Of Human Bondage, W. Somerset Maugham [ebook reader that looks like a book .txt] 📗

Philip had an unfortunate trait: from shyness or from some atavistic inheritance of the cave-dweller, he always disliked people on first acquaintance; and it was not till he became used to them that he got over his first impression. It made him difficult of access. He received Hayward’s advances very shyly, and when Hayward asked him one day to go for a walk he accepted only because he could not think of a civil excuse. He made his usual apology, angry with himself for the flushing cheeks he could not control, and trying to carry it off with a laugh.

“I’m afraid I can’t walk very fast.”

“Good heavens, I don’t walk for a wager. I prefer to stroll. Don’t you remember the chapter in Marius where Pater talks of the gentle exercise of walking as the best incentive to conversation?”

Philip was a good listener; though he often thought of clever things to say, it was seldom till after the opportunity to say them had passed; but Hayward was communicative; anyone more experienced than Philip might have thought he liked to hear himself talk. His supercilious attitude impressed Philip. He could not help admiring, and yet being awed by, a man who faintly despised so many things which Philip had looked upon as almost sacred. He cast down the fetish of exercise, damning with the contemptuous word “pothunters” all those who devoted themselves to its various forms; and Philip did not realise that he was merely putting up in its stead the other fetish of culture.

They wandered up to the castle, and sat on the terrace that overlooked the town. It nestled in the valley along the pleasant Neckar with a comfortable friendliness. The smoke from the chimneys hung over it, a pale blue haze; and the tall roofs, the spires of the churches, gave it a pleasantly medieval air. There was a homeliness in it which warmed the heart. Hayward talked of Richard Feverel and Madame Bovary, of Verlaine, Dante, and Matthew Arnold. In those days Fitzgerald’s translation of Omar Khayyam was known only to the elect, and Hayward repeated it to Philip. He was very fond of reciting poetry, his own and that of others, which he did in a monotonous singsong. By the time they reached home Philip’s distrust of Hayward was changed to enthusiastic admiration.

They made a practice of walking together every afternoon, and Philip learned presently something of Hayward’s circumstances. He was the son of a country judge, on whose death some time before he had inherited three hundred a year. His record at Charterhouse was so brilliant that when he went to Cambridge the Master of Trinity Hall went out of his way to express his satisfaction that he was going to that college. He prepared himself for a distinguished career. He moved in the most intellectual circles: he read Browning with enthusiasm and turned up his well-shaped nose at Tennyson; he knew all the details of Shelley’s treatment of Harriet; he dabbled in the history of art (on the walls of his rooms were reproductions of pictures by G. F. Watts, Burne-Jones, and Botticelli); and he wrote not without distinction verses of a pessimistic character. His friends told one another that he was a man of excellent gifts, and he listened to them willingly when they prophesied his future eminence. In course of time he became an authority on art and literature. He came under the influence of Newman’s Apologia; the picturesqueness of the Roman Catholic faith appealed to his esthetic sensibility; and it was only the fear of his father’s wrath (a plain, blunt man of narrow ideas, who read Macaulay) which prevented him from “going over.” When he only got a pass degree his friends were astonished; but he shrugged his shoulders and delicately insinuated that he was not the dupe of examiners. He made one feel that a first class was ever so slightly vulgar. He described one of the vivas with tolerant humour; some fellow in an outrageous collar was asking him questions in logic; it was infinitely tedious, and suddenly he noticed that he wore elastic-sided boots: it was grotesque and ridiculous; so he withdrew his mind and thought of the gothic beauty of the Chapel at King’s. But he had spent some delightful days at Cambridge; he had given better dinners than anyone he knew; and the conversation in his rooms had been often memorable. He quoted to Philip the exquisite epigram:

“They told me, Herakleitus, they told me you were dead.”

And now, when he related again the picturesque little anecdote about the examiner and his boots, he laughed.

“Of course it was folly,” he said, “but it was a folly in which there was something fine.”

Philip, with a little thrill, thought it magnificent.

Then Hayward went to London to read for the Bar. He had charming rooms in Clement’s Inn, with panelled walls, and he tried to make them look like his old rooms at the Hall. He had ambitions that were vaguely political, he described himself as a Whig, and he was put up for a club which was of Liberal but gentlemanly flavour. His idea was to practise at the Bar (he chose the Chancery side as less brutal), and get a seat for some pleasant constituency as soon as the various promises made him were carried out; meanwhile he went a great deal to the opera, and made acquaintance with a small number of charming people who admired the things that he admired. He joined a dining-club of which the motto was, “The Whole, The Good, and The Beautiful.” He formed a platonic friendship with a lady some years older than himself, who lived in Kensington Square; and nearly every afternoon he drank tea with her by the light of shaded candles, and talked of George Meredith and Walter Pater. It was notorious that any fool could pass the examinations of the Bar Council, and he pursued his studies in a dilatory fashion. When