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crying pitifully. She could no longer go into the garden, but always kept her bed. She could not bear the noise of the children; it tortured her and carried her thoughts back to the narrow streets: they had to keep out of doors all day. Delirious attacks became more frequent, and her thin, languid voice became once more rough and hoarse. She lay fighting with boys and roughs and high hats, defended herself with nicknames and abusive epithets, and snarled at everyone, until she at last gave in and asked for brandy, and lay crying softly to herself. Old Brun never dared show himself at her bedside; she took him for an old chamberlain that the street-boys had set onto her, and received him with coarse demands.

This insight into the child’s terrible existence among the timber-stacks affected them all. It seemed as if the malignity of life would not relax its hold on this innocent victim, but would persecute her as long as life remained, and made all their love useless. Morten stayed with her during the days in which she fought her battle with death; he sat watching her from a corner, only venturing nearer when she dozed. Ellen was the only one who had the strength to meet it. She was with Johanna night and day, and tried to make death easier for her by her unwearying care; and when the fits came over the child, she held her in her arms and sought to calm her with a mother’s love.

She had never been in a death-chamber before, but did not quail; and the child died upon her breast.

Johanna’s death had completely paralyzed Morten. As long as he possibly could he had clung to the belief that her life might be saved; if not, it would be so unreasonably unjust; and when her hopeless condition became apparent to him, he collapsed. He did nothing, but wandered about dully, spoke to no one and ate very little. It was as though he had received a blow on the head from a heavy hand.

After the funeral he and Pelle walked home together while the others drove. Pelle talked of indifferent matters in order to draw Morten’s thoughts away from the child, but Morten did not listen to him.

“My dear fellow, you can’t go on like this,” said Pelle suddenly, putting his arm through Morten’s. “You’ve accompanied the poor child along the road as far as you could, and the living have some claim on you too.”

Morten raised his head. “What does it matter whether I write a few pages more or less?” he said wearily.

“Your pen was given you to defend the defenceless with; you mustn’t give up,” said Pelle.

Morten laughed bitterly. “And haven’t I pleaded the cause of the children as well as I could, and been innocent enough to believe that there, at any rate, it was only necessary to open people’s eyes in order to touch their hearts? And what has been gained? The addition, at the most, of one more volume to the so-called good literature. Men are practical beings; you can with the greatest ease get them to shed theater tears; they’re quite fond of sitting in the stalls and weeping with the unfortunate man; but woe to him if they meet him again in the street! The warmest words that have ever been spoken to me about my descriptions of children were from an old gentleman whom I afterward found to be trying to get hold of little children.”

“But what are you going to do?” said Pelle, looking at him with concern.

“Yes, what am I going to do⁠—tell me that! You’re right in saying I’m indifferent, but can one go on taking part in a battle that doesn’t even spare the children? Do you remember my little sister Karen, who had to drown herself? How many thousand children are there not standing behind her and Johanna! They call this the children’s century, and the children’s blood is crying out from the earth! They’re happy when they can steal away. Fancy if Johanna had lived on with her burden! The shadows of childhood stretch over the whole of life.”

“Yes, and so does the sunshine of childhood!” exclaimed Pelle. “That’s why we mustn’t fail the poor little ones. We shall need a race with warm hearts.”

“That’s just what I’ve thought,” said Morten sadly. “Do you know, Pelle, I loved that child who came to me from the very lowest depth. She was everything to me; misery has never come so cruelly near to me before. It was a beautiful dream of mine⁠—a foolish dream⁠—that she would live. I was going to coax life and happiness into her again, and then I would have written a book about all that triumphs. I don’t know whether you understand me⁠—about misery that becomes health and happiness beneath the sunshine of kindness. She was that; life could hardly be brought lower! But did you notice how much beauty and delicacy there was after all buried beneath the sewer-mud in her? I had looked forward to bringing it out, freed from all want and ugliness, and showing the world how beautiful we are down here when the mud is scraped off us. Perhaps it might have induced them to act justly. That’s what I dreamed, but it’s a bitter lot to have the unfortunates appointed to be one’s beloved. My only love is irretrievably dead, and now I cannot write about anything that triumphs. What have I to do with that?”

“I think it’s Victor Hugo who says that the heart is the only bird that carries its cage,” said Pelle, “but your heart refuses to take it when there is most use for it.”

“Oh, no!” said Morten with a little more energy. “I shan’t desert you; but this has been a hard blow for me. If only I had a little more of your clear faith! Well, I must be glad that I have you yourself,” he added, holding out his

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