

“All true, all true,” exclaimed Cornelius, clapping his hands with joy, “you are a good pupil, Rosa, and you are sure to gain your hundred thousand guilders.”

“Don’t forget,” said Rosa, smiling, “that your pupil, as you call me, has still other things to learn besides the cultivation of tulips.”

“Yes, yes, and I am as anxious as you are, Rosa, that you should learn to read.”

“When shall we begin?”

“At once.”

“No, tomorrow.”

“Why tomorrow?”

“Because today our hour is expired, and I must leave you.”

“Already? But what shall we read?”

“Oh,” said Rosa, “I have a book⁠—a book which I hope will bring us luck.”

“Tomorrow, then.”

“Yes, tomorrow.”

On the following evening Rosa returned with the Bible of Cornelius de Witt.

XVII The First Bulb

On the following evening, as we have said, Rosa returned with the Bible of Cornelius de Witt.

Then began between the master and the pupil one of those charming scenes which are the delight of the novelist who has to describe them.

The grated window, the only opening through which the two lovers were able to communicate, was too high for conveniently reading a book, although it had been quite convenient for them to read each other’s faces.

Rosa therefore had to press the open book against the grating edgewise, holding above it in her right hand the lamp, but Cornelius hit upon the lucky idea of fixing it to the bars, so as to afford her a little rest. Rosa was