The Black Opal, Katharine Susannah Prichard [i have read the book a hundred times txt] 📗

and dressing-table, Sophie took off her old dust-coat and the pink scarf she had tied over her hair. The mirror was longer than Mrs. Woods’. Her dress looked very crushed when she saw it reflected. She tried to shake out the creases. Her hair, too, was flat, and had blown into stringy ends. A shade of disappointment dimmed the brightness of her mood as she realised she was not looking nearly as nice as she had when she left the Ridge.

Someone said: “May I come in?” and Polly Henty and another girl entered the room.

Polly Henty had just left school. She was a round-faced, jolly-looking girl of about Sophie’s own age, and the girl with her was not much older, pretty and sprightly, an inch or so taller than Polly, and slight. She had grey eyes, and a fluff of dry-grass coloured hair about a small, sharp-featured, fresh-complexioned face, neatly powdered.

Sophie knew something was wrong with her clothes the moment she encountered the girls’ curious and patronising glances as they came into the room. Their appearance, too, took the skin from her vanity. Polly had on a frock of silky white crêpe, with no lace or decoration of any kind, except a small gold locket and chain which she was wearing. But her dress fell round her in graceful folds, showing her small, well-rounded bust and hips, and she had on silk stockings and white satin slippers. The other girl’s frock was of pale pink, misty material, so thin that her shoulders and arms showed through it as though there were nothing on them. She had pinned a pink rose in her hair, too, so that its petals just lay against the nape of her neck. Sophie thought she had never seen anyone look so nice. She had never dreamed of such a dress.

“Oh, Miss Rouminof,” Polly said; “mother sent me to look for you. We’re just ready to start, and your father wants you to turn over his music for him.”

Sophie stood up, conscious that her dress was nothing like as pretty as she had thought it. It stood out stiffly about her: the starched petticoat crackled as she moved. She knew the lace should not have been on her sleeves; that her shoes were of canvas, and creaked as she walked; that her cotton gloves, and even the heavy, old-fashioned fan she was carrying, were not what they ought to have been.

“Miss Chelmsford⁠—Miss Rouminof,” Polly said, looking from Sophie to the girl in the pink dress.

Sophie said: “How do you do?” gravely, and put out her hand.

“Oh!⁠ ⁠… How do you do?” Miss Chelmsford responded hurriedly, and as if just remembering she, too, had a hand.

Sophie went with Polly and her friend to the veranda, which was screened in on one side with hessian to form a ballroom. Behind the hessian the walls were draped with flags, sheaves of paper daisies, and bundles of Darling pea. Red paper lanterns swung from the roof, threw a rosy glare over the floor which had been polished until it shone like burnished metal.

Polly Henty took Sophie to the piano where Mrs. Henty was playing the opening bars of a waltz. Paul beside her, his violin under his arm, stood looking with eager interest over the room where men and girls were chatting in little groups.

Mrs. Henty nodded and smiled to Sophie. Her father signalled to her, and she went to a seat near him.

Holding her hands over the piano, Mrs. Henty looked to Paul to see if he were ready. He lifted his violin, tucked it under his chin, drew his bow, and the piano and violin broke gaily, irregularly, uncertainly, at first, into a measure which set and kept the couples swaying round the edge of the ballroom.

Sophie watched them at first, dazed and interested. Under the glow of the lanterns, the figures of the dancers looked strange and solemn. Some of the dancers were moving without any conscious effort, just skimming the floor like swallows; others were working hard as they danced. Tom Henderson held Elizabeth Henty as if he never intended to let go of her, and worked her arm up and down as if it were a semaphore.

Sophie had always admired Arthur’s eldest sister, and she thought Elizabeth the most beautiful-looking person she had ever seen this evening. And that pink dress⁠—how pretty it was! What had Polly said her name was⁠—the girl who wore it? Phyllis⁠ ⁠… Phyllis Chelmsford.⁠ ⁠… Sophie watched the dress flutter among the dancers some time before she noticed Miss Chelmsford was dancing with Arthur Henty.

She watched the couples revolving, dazed, and thinking vaguely about them, noticing how pretty feet looked in satin slippers with high, curved heels, wondering why some men danced with stiff knees and others as if their knees had funny-bones like their elbows. The red light from the lanterns made the whole scene look unreal; she felt as if she were dreaming.

“Sophie!” her father cried sharply.

She turned his page. Her eyes wandered to Mrs. Henty, who sat with her back to her. Sophie contemplated the bow of her back in its black frock with Spanish lace scarf across it, the outline of the black lace on the wrinkled skin of Mrs. Henty’s neck, the loose, upward wave of her crisp white hair, glinting silverly where the light caught it. Her face was cobwebbed with wrinkles, but her features remained delicate and fine as sculpturings in ancient ivory. Her eyes were bright: the sparkle of youth still leapt in them. Her eyes had a slight smile of secret sympathy and amusement as they flew over the roomful of people dancing.

Sophie watched dance after dance, while the music jingled and jangled.

Presently John Armitage appeared in the doorway with Nina Henty. Sophie heard him apologising to Mrs. Henty for being late, and explaining that he had stayed in the back-country a few days longer than usual for the express purpose of coming to the ball.

Mrs. Henty replied that it was “better late than never,” and a pleasure to see Mr. Armitage at any