Tono-Bungay, H. G. Wells [reading like a writer .TXT] 📗

Only⁠—even to this day⁠—I don’t remember it as in any way vulgar. She was, I could see quite clearly, anxious to overstate or conceal her real social status, a little desirous to be taken for a student in the art school and a little ashamed that she wasn’t. She came to the museum to “copy things,” and this, I gathered, had something to do with some way of partially earning her living that I wasn’t to inquire into. I told her things about myself, vain things that I felt might appeal to her, but that I learnt long afterwards made her think me “conceited.” We talked of books, but there she was very much on her guard and secretive, and rather more freely of pictures. She “liked” pictures. I think from the outset I appreciated and did not for a moment resent that hers was a commonplace mind, that she was the unconscious custodian of something that had gripped my most intimate instinct, that she embodied the hope of a possibility, was the careless proprietor of a physical quality that had turned my head like strong wine. I felt I had to stick to our acquaintance, flat as it was. Presently we should get through these irrelevant exterior things, and come to the reality of love beneath.

I saw her in dreams released, as it were, from herself, beautiful, worshipful, glowing. And sometimes when we were together, we would come on silences through sheer lack of matter, and then my eyes would feast on her, and the silence seemed like the drawing back of a curtain⁠—her superficial self. Odd, I confess. Odd, particularly, the enormous hold of certain things about her upon me, a certain slight rounded duskiness of skin, a certain perfection of modelling in her lips, her brow, a certain fine flow about the shoulders. She wasn’t indeed beautiful to many people⁠—these things are beyond explaining. She had manifest defects of form and feature, and they didn’t matter at all. Her complexion was bad, but I don’t think it would have mattered if it had been positively unwholesome. I had extraordinarily limited, extraordinarily painful, desires. I longed intolerably to kiss her lips.

V

The affair was immensely serious and commanding to me. I don’t remember that in these earlier phases I had any thought of turning back at all. It was clear to me that she regarded me with an eye entirely more critical than I had for her, that she didn’t like my scholarly untidiness, my want of even the most commonplace style. “Why do you wear collars like that?” she said, and sent me in pursuit of gentlemanly neckwear. I remember when she invited me a little abruptly one day to come to tea at her home on the following Sunday and meet her father and mother and aunt, that I immediately doubted whether my hitherto unsuspected best clothes would create the impression she desired me to make on her belongings. I put off the encounter until the Sunday after, to get myself in order. I had a morning coat made and I bought a silk hat, and had my reward in the first glance of admiration she ever gave me. I wonder how many of my sex are as preposterous. I was, you see, abandoning all my beliefs, my conventions unasked. I was forgetting myself immensely. And there was a conscious shame in it all. Never a word⁠—did I breathe to Ewart⁠—to any living soul of what was going on.

Her father and mother and aunt struck me as the dismalest of people, and her home in Walham Green was chiefly notable for its black and amber tapestry carpets and curtains and tablecloths, and the age and irrelevance of its books, mostly books with faded gilt on the covers. The windows were fortified against the intrusive eye by cheap lace curtains and an “art pot” upon an unstable octagonal table. Several framed Art School drawings of Marion’s, bearing official South Kensington marks of approval, adorned the room, and there was a black and gilt piano with a hymnbook on the top of it. There were draped mirrors over all the mantels, and above the sideboard in the dining-room in which we sat at tea was a portrait of her father, villainously truthful after the manner of such works. I couldn’t see a trace of the beauty I found in her in either parent, yet she somehow contrived to be like them both.

These people pretended in a way that reminded me of the Three Great Women in my mother’s room, but they had not nearly so much social knowledge and did not do it nearly so well. Also, I remarked, they did it with an eye on Marion. They had wanted to thank me, they said, for the kindness to their daughter in the matter of the bus fare, and so accounted for anything unusual in their invitation. They posed as simple gentlefolk, a little hostile to the rush and gadding-about of London, preferring a secluded and unpretentious quiet.

When Marion got out the white tablecloth from the sideboard-drawer for tea, a card bearing the word Apartments fell to the floor. I picked it up and gave it to her before I realised from her quickened colour that I should not have seen it; that probably had been removed from the window in honour of my coming.

Her father spoke once in a large remote way of the claims of business engagements, and it was only long afterwards I realised that he was a supernumerary clerk in the Walham Green Gas Works and otherwise a useful man at home. He was a large, loose, fattish man with unintelligent brown eyes magnified by spectacles; he wore an ill-fitting frock-coat and a paper collar, and he showed me, as his great treasure and interest, a large Bible which he had grangerised with photographs of pictures. Also he cultivated the little garden-yard behind the house, and he had a small greenhouse