Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

There are many people in England today upon whom it has not yet dawned. There are times when I doubt whether any but a very inconsiderable minority of English people realise how extensively this ostensible order has even now passed away. The great houses stand in the parks still, the cottages cluster respectfully on their borders, touching their eaves with their creepers, the English countryside⁠—you can range through Kent from Bladesover northward and see⁠—persists obstinately in looking what it was. It is like an early day in a fine October. The hand of change rests on it all, unfelt, unseen; resting for awhile, as it were half reluctantly, before it grips and ends the thing forever. One frost and the whole face of things will be bare, links snap, patience end, our fine foliage of pretences lie glowing in the mire.

For that we have still to wait a little while. The new order may have gone far towards shaping itself, but just as in that sort of lantern show that used to be known in the village as the “Dissolving Views,” the scene that is going remains upon the mind, traceable and evident, and the newer picture is yet enigmatical long after the lines that are to replace those former ones have grown bright and strong, so that the new England of our children’s children is still a riddle to me. The ideas of democracy, of equality, and above all of promiscuous fraternity have certainly never really entered into the English mind. But what is coming into it? All this book, I hope, will bear a little on that. Our people never formulates; it keeps words for jests and ironies. In the meanwhile the old shapes, the old attitudes remain, subtly changed and changing still, sheltering strange tenants. Bladesover House is now let furnished to Sir Reuben Lichtenstein, and has been since old Lady Drew died; it was my odd experience to visit there, in the house of which my mother had been housekeeper, when my uncle was at the climax of Tono-Bungay. It was curious to notice then the little differences that had come to things with this substitution. To borrow an image from my mineralogical days, these Jews were not so much a new British gentry as “pseudomorphous” after the gentry. They are a very clever people, the Jews, but not clever enough to suppress their cleverness. I wished I could have gone downstairs to savour the tone of the pantry. It would have been very different I know. Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper proprietor of the type that hustles along with stolen ideas from one loud sink-or-swim enterprise to another, had bought the place outright; Redgrave was in the hands of brewers.

But the people in the villages, so far as I could detect, saw no difference in their world. Two little girls bobbed and an old labourer touched his hat convulsively as I walked through the village. He still thought he knew his place⁠—and mine. I did not know him, but I would have liked dearly to have asked him if he remembered my mother, if either my uncle or old Lichtenstein had been man enough to stand being given away like that.

In that English countryside of my boyhood every human being had a “place.” It belonged to you from your birth like the colour of your eyes, it was inextricably your destiny. Above you were your betters, below you were your inferiors, and there were even an unstable questionable few, cases so disputable that you might for the rough purposes of every day at least, regard them as your equals. Head and centre of our system was Lady Drew, her “leddyship,” shrivelled, garrulous, with a wonderful memory for genealogies and very, very old, and beside her and nearly as old, Miss Somerville, her cousin and companion. These two old souls lived like dried-up kernels in the great shell of Bladesover House, the shell that had once been gaily full of fops, of fine ladies in powder and patches and courtly gentlemen with swords; and when there was no company they spent whole days in the corner parlour just over the housekeeper’s room, between reading and slumber and caressing their two pet dogs. When I was a boy I used always to think of these two poor old creatures as superior beings living, like God, somewhere through the ceiling. Occasionally they bumped about a bit and one even heard them overhead, which gave them a greater effect of reality without mitigating their vertical predominance. Sometimes too I saw them. Of course if I came upon them in the park or in the shrubbery (where I was a trespasser) I hid or fled in pious horror, but I was upon due occasion taken into the Presence by request. I remember her “leddyship” then as a thing of black silks and a golden chain, a quavering injunction to me to be a good boy, a very shrunken loose-skinned face and neck, and a ropy hand that trembled a halfcrown into mine. Miss Somerville hovered behind, a paler thing of broken lavender and white and black, with screwed up, sandy-lashed eyes. Her hair was yellow and her colour bright, and when we sat in the housekeeper’s room of a winter’s night warming our toes and sipping elder wine, her maid would tell us the simple secrets of that belated flush.⁠ ⁠… After my fight with young Garvell I was of course banished, and I never saw those poor old painted goddesses again.

Then there came and went on these floors over our respectful heads, the Company; people I rarely saw, but whose tricks and manners were imitated and discussed by their maids and valets in the housekeeper’s room and the steward’s room⁠—so that I had them through a medium at second hand. I gathered that none of the company were really Lady Drew’s equals, they were greater and lesser after the manner of all things in