Something New, P. G. Wodehouse [best desktop ebook reader .TXT] 📗

who believed that all mortal ailments could be cured by cold showers and brisk walks. They were all alike and they nearly killed you. His worst nightmare was the one where he dreamed he was back at Muldoon’s, leading his horse up that endless hill outside the village.

He would not stand it! He would be hanged if he’d stand it! He would defy Ashe. But if he defied Ashe, Ashe would go away; and then whom could he find to recover his lost scarab?

Mr. Peters began to appreciate the true meaning of the phrase about the horns of a dilemma. The horns of this dilemma occupied his attention until the end of the dinner. He shifted uneasily from one to the other and back again. He rose from the table in a thoroughly overwrought condition of mind. And then, somehow, in the course of the evening, he found himself alone in the hall, not a dozen feet from the unlocked museum door.

It was not immediately that he appreciated the significance of this fact. He had come to the hall because its solitude suited his mood. It was only after he had finished a cigar⁠—Ashe could not stop his smoking after dinner⁠—that it suddenly flashed on him that he had ready at hand a solution of all his troubles. A brief minute’s resolute action and the scarab would be his again, and the menace of Ashe a thing of the past. He glanced about him. Yes; he was alone.

Not once since the removal of the scarab had begun to exercise his mind had Mr. Peters contemplated for an instant the possibility of recovering it himself. The prospect of the unpleasantness that would ensue had been enough to make him regard such an action as out of the question. The risk was too great to be considered for a moment; but here he was, in a position where the risk was negligible!

Like Ashe, he had always visualized the recovery of his scarab as a thing of the small hours, a daring act to be performed when sleep held the castle in its grip. That an opportunity would be presented to him of walking in quite calmly and walking out again with the Cheops in his pocket, had never occurred to him as a possibility.

Yet now this chance was presenting itself in all its simplicity, and all he had to do was to grasp it. The door of the museum was not even closed. He could see from where he stood that it was ajar.

He moved cautiously in its direction⁠—not in a straight line as one going to a museum, but circuitously as one strolling without an aim. From time to time he glanced over his shoulder. He reached the door, hesitated, and passed it. He turned, reached the door again⁠—and again passed it. He stood for a moment darting his eyes about the hall; then, in a burst of resolution, he dashed for the door and shot in like a rabbit.

At the same moment the Efficient Baxter, who, from the shelter of a pillar on the gallery that ran around two-thirds of the hall, had been eyeing the peculiar movements of the distinguished guest with considerable interest for some minutes, began to descend the stairs.

Rupert Baxter, the Earl of Emsworth’s indefatigable private secretary, was one of those men whose chief characteristic is a vague suspicion of their fellow human beings. He did not suspect them of this or that definite crime; he simply suspected them. He prowled through life as we are told the hosts of Midian prowled.

His powers in this respect were well-known at Blandings Castle. The Earl of Emsworth said: “Baxter is invaluable⁠—positively invaluable.” The Honorable Freddie said: “A chappie can’t take a step in this bally house without stumbling over that damn feller, Baxter!” The manservant and the maidservant within the gates, like Miss Willoughby, employing that crisp gift for characterization which is the property of the English lower orders, described him as a Nosy Parker.

Peering over the railing of the balcony and observing the curious movements of Mr. Peters, who, as a matter of fact, while making up his mind to approach the door, had been backing and filling about the hall in a quaint serpentine manner like a man trying to invent a new variety of the tango, the Efficient Baxter had found himself in some way⁠—why, he did not know⁠—of what, he could not say⁠—but in some nebulous way, suspicious.

He had not definitely accused Mr. Peters in his mind of any specific tort or malfeasance. He had merely felt that something fishy was toward. He had a sixth sense in such matters.

But when Mr. Peters, making up his mind, leaped into the museum, Baxter’s suspicions lost their vagueness and became crystallized. Certainty descended on him like a bolt from the skies. On oath, before a notary, the Efficient Baxter would have declared that J. Preston Peters was about to try to purloin the scarab.

Lest we should seem to be attributing too miraculous powers of intuition to Lord Emsworth’s secretary, it should be explained that the mystery which hung about that curio had exercised his mind not a little since his employer had given it to him to place in the museum. He knew Lord Emsworth’s power of forgetting and he did not believe his account of the transaction. Scarab maniacs like Mr. Peters did not give away specimens from their collections as presents. But he had not divined the truth of what had happened in London.

The conclusion at which he had arrived was that Lord Emsworth had bought the scarab and had forgotten all about it. To support this theory was the fact that the latter had taken his check book to London with him. Baxter’s long acquaintance with the earl had left him with the conviction that there was no saying what he might not do if left loose in London with a check book.

As to Mr. Peters’ motive for entering the museum, that, too, seemed completely clear to the secretary.