Penguin Island, Anatole France [ready to read books TXT] 📗

a general rule, musical critics are deaf and art critics are blind. This allows them the collectedness necessary for aesthetic ideas. Do you imagine that with eyes capable of perceiving the forms and colours with which mysterious nature envelops herself, Fulgence Tapir would have raised himself, on a mountain of printed and manuscript documents, to the summit of doctrinal spiritualism, or that he would have conceived that mighty theory which makes the arts of all times and countries converge towards the Institute of France, their supreme end?

The walls of the study, the floor, and even the ceiling were loaded with overflowing bundles, pasteboard boxes swollen beyond measure, boxes in which were compressed an innumerable multitude of small cards covered with writing. I beheld in admiration mingled with terror the cataracts of erudition that threatened to burst forth.

“Master,” said I in feeling tones, “I throw myself upon your kindness and your knowledge, both of which are inexhaustible. Would you consent to guide me in my arduous researches into the origins of Penguin art?”

“Sir,” answered the Master, “I possess all art, you understand me, all art, on cards classed alphabetically and in order of subjects. I consider it my duty to place at your disposal all that relates to the Penguins. Get on that ladder and take out that box you see above. You will find in it everything you require.”

I tremblingly obeyed. But scarcely had I opened the fatal box than some blue cards escaped from it, and slipping through my fingers, began to rain down. Almost immediately, acting in sympathy, the neighbouring boxes opened, and there flowed streams of pink, green, and white cards, and by degrees, from all the boxes, differently coloured cards were poured out murmuring like a waterfall on a mountainside in April. In a minute they covered the floor with a thick layer of paper. Issuing from their inexhaustible reservoirs with a roar that continually grew in force, each second increased the vehemence of their torrential fall. Swamped up to the knees in cards, Fulgence Tapir observed the cataclysm with attentive nose. He recognised its cause and grew pale with fright.

“What a mass of art!” he exclaimed.

I called to him and leaned forward to help him mount the ladder which bent under the shower. It was too late. Overwhelmed, desperate, pitiable, his velvet smoking-cap and his gold-mounted spectacles having fallen from him, he vainly opposed his short arms to the flood which had now mounted to his armpits. Suddenly a terrible spurt of cards arose and enveloped him in a gigantic whirlpool. During the space of a second I could see in the gulf the shining skull and little fat hands of the scholar; then it closed up and the deluge kept pouring over what was silence and immobility. In dread lest I in my turn should be swallowed up ladder and all I made my escape through the topmost pane of the window.

Penguin Island Book I The Beginnings I Life of Saint Maël

Maël, a scion of a royal family of Cambria, was sent in his ninth year to the Abbey of Yvern so that he might there study both sacred and profane learning. At the age of fourteen he renounced his patrimony and took a vow to serve the Lord. His time was divided, according to the rule, between the singing of hymns, the study of grammar, and the meditation of eternal truths.

A celestial perfume soon disclosed the virtues of the monk throughout the cloister, and when the blessed Gal, the Abbot of Yvern, departed from this world into the next, young Maël succeeded him in the government of the monastery. He established therein a school, an infirmary, a guesthouse, a forge, workshops of all kinds, and sheds for building ships, and he compelled the monks to till the lands in the neighbourhood. With his own hands he cultivated the garden of the Abbey, he worked in metals, he instructed the novices, and his life was gently gliding along like a stream that reflects the heaven and fertilizes the fields.

At the close of the day this servant of God was accustomed to seat himself on the cliff, in the place that is today still called St. Maël’s chair. At his feet the rocks bristling with green seaweed and tawny wrack seemed like black dragons as they faced the foam of the waves with their monstrous breasts. He watched the sun descending into the ocean like a red Host whose glorious blood gave a purple tone to the clouds and to the summits of the waves. And the holy man saw in this the image of the mystery of the Cross, by which the divine blood has clothed the earth with a royal purple. In the offing a line of dark blue marked the shores of the island of Gad, where St. Bridget, who had been given the veil by St. Malo, ruled over a convent of women.

Now Bridget, knowing the merits of the venerable Maël, begged from him some work of his hands as a rich present. Maël cast a handbell of bronze for her and, when it was finished, he blessed it and threw it into the sea. And the bell went ringing towards the coast of Gad, where St. Bridget, warned by the sound of the bell upon the waves, received it piously, and carried it in solemn procession with singing of psalms into the chapel of the convent.

Thus the holy Maël advanced from virtue to virtue. He had already passed through two-thirds of the way of life, and he hoped peacefully to reach his terrestrial end in the midst of his spiritual brethren, when he knew by a certain sign that the Divine wisdom had decided otherwise, and that the Lord was calling him to less peaceful but not less meritorious labours.

II The Apostolical Vocation of Saint Maël

One day as he walked in meditation to the furthest point of a